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Gillian Murphy
Gillian Murphy ( ; born April 11, 1979) is an American ballet dancer who is a principal dancer with the American Ballet Theatre. Early life and education Raised in Florence, South Carolina, Murphy was a member of Columbia City Ballet before attending high school at University of North Carolina School of the Arts. There, under the tutelage of Melissa Hayden, she danced principal roles in several of the school's productions, including ''The Nutcracker'' and George Balanchine’s ''Concerto Barocco'', ''Western Symphony'', ''Tarantella'' and ''Theme and Variations''. Career Following her graduation from high school, Murphy joined American Ballet Theatre's corps de ballet in August 1996 at the age of 17. She was promoted to soloist in 1998. In 2001, her debut as Odette/Odile in ''Swan Lake'' garnered rave reviews from The New York Times. The following year she was promoted to principal dancer. That same year she was named one of Dance Magazine's 25 To Watch by Gus Solomon Jr. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wimbledon, London
Wimbledon () is a district and town of Southwest London, England, southwest of the centre of London at Charing Cross; it is the main commercial centre of the London Borough of Merton. Wimbledon had a population of 68,187 in 2011 which includes the electoral wards of Abbey, Dundonald, Hillside, Trinity, Village, Raynes Park and Wimbledon Park. It is home to the Wimbledon Championships and New Wimbledon Theatre, and contains Wimbledon Common, one of the largest areas of common land in London. The residential and retail area is split into two sections known as the "village" and the "town", with the High Street being the rebuilding of the original medieval village, and the "town" having first developed gradually after the building of the railway station in 1838. Wimbledon has been inhabited since at least the Iron Age when the hill fort on Wimbledon Common is thought to have been constructed. In 1086 when the Domesday Book was compiled, Wimbledon was part of the manor of Mortlak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Solomons Jr
Gus Solomons Jr. (born 27 April 1940) is an accomplished dancer, choreographer, dance critic, and actor. He is a leading figure in postmodern and experimental dance. Dancer Gus Solomons Jr., born and raised in Cambridge, Massachusetts, began his serious dance training in modern dance and ballet while an undergraduate architecture student at the Massachusetts Institute of Technology (MIT). He was a member of a local dance company called Dance Makers, and it was there where he began his experimental solo choreography. A year after graduating from MIT with a Bachelor of Architecture degree, Solomons moved to New York City with a "burning itch to perform and make dances". In 1962, he worked alongside other dance experimentalists at a studio in New York City. According to Solomons, quoted in Banes, they wanted to "find new forms, ways of making dances that were different from those of our mentors". Although he was interested in deconstructing forms and structures, he was also passio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quixote (ballet)
''Don Quixote'' is a ballet in three acts, based on episodes taken from the famous novel ''Don Quixote de la Mancha'' by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on . Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on at the Imperial Bolshoi Kamenny Theatre of St. Petersburg. All modern productions of the Petipa/Minkus ballet are derived from the version staged by Alexander Gorsky for the Bolshoi Theatre of Moscow in 1900, a production the ballet master staged for the Imperial Ballet of St. Petersburg in 1902. History Earlier versions The two chapters of the novel that the ballet is mostly based on were first adapted for the ballet in 1740 by Franz Hilverding in Vienna, Austria. In 1768, Jean Georges Noverre mounted a new version of ''Don Quixote'' in Vienna to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz '' en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinderella (Ashton)
This version of the ''Cinderella'' ballet, using Sergei Prokofiev's ''Cinderella'' music and re-choreographed by Frederick Ashton, is a comic ballet. Ballet productions Plot outline Ashton's ''Cinderella'' is his own realised dream of a Petipa ballet and the ballet itself enacts the realisation of dreams, notably Cinderella's own. When we first see her she is a demi-caractere dancer dreaming of being a ballerina—that seems to be the balletic point of her solo with the broomstick in the kitchen—and it is as a ballerina that she magically enters the ballroom, stepping ''en pointe'' down the stairs and advancing in ''pas de bourree'' to the front of the stage. Back in the kitchen she recalls the slipper (or rather the pointe shoe) that she carries in her apron; the shoe is the clue to her dream and persuades her it was true. The Prince finds Cinderella, but in his arms she discovers her own identity as a ballerina and her dream of herself has been realised. Cinderella's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bright Stream
''The Limpid Stream'' (russian: Светлый ручей, also translated as ''The Bright Stream'') is a ballet in 3 acts, 4 scenes, composed by Dmitri Shostakovich on the libretto by Adrian Piotrovsky and Fyodor Lopukhov, with choreography by Fyodor Lopukhov. It premiered in Leningrad's Mikhaylovsky Theatre in 1935. Plot The plot centres around a group of ballet dancers who have been sent to provide sophisticated entertainment on a new Soviet collective farm during their harvest festival. The workers, along with two older residents of a nearby dacha, welcome the city dancers, with special welcome given to the troupe's ballerina who was the former dance teacher of Zina. Zina introduces the ballerina to her husband, Pyotr, and Pyotr immediately begins to flirt with the ballerina. Hurt, Zina removes herself from the celebrations and is comforted by the ballerina. The ballerina suggests a plan in which she will dress as her dance partner, her dance partner will dress as a fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bayadère
''La Bayadère'' ("the temple dancer") ( ru. «Баядерка», ''Bayaderka'') is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian '' Prima ballerina'' Ekaterina Vazem, who created the principal role of Nikiya. ''La Bayadère'' was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on . From the first performance the ballet was universally hailed by contemporary critics as one of the choreographer Petipa's supreme masterpieces, particularly the scene from the ballet known as ''The Kingdom of the Shades'', which became one of the most celebrated pieces in all of classical ballet. By the turn of the 20th century, ''The Kingdom of the Shades'' scene was regularly extracted from the full-length work as an independent showpiece, and it has remained so to the present day. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille Mal Gardée
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * '' L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * '' Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screening ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Royal New Zealand Ballet
The Royal New Zealand Ballet is a ballet company based in Wellington, New Zealand. It was originally known as The New Zealand Ballet Company. History New Zealand Ballet was established in 1953 as an independent charitable trust by Royal Danish Ballet Principal Poul Gnatt, Beryl Nettleton, Bettina Edwards, another female dancer, and pianist Dorothea Franchi. In the late 1950s notable New Zealand dancers Rowena Jackson and Philip Chatfield, her English dancer husband, returned from overseas to join the company. A third returning dancer, Russell Kerr, had been dancing in Europe with the Jose Greco Company since 1950, Sadlers Wells Ballet and Ballet Rambert, and from 1952 to 1957 with London Festival Ballet as their principal character dancer. In 1959 Kerr joined forces with NZ Ballet director Poul Gnatt, bringing with him a number of dancers from his own company, Auckland Ballet Theatre, for the 1959–60 season. As United Ballet, the augmented company presented a ground-breaki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Australian Ballet
The Australian Ballet is the largest classical ballet company in Australia. It was founded by J. C. Williamson Theatres Ltd and the Australian Elizabethan Theatre Trust in 1962, with the English-born dancer, teacher, repetiteur and director Dame Peggy van Praagh as founding artistic director. Today, it is recognised as one of the world's major international ballet companies. History The roots of the Australian Ballet can be found in the Borovansky Ballet, a company founded in 1940 by the Czech dancer Edouard Borovansky. Borovansky had been a dancer in the touring ballet company of the famous Russian ballerina Anna Pavlova and, after visiting Australia on tour with the Covent Garden Russian Ballet, he decided to remain in Australia, establishing a ballet school in Melbourne in 1939, out of which he developed a performance group which became the Borovansky Ballet. The company was supported and funded by J. C. Williamson Theatres Ltd from 1944. Following Borovansky's de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiev Ballet
Kyiv National Ballet performs works of classical ballet and tours internationally. It currently has 24 ballets in its repertory, one of the largest in the world, and has had many notable dancers among its members. History 1867 to 1930 The National Opera of Ukraine, a performing arts theatre with a resident opera company, was established in 1867. It also included a small resident troupe of ballet dancers, who would perform mainly folk-style dancing during opera productions. By 1893, this grew to a troupe large enough to stage large ballets. Folk dancing and ballets with Ukrainian stories were among the early productions. During the 1910s, the dance scene in Kyiv saw a rapid development in classical ballet and contemporary dance training and performance. Mikhail Mordkin, a former soloist with the Bolshoi Ballet, travelled to Kyiv with a troupe and gave performances with Art Nouveau approaches, containing Spanish and Oriental themes. He was hired by the experimental Kyiv Young Thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
