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Giorgio Spavento
Giorgio Spavento (died 17 April 1509) was an Italian Renaissance architect and engineer, active in Venice. Probably native to the area of Lake Como, he is first recorded in 1486 when he was appointed as ''proto'' (consultant architect and buildings manager) to the Procurators of Saint Mark. As such, he was responsible for most of the public buildings around Saint Mark's Square. He designed the sacristy of the Church of St Mark, the belfry of St Mark's campanile, and the Church of San Teodoro. His principal work is the Church of San Salvador, which was completed by Tullio Lombardo and Jacopo Sansovino.Howard, ''The Architectural History of Venice'', p. 131 See also *Venetian Renaissance architecture Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fire ... Notes and reference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tullio Lombardo
Tullio Lombardo (c. 1455 – November 17, 1532), also known as Tullio Solari, was an Italian Renaissance sculptor. He was the brother of Antonio Lombardo and son of Pietro Lombardo. The Lombardo family worked together to sculpt famous Catholic churches and tombs. The church of Santi Giovanni e Paolo contains the Monument to Doge Pietro Mocenigo, executed with his father and brother, and the Monument to Doge Andrea Vendramin, See also Pope-Hennessy and other standard works. an evocation of a Roman triumphal arch encrusted with decorative figures. Tullio also likely completed the funereal monument to Marco Cornaro in the Church of Santi Apostoli and the frieze in the Cornaro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architects From Venice
An architect is a person who plans, designs and oversees the construction of buildings. To practice architecture means to provide services in connection with the design of buildings and the space within the site surrounding the buildings that have human occupancy or use as their principal purpose. Etymologically, the term architect derives from the Latin ''architectus'', which derives from the Greek (''arkhi-'', chief + ''tekton'', builder), i.e., chief builder. The professional requirements for architects vary from place to place. An architect's decisions affect public safety, and thus the architect must undergo specialized training consisting of advanced education and a ''practicum'' (or internship) for practical experience to earn a license to practice architecture. Practical, technical, and academic requirements for becoming an architect vary by jurisdiction, though the formal study of architecture in academic institutions has played a pivotal role in the development of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Renaissance Architects
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Architects
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th-century Italian Architects
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the " European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deborah Howard
Deborah Janet Howard, (born 1946) is a British art historian and academic. Her principal research interests are the art and architecture of Venice and the Veneto; the relationship between Italy and the Eastern Mediterranean, and music and architecture in the Renaissance. She is Professor Emerita of Architectural History in the Faculty of Architecture and History of Art, University of Cambridge and a Fellow of St John's College, Cambridge. Degrees awarded Deborah Howard read for a first class honours Bachelor of Arts degree, an Architecture and Fine Arts Tripos, at Newnham College, University of Cambridge from 1964 to 1968, gaining a Master of Arts degree from Cambridge University in 1972. Howard also earned an MA with distinction from the Courtauld Institute of Art, University of London where she studied from 1968–72 and was awarded her PhD by the University of London in 1973. Whilst at the Courtauld, Deborah Howard contributed photographs to the Conway Library that are c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venetian Renaissance Architecture
Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades of Venetian buildings were often particularly luxuriantly ornamented. Compared to the Renaissance architecture of other Italian cities, there was a degree of conservatism, especially in retaining the overall form of buildings, which in the city were usually replacements on a confined site, and in windows, where arched or round tops, sometimes with a classicized version of the tracery of Venetian Gothic architecture, remained far more heavily used than in other cities. The Doge's Palace was much rebuilt after fires, but mostly behind the Gothic facades. The Venetian elite had a collective belief in the importance of architecture in bolstering c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Sansovino
Jacopo d'Antonio Sansovino (2 July 1486 – 27 November 1570) was an Italian Renaissance sculptor and architect, best known for his works around the Piazza San Marco in Venice. These are crucial works in the history of Venetian Renaissance architecture. Andrea Palladio, in the Preface to his ''Quattro Libri'' was of the opinion that Sansovino's Biblioteca Marciana was the best building erected since Antiquity. Giorgio Vasari uniquely printed his ''Vita'' of Sansovino separately. Biography He was born in Florence and apprenticed with Andrea Sansovino, whose name he subsequently adopted, changing his name from Jacopo Tatti. In Rome he attracted the notice of Bramante and Raphael and made a wax model of the ''Deposition of Christ'' for Perugino to use. He returned to Florence in 1511 where he received commissions for marble sculptures of St. James for the Duomo and a Bacchus, now in the Bargello. His proposals for sculpture to adorn the façade of the Church of San Lore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Salvador, Venice
The Chiesa di San Salvatore (of the Holy Savior) is a church in Venice, northern Italy. Known in Venetian as San Salvador, is located on the Campo San Salvador, along the Merceria, the main shopping street of Venice. The church was first consecrated in 1177 by Pope Alexander III shortly after his reconciliation with Emperor Frederick Barbarossa at nearby San Marco. The present church, however, was begun in around 1508 by Giorgio Spavento and continued after his death the following year by Tullio Lombardo, Vincenzo Scamozzi and possibly Jacopo Sansovino. They built a large hall church, formed from three Greek crosses placed end to end. Each has a dome with a lantern to let light into the cavernous interior. The facade was added in 1663 by Giuseppe Sardi. Adjoining the church is the former monastery, now the offices of the telephone company, which still contain Sansovino's magnificent cloisters. San Salvador is the parish church of a parish in the Vicariate of San Marco-Castello ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD 500), the Middle Ages (AD 500 to AD 1500), and the modern era (since AD 1500). The first early ... marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the Early modern period, early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Mark's Campanile
St Mark's Campanile ( it, Campanile di San Marco, ) is the bell tower of St Mark's Basilica in Venice, Italy. The current campanile is a reconstruction completed in 1912, the previous tower having collapsed in 1902. At in height, it is the tallest structure in Venice and is colloquially termed ''"el paròn de casa"'' (the master of the house). Zanetto, ''Il cambio d'abito del "Paron de casa"...'', p. 9 It is one of the most recognizable symbols of the city. Located in Saint Mark's Square near the mouth of the Grand Canal, the campanile was initially intended as a watchtower to sight approaching ships and protect the entry to the city. It also served as a landmark to guide Venetian ships safely into harbour. Construction began in the early tenth century and continued sporadically over time as the tower was slowly raised in height. A belfry and a spire were first added in the twelfth century. In the fourteenth century the spire was gilded, making the tower visible to di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
