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Hamlet (opera)
''Hamlet'' is a grand opera in five acts of 1868 by the French composer Ambroise Thomas, with a libretto by Michel Carré and Jules Barbier based on a French adaptation by Alexandre Dumas, père, and Paul Meurice of William Shakespeare's play ''Hamlet''.Fauser, Annegret. "Hamlet. Ophélie: Shakespeare in Paris" in ''Hamlet'' CD Booklet (1993), pp. 33–41. Background Ophelia mania in Paris The Parisian public's fascination with Ophelia, prototype of the '' femme fragile'', began in the fall of 1827, when an English company directed by William Abbot came to Paris to give a season of Shakespeare in English at the Odéon. On 11 September 1827 the Irish actress Harriet Smithson played the part of Ophelia in ''Hamlet''. Cairns, David (1969), p. 70. Her mad scene appeared to owe little to tradition and seemed almost like an improvisation, with several contemporary accounts remarking on her astonishing capacity for mime. Her performances produced an extraordinary reaction: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambroise Thomas
Charles Louis Ambroise Thomas (; 5 August 1811 – 12 February 1896) was a French composer and teacher, best known for his operas ''Mignon'' (1866) and ''Hamlet (opera), Hamlet'' (1868). Born into a musical family, Thomas was a student at the Conservatoire de Paris, winning France's top music prize, the Prix de Rome. He pursued a career as a composer of operas, completing his first opera, ''La double échelle'', in 1837. He wrote twenty further operas over the next decades, mostly comic, but he also treated more serious subjects, finding considerable success with audiences in France and abroad. Thomas was appointed as a professor at the Conservatoire in 1856, and in 1871 he succeeded Daniel Auber as director. Between then and his death at his home in Paris twenty-five years later, he modernised the Conservatoire's organisation while imposing a rigidly conservative curriculum, hostile to modern music, and attempting to prevent composers such as César Franck and Gabriel Fauré fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DUMAS PERE
Dumas may refer to: Places *Dumas, Arkansas, United States, a city * Dumas, Mississippi, United States, a town * Dumas, Missouri, United States, an unincorporated community * Dumas, Texas, United States, a city * Mount Dumas, a mountain on Campbell Island, New Zealand * Dumas Beach, a beach southwest of Surat, Gujarat, India * 9059 Dumas, an asteroid People * Dumas (surname) ** Most notably, Alexandre Dumas Alexandre Dumas (born Alexandre Dumas Davy de la Pailleterie, 24 July 1802 – 5 December 1870), also known as Alexandre Dumas , was a French novelist and playwright. His works have been translated into many languages and he is one of the mos ... (1802–1870) French author and aristocrat * Dumas (musician) (born 1979), Canadian singer born Steve Dumas * Dumas Malone (1892–1986), Pulitzer Prize-winning American historian, biographer, and editor * Dumas or Dumarsais Simeus (born 1939), Haitian-born American businessman who ran for president of Haiti Fictional c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Préault
Auguste may refer to: People Surname * Arsène Auguste (1951–1993), Haitian footballer * Donna Auguste (born 1958), African-American businesswoman * Georges Auguste (born 1933), Haitian painter * Henri Auguste (1759–1816), Parisian gold and silversmith * Joyce Auguste, Saint Lucian musician * Jules Robert Auguste (1789–1850), French painter * Tancrède Auguste (1856–1913), President of Haiti (1912–13) Given name * Auguste, Baron Lambermont (1819–1905), Belgian statesman * Auguste, Duke of Leuchtenberg (1810–1835), prince consort of Maria II of Portugal * Auguste, comte de La Ferronays (1777–1842), French Minister of Foreign Affairs * Auguste Baillayre (1879–1961), French-born Romanian painter * Auguste Capelier (1905–1977), French art director * Auguste Clot (1858–1936), French art printer * Auguste Comte (1798–1857), French philosopher * Auguste de Marmont (1774-1852), Marshal of the Empire * Auguste Dick (1910–1993), Austrian historia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Legouvé
Gabriel Jean Baptiste Ernest Wilfrid Legouvé (; 14 February 180714 March 1903) was a French dramatist. Biography Son of the poet Gabriel-Marie Legouvé (1764–1812), he was born in Paris. His mother died in 1810, and almost immediately afterwards his father was removed to a lunatic asylum. The child, however, inherited a considerable fortune, and was carefully educated. Jean Nicolas Bouilly (1763–1842) was his tutor, and instilled in the young Legouvé a passion for literature, to which the example of his father and of his grandfather, Jean-Baptiste Legouvé (1729–1783), predisposed him. As early as 1829 he carried away a prize of the Académie française for a poem on the discovery of printing; and in 1832 he published a curious little volume of verses, entitled ''Les Morts Bizarres''. In those early days Legouvé brought out a succession of novels, of which ''Édith de Falsen'' enjoyed a considerable success. In 1847 he began the work by which he is best remembered, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristia (Berlioz)
''Tristia'', Op. 18, is a musical work consisting of three short pieces for chorus and orchestra by the French composer Hector Berlioz. Apart from its title, it has nothing to do with the collection of Latin poems by Ovid (the word ''tristia'' in Latin means 'sad things'). The individual works were composed at different times and published together in 1852. Berlioz associated them in his mind with Shakespeare's ''Hamlet ''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a Shakespearean tragedy, tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play. Set in Denmark, the play (the ...'', one of his favourite plays. They were never performed during the composer's lifetime. Details of the work The three movements are: References * David Cairns: ''Berlioz: Servitude and Greatness'' (the second volume of his biography of the composer) (Viking, 1999) * Hugh Macdonald: ''Berlioz'' ("The Master ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rushton, Julian
Julian Gordon Rushton (born 22 May 1941) is an English musicologist, born in Cambridge. He has contributed the entry on Mozart in ''The New Grove Dictionary of Opera'' and several other articles in ''The New Grove Dictionary of Music and Musicians'' and other reference works. He has written a critical study of the style of Hector Berlioz and was involved in critical editions of that composer's works. In 1999, he published an analysis of Elgar's ''Enigma Variations''. His book '' Coffee with Mozart'' (2007) has been translated into German. He also wrote Mozart (The Master Musicians, 2006) and Mozart: An Extraordinary Life (2006). In addition to his 1983 work ''The Musical Language of Berlioz'', he wrote ''The Music of Berlioz'' (OUP, 2001) as well as several articles on Mozart, Berlioz, and Elgar. He was General Editor of Cambridge Music Handbooks (c. 60 volumes), contributing Berlioz, ''Roméo et Juliette'' and Elgar, '' 'Enigma' Variations''. He has edited works by Charpentier, Ber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad
A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. While ballads have no prescribed structure and may vary in their number of lines and stanzas, many ballads employ quatrains with ABCB or ABAB rhyme schemes, the key being a rhymed second and fourth line. Contrary to a popular conception, it is rare if not unheard-of for a ballad to contain exactly 13 lines. Additionally, couplets rarely appear in ballads. Many ballads were written and sold as single-sheet Broadside (music), broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lélio
''Lélio, ou Le retour à la vie'' (English: ''Lélio, or the Return to Life''), Op. 14b, is a work incorporating music and spoken text by the French composer Hector Berlioz, intended as a sequel to his '' Symphonie fantastique''. It is written for a narrator, solo tenor and baritone, mixed chorus, and an orchestra including piano. Composed in Italy in 1831 and initially performed at the Conservatoire de Paris on December 9, 1832, as ''Le retour à la vie, mélologue en six parties,'' ''Lélio'' incorporated pre-existing compositions. Upon Franz Liszt's solicitation, it underwent revision for a 1855 performance in Weimar and was published the subsequent year. David Cairns highlights ''Lélio'' for its unparalleled "immediate impact" within Berlioz's catalogue. Its early appeal, rooted in the fusion of Romantic aesthetics and the interplay between declamation and music, has, however, led to its perception as dated, thus its infrequent revival and recording in contemporary times. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonie Fantastique
' (''Fantastic Symphony: Episode in the Life of an Artist … in Five Sections'') Opus number, Op. 14, is a program music, programmatic symphony written by Hector Berlioz in 1830. The first performance was at the Paris Conservatoire on 5 December 1830. Berlioz wrote semi-autobiographical programme notes for the piece that allude to the Romanticism, romantic sufferings of a gifted artist who has poisoned himself with opium because of his unrequited love for a beautiful and fascinating woman (in real life, the Shakespearean actress Harriet Smithson, who in 1833 became the composer's wife). The composer, who revered Beethoven, followed the latter's unusual addition in the Symphony No. 6 (Beethoven), ''Pastoral'' Symphony of a fifth movement to the normal four of a classical symphony. The artist's reveries take him to a ball and to a pastoral scene in a field, which is interrupted by a hallucinatory march to the Scaffold (execution site), scaffold, leading to a grotesque satanic dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Granville Leveson-Gower, 1st Earl Granville
Granville Leveson-Gower, 1st Earl Granville, (12 October 1773 – 8 January 1846), styled Lord Granville Leveson-Gower from 1786 to 1815 and The Viscount Granville from 1815 to 1833, was a British Whig statesman and diplomat from the Leveson-Gower family. Background and education Granville was the second son and youngest child of Granville Leveson-Gower, 1st Marquess of Stafford from his marriage to Lady Susanna Stewart, daughter of Alexander Stewart, 6th Earl of Galloway. His elder, paternal half-brother was George Leveson-Gower, 1st Duke of Sutherland. Granville was educated at Dr. Kyle's school at Hammersmith, and then privately by John Chappel Woodhouse. He matriculated at Christ Church, Oxford, in April 1789 but never took a degree. Nevertheless, ten years later, in 1799, the honorary degree of DCL was conferred upon him. Career Granville began his career as a member of the House of Commons, representing Lichfield from 1795 to 1799, and Staffordshire for the next sixt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Berlioz
Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'', choral pieces including the Requiem (Berlioz), Requiem and ''L'Enfance du Christ'', his three operas ''Benvenuto Cellini (opera), Benvenuto Cellini'', ''Les Troyens'' and ''Béatrice et Bénédict'', and works of hybrid genres such as the "dramatic symphony" ''Roméo et Juliette (Berlioz), Roméo et Juliette'' and the "dramatic legend" ''La Damnation de Faust''. The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
