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Hepster
Jive talk, also known as Harlem jive or simply Jive, the argot of jazz, jazz jargon, vernacular of the jazz world, slang of jazz, and parlance of hip is an African-American Vernacular English slang or vocabulary that developed in Harlem, where "jive" (jazz) was played and was adopted more widely in African-American society, peaking in the 1940s. In 1938, jazz bandleader and singer Cab Calloway published the first dictionary by an African-American, ''Cab Calloway's Cat-ologue: A "Hepster's" Dictionary'', which became the official jive language reference book of the New York Public Library. In 1939, Calloway published an accompanying book titled ''Professor Cab Calloway’s Swingformation Bureau'', which instructed readers how to apply the words and phrases from the dictionary. He released several editions until 1944, the last being ''The New Cab Calloway’s Hepsters Dictionary: Language of Jive''. Poet Lemn Sissay observed that "Cab Calloway was taking ownership of language for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cab Calloway
Cabell "Cab" Calloway III (December 25, 1907 – November 18, 1994) was an American jazz singer and bandleader. He was a regular performer at the Cotton Club in Harlem, where he became a popular vocalist of the Swing music, swing era. His niche of mixing jazz and vaudeville won him acclaim during a career that spanned over 65 years. Calloway was a master of energetic scat singing and led one of the most popular Big band, dance bands in the United States from the early 1930s to the late 1940s. His band included trumpeters Dizzy Gillespie, Jonah Jones, and Doc Cheatham, Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, guitarist Danny Barker, bassist Milt Hinton, and drummer Cozy Cole. Calloway had several hit records in the 1930s and 1940s, becoming the first African-American musician to sell one million copies of a record. He became known as the "Hi-de-ho" man of jazz for his most famous song, "Minnie the Moocher", originally recorded in 1931. He reached t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlem
Harlem is a neighborhood in Upper Manhattan, New York City. It is bounded roughly by the Hudson River on the west; the Harlem River and 155th Street on the north; Fifth Avenue on the east; and Central Park North on the south. The greater Harlem area encompasses several other neighborhoods and extends west and north to 155th Street, east to the East River, and south to Martin Luther King Jr. Boulevard, Central Park, and East 96th Street. Originally a Dutch village, formally organized in 1658, it is named after the city of Haarlem in the Netherlands. Harlem's history has been defined by a series of economic boom-and-bust cycles, with significant population shifts accompanying each cycle. Harlem was predominantly occupied by Jewish and Italian Americans in the late 19th century, while African-American residents began to arrive in large numbers during the Great Migration in the early 20th century. In the 1920s and 1930s, Central and West Harlem were the center of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hipster (1940s Subculture)
The terms hipster or hepcat, as used in the 1940s, referred to aficionados of jump blues and jazz, in particular bebop, which became popular in the early 1940s. The hipster subculture adopted the lifestyle of the jazz musician, including some or all of the following features: Conk hairstyles, loose fitting or oversize suits with loud colors, jive talk slang, use of tobacco, cannabis, and other recreational drugs, relaxed attitude, love for Jazz or Jump blues music, and styles of swing dancing, especially Lindy hop. The zoot suit was the popular style amongst hepcats. It incorporated baggy or oversize suits sometimes with loud colors, thick chalk stripes, floppy hats, and long chains. Many zoot suiters would often wear a fedora or pork pie hat, color-coordinated with the suit. Occasionally they would have a long feather on the fedora or pork pie hat as decoration. When conversing, hepcats would communicate in jive talk. Jive talk (also known as Harlem jive or simply Jive) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip (slang)
Hip is a slang for ''fashionably current'' and ''in the know''. To be hip is to have "an attitude, a stance" in opposition to the "unfree world", or to what is square (slang), square or prudish, prude. Being ''hip'' is also about being informed about the latest ideas, styles, and developments. ''Hip'', like ''Cool (aesthetic), cool'', does not refer to one specific quality. What is considered hip is continuously changing. Origin of term The term ''hip'' is recorded in African American Vernacular English (AAVE) in the early 1900s. In the 1930s and 1940s, it had become a common slang term, particularly in the African-American-dominated jazz scene. The origin of ''hip'' remains contested; many proposed etymologies exist, but none are proven. Research and speculation by both amateur and professional Etymology, etymologists suggest that "hip" is derived from an earlier form ''hep'', but that is disputed. Many etymologists believe that the terms ''hip'', ''hep'' and ''hepcat'' deriv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African-American Vernacular English
African-American Vernacular English (AAVE) is the variety of English natively spoken, particularly in urban communities, by most working- and middle-class African Americans and some Black Canadians. Having its own unique grammatical, vocabulary, and accent features, AAVE is employed by middle-class Black Americans as the more informal and casual end of a sociolinguistic continuum. However, in formal speaking contexts, speakers tend to switch to more standard English grammar and vocabulary, usually while retaining elements of the vernacular (non-standard) accent. AAVE is widespread throughout the United States, but is not the native dialect of all African Americans, nor are all of its speakers African American. Like most varieties of African-American English, African-American Vernacular English shares a large portion of its grammar and phonology with the regional dialects of the Southern United States, and especially older Southern American English, due to the hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince Albert Tobacco
Prince Albert is an American brand of hand-rolled-cigarette and pipe tobacco, introduced by the R.J. Reynolds Tobacco Company in 1907. It has been owned since 1987 by John Middleton Inc. History Prince Albert is one of the more popular independent brands of pipe tobacco in the United States; in the 1930s, it was the "second largest money-maker" for Reynolds. More recently, it has also become available in the form of pipe-tobacco cigars. (A 1960s experiment with filtered cigarettes was deemed a failure.) The blend is burley-based and remains one of America's top-selling pipe tobaccos. The tobacco was named by R. J. Reynolds after Edward VII, who was known as Prince Albert before being crowned as the King of the United Kingdom. The portrait of Prince Albert was based on one acquired by Reynolds at a tea party with Mark Twain. Prince Albert's cigars are available in packs of 5. Prince Albert's pipe tobacco is available in pouches and tins. Varieties Cigars *Prince Albert' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Swing
Western swing, country jazz or smooth country is a subgenre of American country music that originated in the late 1920s in the West and South among the region's Western string bands. It is dance music, often with an up-tempo beat, which attracted huge crowds to dance halls and clubs in Texas, Oklahoma, and California during the 1930s and 1940s until a federal war-time nightclub tax in 1944 contributed to the genre's decline.''Stomping the Blues''. Albert Murray. Da Capo Press. 2000. page 109, 110. , The movement was an outgrowth of jazz. The music is an amalgamation of rural, cowboy, polka, old-time, Dixieland jazz, and blues blended with swing; and played by a hot string band often augmented with drums, saxophones, pianos and, notably, the steel guitar. The electrically amplified stringed instruments, especially the steel guitar, give the music a distinctive sound.Wolff, ''Country Music'', "Big Balls in Cowtown: Western Swing From Fort Worth to Fresno", p. 71. La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lindy Hop
The Lindy Hop is an American dance which was born in the African-American communities of Harlem, New York City, in 1928 and has evolved since then. It was very popular during the swing era of the late 1930s and early 1940s. Lindy is a fusion of many dances that preceded it or were popular during its development but is mainly based on jazz dance, jazz, tap dance, tap, breakaway (dance), breakaway, and Charleston (dance), Charleston. It is frequently described as a jazz dance and is a member of the swing (dance), swing dance family. In its development, the Lindy Hop combined elements of both partnered and solo dancing by using the movements and improvisation of African-American dances along with the formal eight-count structure of European partner dances – most clearly illustrated in the Lindy's defining move, the swingout. In this step's open position, each dancer is generally connected hand-to-hand; in its closed position, leads and follows are connected as though in an e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jitterbug
Jitterbug is a generalized term used to describe Swing (dance), swing dancing. It is often synonymous with the lindy hop dance but might include elements of the Jive (dance), jive, east coast swing, collegiate shag, Charleston (dance), charleston, Balboa (dance), balboa and other swing dances. Swing dancing originated in the African-American communities of New York City in the early 20th century. Many nightclubs had a whites-only or blacks-only policy due to Racial segregation in the United States, racial segregation, however the Savoy Ballroom in Harlem had a no-discrimination policy which allowed whites and blacks to dance together and it was there that the Lindy Hop dance flourished, started by dancers such as George Snowden and Frank Manning. The term jitterbug was originally a ridicule used by black patrons to describe whites who started to dance the Lindy Hop, as they were dancing faster and jumpier than was intended, like "jittering bugs", although it quickly lost its nega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stride Piano
Stride jazz piano, often shortened to stride, is a jazz piano style that arose from ragtime players. Prominent stride pianists include James P. Johnson, Willie "the Lion" Smith, Fats Waller, Luckey Roberts, and Mary Lou Williams. Technique Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. Compositions were written but were also intended to be improvised. The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. The left hand characteristically plays a four-beat pulse with a single bass note (or an octave, major seventh, minor seventh or major tenth interval) on the first and third beats, and a chord on the second and fourth beats. Occasionally this pattern is reversed by placing the chord on the downbeat and bass notes on the upbeat. Compared to the ragtime style popularized by Scott Joplin, stride players' left hands travel greater distances on the keyboard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly Roll Morton
Ferdinand Joseph LaMothe ( Lemott, later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American blues and jazz pianist, bandleader, and composer of Louisiana Creole descent. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition " Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote " King Porter Stomp", " Wolverine Blues", " Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth ... Morton's accomplishments as an early innovator are so vast that he did not really n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
