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Gujari Mahal Museum
The Gujari Mahal Archeological Museum or State Archaeological Museum, sometimes called the "Gwalior Fort Museum", is a state museum in Gwalior, located in the fortress of Gujari Mahal. It displays numerous artifacts of the region, including a fragment of the Garuda capital of the Heliodorus pillar from Vidisha.Buddhist Landscapes in Central India: Sanchi Hill and Archaeologies of Religious and Social Change, C. Third Century BC to Fifth Century AD, Julia Shaw, Left Coast Press, 2013p.89/ref> The palace of Gujari Mahal was built by Tomaras of Gwalior, Tomar Rajput ruler Man Singh Tomar for his wife Mrignayani who belonged to Gujjar tribe. She demanded a separate palace for herself with a regular water supply through an aqueduct from the nearby Rai River. The palace has been converted into an archaeological museum. Rare artifacts at the museum include Hindu and Jain sculptures dated to the 1st and 2nd centuries BCE, miniature statue of Salabhanjika, terracotta items and replicas o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gujari Mahal - Panoramio
Gojri (, ), also known as Gujari, Gujri, Gojari, or Gojri, is a variety of Rajasthani languages, Rajasthani spoken by the Gurjars and other tribes of India, Pakistan and Afghanistan. In India, the language is mainly spoken in Jammu and Kashmir (union territory), Jammu and Kashmir, Himachal Pradesh, Haryana, Uttarakhand, Rajasthan, Gujarat, Maharashtra, Punjab India, Punjab, Delhi and other parts of the country. In Pakistan it is mainly spoken in Azad Kashmir, Malakand Division , and Hazara Division of Khyber Pakhtunkhwa and Gujranwala Division, Gujrat Division and Pothohar region of Punjab, Pakistan, Punjab. The Government of Jammu and Kashmir, government of the erstwhile Indian state of Jammu and Kashmir (state), Jammu and Kashmir had recognized Gujari by including it in the sixth schedule of the Constitution of Jammu and Kashmir, state constitution. As per classification of languages of British India, G.A. Grierson in the first Linguistic Survey of India categorised Guja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terracotta
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including vessels (notably flower pots), water and waste water pipes, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed pieces, and those made for building construction and industry, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaeological Museums In India
Archaeology or archeology is the scientific study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, sites, and cultural landscapes. Archaeology can be considered both a social science and a branch of the humanities. It is usually considered an independent academic discipline, but may also be classified as part of anthropology (in North America – the four-field approach), history or geography. Archaeologists study human prehistory and history, from the development of the first stone tools at Lomekwi in East Africa 3.3 million years ago up until recent decades. Archaeology is distinct from palaeontology, which is the study of fossil remains. Archaeology is particularly important for learning about prehistoric societies, for which, by definition, there are no written records. Prehistory includes over 99% of the human past, from the Paleolithic until the advent o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Education In Gwalior
Gwalior() is a major city in the central Indian state of Madhya Pradesh; it lies in northern part of Madhya Pradesh and is one of the National Capital Region (India)#Counter magnets, Counter-magnet cities. Located south of Delhi, the capital city of India, from Agra and from Bhopal, the state capital, Gwalior occupies a strategic location in the Gird, India, Gird region of India. The historic city and its fortress have been ruled by several historic Indian kingdoms. From the Kachchhapaghata dynasty, Kachchhapaghatas in the 10th century, Tomaras of Gwalior, Tomars in the 13th century, it was passed on to the Mughal Empire, then to the Marathi people, Maratha in 1754, and the Scindia, Scindia dynasty of Maratha Empire in the 18th century. In April 2021, It was found that Gwalior had the best air quality index (AQI 152) amongst the 4 major cities in Madhya Pradesh. Besides being the administrative headquarters of Gwalior district and Gwalior division, Gwalior has many administr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Gwalior
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums In Madhya Pradesh
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 coun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bagh Caves
The Bagh Caves are a group of nine rock-cut monuments, situated among the southern slopes of the Vindhyas in Bagh town of Dhar district in Madhya Pradesh state in central India. These monuments are located at a distance of 97 km from Dhar town. These are renowned for mural paintings by master painters of ancient India. The use of the word "cave" is a bit of a misnomer, since these are not natural, but instead examples of Indian rock-cut architecture. The Bagh caves, like those at Ajanta, were excavated by master craftsmen on perpendicular sandstone rock face of a hill on the far bank of a seasonal stream, the Baghani. Buddhist in inspiration, of the nine caves, only five have survived. All of them are ' viharas' or resting places of monks monasteries having quadrangular plan. A small chamber, usually at the back, forms the 'chaitya', the prayer hall. Most significant of these five extant caves is the Cave 4, commonly known as the ''Rang Mahal'' (Palace of Colors). The Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frescoes
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salabhanjika
A salabhanjika or shalabhanjika is a term found in Indian art and literature with a variety of meanings. In Buddhist art, it means an image of a woman or yakshi next to, often holding, a tree, or a reference to Maya near the ''sala'' tree giving birth to Siddhartha (Buddha). In Hindu and Jain art, the meaning is less specific, and it is any statue or statuette, usually female, that breaks the monotony of a plain wall or space and thus enlivens it. In Buddhist literature, ''salabhanjika'' also refers to an ancient Indian festival, one celebrated when ''sala'' tree blossoms in the context of Buddha's life. In literature, apart from the statue meaning, Salabhanjika can mean a doll, or fairy, or a seductress (harlot) depending on the context. In these contexts, they are also known as ''madanakai'', ''madanika'' or ''shilabalika''. In the context of Indian poetry and music, the term ''salabhanjika'' is synonymous with the ''pathyā'' meter – one of the minor ''chanda'' (poetic me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gujari Mahal Gwalior - Panoramio
Gojri (, ), also known as Gujari, Gujri, Gojari, or Gojri, is a variety of Rajasthani spoken by the Gurjars and other tribes of India, Pakistan and Afghanistan. In India, the language is mainly spoken in Jammu and Kashmir, Himachal Pradesh, Haryana, Uttarakhand, Rajasthan, Gujarat, Maharashtra, Punjab, Delhi and other parts of the country. In Pakistan it is mainly spoken in Azad Kashmir, Malakand Division , and Hazara Division of Khyber Pakhtunkhwa and Gujranwala Division, Gujrat Division and Pothohar region of Punjab. The government of the erstwhile Indian state of Jammu and Kashmir had recognized Gujari by including it in the sixth schedule of the state constitution. As per classification of languages of British India, G.A. Grierson in the first Linguistic Survey of India categorised Gujari language under Western Pahari group of Languages. In Pakistan, the language is understood by Gujjars across the country and is spoken in upper or hilly areas including the Hazar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gujjar
Gurjar or Gujjar (also transliterated as ''Gujar, Gurjara and Gujjer'') is an ethnic nomadic, agricultural and pastoral community, spread mainly in India, Pakistan and Afghanistan, divided internally into various clan groups. They were traditionally involved in agriculture and pastoral and nomadic activities and formed a large homogeneous group. The historical role of Gurjars has been quite diverse in society, at one end they have been founder of several kingdoms, dynasties, and at the other end, some are still nomads with no land of their own. The pivotal point in the history of Gurjar identity is often traced back to the emergence of a Gurjara kingdom in present-day Rajasthan during the Middle Ages (around 570 CE). It is believed that the Gurjars migrated to different parts of the Indian Subcontinent from the Gurjaratra. Previously, it was believed that the Gurjars had migrated earlier on from Central Asia as well, however, this view is generally considered to be speculati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man Singh Tomar
Man Singh Tomar (IAST: Mānasiṃha) was a Tomar Rajput ruler of Gwalior who ascended the throne in 1486 CE. History Maharaja Man Singh Tomar was born to Raja Kalyanmall, the Tomar Rajput ruler of Gwalior. He ruled for over 30 years. In his years the Tomar sometimes feuded with and were sometimes allies with the sultans of Delhi. Amongst other women, he married Mrignayani. Tomar built Gujari Mahal as a palace for her, as a monument of love for Mrignayani. Tradition has it that as a queen, Mrignayni, was very beautiful and courageous woman. She was not allowed to sit with other queens because of her lower caste, so she asked foe a separate palace for herself named (Gujari mahal). Tomar was a great warrior and great patron of music. One of the nine gems of his court was the Hindustani classical musician Tansen. He was patron of Dhrupad genre from Hindustani Classical Music. Tomar is credited to have defeated Sikander Lodi, who was Delhi Sultan at that time. Conflict w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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