Giuseppe Diotti
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Giuseppe Diotti
Giuseppe Diotti (1 March 1779 – 30 January 1846) was an Italian painter of the Neoclassic style. Biography He was born in Casalmaggiore. His full name was Francesco Giuseppe Antonio Diotti. He initially was apprenticed in his hometown to Paolo Araldi. As a teenager, until 1796, he attended the Academy at Parma and was there instructed by Carlo Calami. After a few years back at Casalmaggiore, he gained stipends to allow him to travel to Rome, where he was strongly influenced by the academic styles of both Gaspare Landi and Vincenzo Camuccini. He painted in fresco as well as in oil, distinguishing himself as a painter of historical subjects. From 1806 to 1809, he painted, among other topics, the ''Rest in Egypt'', a ''Deposition'', a ''Moses with Tablets'', an ''Adoration by Shepherds'', and ''Moses and the Bronze Serpent''. He then returned to Milan, and through his friendship with Andrea Appiani, he became a professor in the Accademia Carrara in Bergamo. He received many sub ...
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Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornam ...
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Uffizi
The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine ...
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1779 Births
Events January–March * January 11 – British troops surrender to the Marathas in Wadgaon, India, and are forced to return all territories acquired since 1773. * January 11 – Ching-Thang Khomba is crowned King of Manipur. * January 22 – American Revolutionary War – Claudius Smith is hanged at Goshen, Orange County, New York for supposed acts of terrorism upon the people of the surrounding communities. * January 29 – After a second petition for partition from its residents, the North Carolina General Assembly abolishes Bute County, North Carolina (established 1764) by dividing it and naming the northern portion Warren County (for Revolutionary War hero Joseph Warren), the southern portion Franklin County (for Benjamin Franklin). The General Assembly also establishes Warrenton (also named for Joseph Warren) to be the seat of Warren County, and Louisburg (named for Louis XVI of France) to be the seat of Franklin County. * February ...
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Painters From Parma
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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Painters From Bergamo
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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People From Casalmaggiore
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of ...
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19th-century Italian Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus The Ping-Pong virus (also called Boot, Bouncing Ball, Bouncing Dot, Italian, Italian-A or VeraCruz) is a boot sector virus discovered on March 1, 1988, at the '' Politecnico di Torino'' (Turin Polytechnic University) in Italy. It was likely the ..., an extinct computer virus See also ...
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18th-century Italian Painters
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expan ...
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Pietro Ronzoni
Pietro Ronzoni (1781 in Sedrina, Bergamo – 1861 in Bergamo) was an Italian painter. Biography Trained in Rome under the guidance of the landscape painter Luigi Campovecchio from Mantua, Ronzoni met Angelica Kauffman and Antonio Canova and formed friendships with numerous artists, including Pelagio Palagi, Martin Verstappen and Hendrik Voogd. After his master’s death, he became a follower and friend of François Marius Granet. He returned to Bergamo in 1809, working as a set designer and producing a number of urban views and landscapes, painted from life but still informed by the classical ideal. He was appointed professor at the Carrara Academy, whose director Giuseppe Diotti was a close friend as well as an associate in professional undertakings. Having moved to Verona in 1815, he established himself as a successful landscape painter with a cultured international clientele. Influenced from the outset by the French school of landscape painting, his work saw a shift towards a mo ...
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