Gumbo Chaff
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Gumbo Chaff
"Gumbo Chaff", also spelled "Gombo Chaff", is an American song, first performed in the early 1830s. It was part of the repertoire of early blackface performers, including Thomas D. Rice and George Washington Dixon. The title character was one of the earliest blackface characters in the United States. He was based largely on the tall-tale riverboatsmen and frontiersmen characters that were popular in fiction during the Jacksonian Era. "Gumbo Chaff" merged these frontier elements with stereotypes of black slaves, creating a new character who lives "On de Ohio bluff in de state of Indiana" and who "jump into iskiff / And . . . down de river driff, / And . . . cotch as many cat fish as ever nigger liff."Nathan 173. Due to this song's popularity, the black riverboatsman (usually named "Gumbo Chaff") became a popular character in minstrelsy for a time. Blackface singers would often perform "Gumbo Chaff" with a mock flatboat on stage. The song's melody seems to be at least part ...
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Gumbo Chaff
"Gumbo Chaff", also spelled "Gombo Chaff", is an American song, first performed in the early 1830s. It was part of the repertoire of early blackface performers, including Thomas D. Rice and George Washington Dixon. The title character was one of the earliest blackface characters in the United States. He was based largely on the tall-tale riverboatsmen and frontiersmen characters that were popular in fiction during the Jacksonian Era. "Gumbo Chaff" merged these frontier elements with stereotypes of black slaves, creating a new character who lives "On de Ohio bluff in de state of Indiana" and who "jump into iskiff / And . . . down de river driff, / And . . . cotch as many cat fish as ever nigger liff."Nathan 173. Due to this song's popularity, the black riverboatsman (usually named "Gumbo Chaff") became a popular character in minstrelsy for a time. Blackface singers would often perform "Gumbo Chaff" with a mock flatboat on stage. The song's melody seems to be at least part ...
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Indiana
Indiana () is a U.S. state in the Midwestern United States. It is the 38th-largest by area and the 17th-most populous of the 50 States. Its capital and largest city is Indianapolis. Indiana was admitted to the United States as the 19th state on December 11, 1816. It is bordered by Lake Michigan to the northwest, Michigan to the north, Ohio to the east, the Ohio River and Kentucky to the south and southeast, and the Wabash River and Illinois to the west. Various indigenous peoples inhabited what would become Indiana for thousands of years, some of whom the U.S. government expelled between 1800 and 1836. Indiana received its name because the state was largely possessed by native tribes even after it was granted statehood. Since then, settlement patterns in Indiana have reflected regional cultural segmentation present in the Eastern United States; the state's northernmost tier was settled primarily by people from New England and New York, Central Indiana by migrants fro ...
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Blackface Minstrel Songs
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practic ...
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Blackface Minstrel Characters
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practice ...
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Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxfor ...
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Dan Emmett
Daniel Decatur Emmett (October 29, 1815June 28, 1904) was an American songwriter, entertainer, and founder of the first troupe of the blackface minstrel tradition, the Virginia Minstrels. He is most remembered as the composer of the song "Dixie". Early and family life Dan Emmett was born in Mount Vernon, Knox County, Ohio, then a frontier region. His grandfather, Rev. John Emmett (1759–1847) had been born in Cecil County, Maryland, and after serving as a private in the American Revolutionary War and fighting at the Battle of White Plains in New York and later in Delaware, became a Methodist minister in the then-vast frontier Augusta County, Virginia, and then moved across the Appalachian Mountains to Licking County, Ohio and also served in the Ohio legislature representing Pickaway County, Ohio in the Scioto River valley. His father, Abraham Emmett (1791–1846) served as a private in the War of 1812 while his father served in the Ohio legislature. Notwithstanding his g ...
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De Wild Goose-Nation
"De Wild Goose-Nation" is an American song composed by blackface minstrel performer Dan Emmett. The song is a parody (or possibly an adaptation) of "Gumbo Chaff", a blackface minstrel song dating to the 1830s, the music of which most closely resembles an 1844 version of that song. Musicologist Hans Nathan sees similarities in the introduction of the song to the later "Dixie". Animal characters are the song's protagonists, tying "De Wild Goose-Nation" to similar tales in African American folklore. Despite the title, the phrase "wild goose nation" occurs only once, in the first verse. Some lyrics from the song are repeated in "Dixie": "De tarapin he thot it was time for to trabble / He screw aron his tail and begin to scratch grabble." Emmett published the song through the Charles Keith Company in Boston Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial c ...
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Bow Wow Wow (song)
"Bow Wow Wow" is the debut single by American hip hop group Funkdoobiest, released in 1992. It is the lead single from their debut studio album ''Which Doobie U B?'' (1993) and the group's most successful song. The song was produced by DJ Muggs and DJ Lethal. Background The cover art of the single was designed by Glenn L. Barr, who also illustrated the cover of ''Which Doobie U B?''. The song is solely performed by Son Doobie; Tomahawk Funk is absent in it but appears in the music video. Composition The song contains a sample of "Atomic Dog" by George Clinton. ''Complex'' described the song as an "unabashed hybrid" of " What's My Name?" by Snoop Dogg and "Jump Around" by House of Pain. In the lyrics, Son Doobie calls himself a "good speller" that "gets retarded like Helen Keller", and also compares himself to Tina Turner, Barney Rubble, Sigourney Weaver, Colt Seavers, Fire Marshall Bill, Harry Houdini and Tonto. Critical reception ''Complex Complex commonly refers to: * Compl ...
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