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Homo Rodans
''Homo rodans'' is a 1959 sculpture by the Spanish-Mexican surrealist Remedios Varo, constructed of discarded animal bones. The sculpture is a representation of a fantastical precursor to ''Homo sapiens'', with a wheel instead of legs. Alongside the sculpture, Varo wrote a satirical anthropological report entitled ''De Homo rodans'' with gouache illustrations of the creature. History At the time of the making of ''Homo rodans'' in the 1950s, Varo was already a successful painter. In 1955 she had an exhibition in the Diana Gallery in Mexico City, and it was well-received. ''Homo rodans'' is Varo's only sculpture. She initially displayed the piece, with the manuscript, in the Juan Martín bookshop in Mexico City. Shortly thereafter, Carmen Toscano de Moreno Sánchez and Manuel Moreno Sánchez purchased the sculpture and manuscript. Description ''Homo rodans'' is an imagined creature with a spine curving into a circle, forming a wheel where the legs of a human would be. The hypot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remedios Varo
María de los Remedios Alicia Rodriga Varo y Uranga (known as Remedios Varo, 16 December 1908 – 8 October 1963) was a Spanish and Mexican surrealist painter. Early life and education María de los Remedios Alicia Rodriga Varo y Uranga was born on 16 December 1908 in Anglès, a small town in the province of Girona, in Catalonia. Remedios was named in honor of the Virgen de los Remedios ("Virgin of Remedies") as a 'remedy' for an older sister's death. She had two surviving siblings: an older brother Rodrigo, and a younger brother Luis. Her mother, Ignacia Uranga y Bergareche, was born in Argentina to Basque parents and her father, Rodrigo Varo y Zajalvo, was from Córdoba in Andalusia. When Varo was a young child, her family moved frequently throughout Spain and North Africa to follow her father's work as a hydraulic engineer. While her father was a somewhat agnostic liberal who studied Esperanto, her mother was a devout Catholic and enrolled her in a strict convent schoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wifredo Lam
Wifredo Óscar de la Concepción Lam y Castilla (; December 8, 1902 – September 11, 1982), better known as Wifredo Lam, was a Cuban artist who sought to portray and revive the enduring Afro-Cubans, Afro-Cuban spirit and culture. Inspired by and in contact with some of the most renowned artists of the 20th century, including Pablo Picasso, Henri Matisse, Frida Kahlo and Diego Rivera, Lam melded his influences and created a unique style, which was ultimately characterized by the prominence of hybrid figures. This distinctive visual style of his also influences many artists. Though he was predominantly a painter, he also worked with sculpture, ceramics and printmaking in his later life. Early life Wifredo Lam was born and raised in Sagua La Grande, a village in the sugar farming province of Villa Clara Province, Villa Clara, Cuba. He was of mixed-race ancestry: his mother, the former Ana Serafina Castilla, was born to a Kongo people, Congolese former slave mother and a Cuban mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealist Works
Surrealism is an art movement, art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, photography, Theatre of Cruelty, theatre, Surrealist cinema, filmmaking, Surrealist music, music, Surreal humour, comedy and other media as well. Works of Surrealism feature the element of surprise, unexpected juxtapositions and ''Non sequitur (literary device), non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatic behavior, automatism" Breton speaks of in the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1959 Sculptures
Events January * January 1 – Cuba: Fulgencio Batista flees Havana when the forces of Fidel Castro advance. * January 2 – Soviet lunar probe Luna 1 is the first human-made object to attain escape velocity from Earth. It reaches the vicinity of Earth's Moon, where it was intended to crash-land, but instead becomes the first spacecraft to go into heliocentric orbit. * January 3 ** Alaska is admitted as the 49th U.S. state. ** The southernmost island of the Maldives archipelago, Addu Atoll, declares its independence from the Kingdom of the Maldives, initiating the United Suvadive Republic. * January 4 ** In Cuba, rebel troops led by Che Guevara and Camilo Cienfuegos enter the city of Havana. ** Léopoldville riots: At least 49 people are killed during clashes between the police and participants of a meeting of the ABAKO Party in Kinshasa, Léopoldville in the Belgian Congo. * January 6 – The International Maritime Organization is inaugurated. * January 7 – The United ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures In Mexico City
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
