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Gandarbha
The Gandarbha caste ( ne, गन्धर्व जाति) or Gaine ( ne, गाईने) are a Dalit community which belongs to the Indo-Aryan ethnic group from the central, hilly region of Nepal. They have also been called a "caste of professional musicians" and "itinerant bards." By tradition they make their living by singing Gandarbha Geet or Gaine Geet, a type of folk song. The Gandarbhas traditionally work as travelling musicians and play traditional folk and historical songs. They improvise songs too, incorporating news into them as a service, in return for which they receive donations of food or other things. They use the '' Nepali sarangi'', a type of violin, as their main musical instrument. The ''sarangi'' has been an iconic musical instrument identified with the Gandarbha people. The instrument has replaced another instrument they played, the aarbajo, which was larger and "more cumbersome." Due to many caste-based discriminations in Nepal, the government of ...
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Jhalak Man Gandarbha
Jhalak Man Gandarbha (झलकमान गन्धर्व) (29 July 1935 – 23 November 2003) was one of the most significant Nepali folk singers. He was known for popularising Gaine Geet or Gandarbha Sangeet, a popular type of folk song sang only by the Gaine or Gandarbha ethnic group of Nepal. He was the first Gaine singer to record Gaine song and is respected for bringing voice of indigenous and ordinary people into the mass media. ''Aamale Sodhlin Ni ... (mother may ask)'' is by far his most popular song, which intones the death of a Nepali soldier on a foreign battle ground. Early life Gandarbha started singing for a livelihood in villages of Nepal from the age of nine. Born to in 1935 to a family belonging to the Gandharbha clan, he learned to sing, dance, and play music early on from his father. The Gandharbhas play different kind of folk tunes like ''Jhyaure'', ''Khyali'', and ''Karkha'' (songs written to praise someone for their deeds). They also play for the ...
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Gandarbha Geet
The Gandarbha caste ( ne, गन्धर्व जाति) or Gaine ( ne, गाईने) are a Dalit community which belongs to the Indo-Aryan ethnic group from the central, hilly region of Nepal. They have also been called a "caste of professional musicians" and "itinerant bards." By tradition they make their living by singing Gandarbha Geet or Gaine Geet, a type of folk song. The Gandarbhas traditionally work as travelling musicians and play traditional folk and historical songs. They improvise songs too, incorporating news into them as a service, in return for which they receive donations of food or other things. They use the '' Nepali sarangi'', a type of violin, as their main musical instrument. The ''sarangi'' has been an iconic musical instrument identified with the Gandarbha people. The instrument has replaced another instrument they played, the aarbajo, which was larger and "more cumbersome." Due to many caste-based discriminations in Nepal, the government of Nepa ...
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Gaine Geet
The Gandarbha caste ( ne, गन्धर्व जाति) or Gaine ( ne, गाईने) are a Dalit community which belongs to the Indo-Aryan ethnic group from the central, hilly region of Nepal. They have also been called a "caste of professional musicians" and "itinerant bards." By tradition they make their living by singing Gandarbha Geet or Gaine Geet, a type of folk song. The Gandarbhas traditionally work as travelling musicians and play traditional folk and historical songs. They improvise songs too, incorporating news into them as a service, in return for which they receive donations of food or other things. They use the '' Nepali sarangi'', a type of violin, as their main musical instrument. The ''sarangi'' has been an iconic musical instrument identified with the Gandarbha people. The instrument has replaced another instrument they played, the aarbajo, which was larger and "more cumbersome." Due to many caste-based discriminations in Nepal, the government of Nepal ...
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Sarangi (Nepal)
The Nepali Sarangi ( ne, नेपाली सारङ्गी) is a Nepali folk instrument. It is a chordophone played by bowing. Traditionally in Nepal, the Sarangi was only played by people of Gandarbha or Gaine caste (both contested and interchangeable terms), who sing narrative tales and folk song, however, in present days, its popularity extends beyond the Gandharba community and is widely used and played by other caste members as well. It has also garnered much interest in other music genres, such as Nepali rock and film music. While the Sarangi has become the quintessential Gandharba instrument, while its counterpart, the ''arbajo'',. ''... one of the most important of these rites is puja 'worship' performed to music of the sararigi and the arbajo, believed to be its predecessor.'' which is a plucked lute, has fallen into obscurity. Construction Traditional Nepali Sarangi is not standardized with regards to shape, construction materials, or scale or key. It is mad ...
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Aarbajo
The aarbajo () is a Nepali four-string lute used as a rhythm instrument (Tālabājā ()). It is the traditional instrument of the Gandarbha caste of musical performers, and is considered a companion to the Sarangi (Nepal), Nepali sarangi. The Gandarbhas consider the aarbajo to be the "male instrument", the sarangi the "female." The aarbajo is used less than in the past, and been replaced by the sarangi, which was considered in 1999 to have superseded the aarbajo in common use.. ''... one of the most important of these rites is puja 'worship' performed to music of the sararigi and the arbajo, believed to be its predecessor.''. ''...ancestry are not confined to the damai, but are prevalent in the folklore of other Indo-Nepalese occupational castes. ... always accompanied by the cow's hoof, which became the (now extinct) plucked lute arbajo (Helffer 1977:51)... The instrument has historically been played by Gandarbha performers at festivals, such as the "Chaiteti" festival. Although c ...
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Damai
Damai ( ne, दमाइँ) is an occupational caste found among Khas people. They comprise 45 subgroups. Their surnames take after the subgroup they belong to. People belonging to this caste are traditionally tailors and musicians. They are adept at using the naumati baja- an ensemble of nine traditional musical instruments. Damai is coined from musical instrument Damaha. The 1854 Nepalese Muluki Ain (Legal Code) categorized Damai as "Lower caste” category. Thus, the tribal designation of Khas is given only in few context to Kami, Damai and Sarki due to traditional status. Due to many caste-based discriminations in Nepal, the government of Nepal legally abolished the caste-system and criminalized any caste-based discrimination, including "untouchability" (the ostracism of a specific caste) - in the year 1963 A.D. With Nepal's step towards freedom and equality, Nepal, previously ruled by a Hindu monarchy was a Hindu nation which has now become a secular state, and on 28 May 20 ...
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Sarangi From Nepal
The sārangī is a bowed, short-necked string instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, and Boro folk music (there known as the ''serja'') – in Pakistan, India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as ''gamaks'' (shakes) and ''meends'' (sliding movements). The sarangi (Nepali) is a different instrument, traditional to Nepal. History Sarangi derives its name from the bow of Lord Vishnu and probably as it is played with a bow it is named sarangi. According to some musicians, the word ''sarangi'' is a combination of two words: ''seh'' ('three' in Persian) and ''rangi'' ('coloured' in Persian) or Persian ''sad-rangi'', ''sad'' for 'hundred' in Persian ('hundred coloured) corrupted as ''sarangi''. The term ''seh-rangi'' represents the three melody strings. However, the most common folk etymology is that ''sarangi'' is derived from ...
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Sarangi Music By Balaram Gandarbha
The sārangī is a bowed, short-necked string instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, and Boro folk music (there known as the ''serja'') – in Pakistan, India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as ''gamaks'' (shakes) and ''meends'' (sliding movements). The sarangi (Nepali) is a different instrument, traditional to Nepal. History Sarangi derives its name from the bow of Lord Vishnu and probably as it is played with a bow it is named sarangi. According to some musicians, the word ''sarangi'' is a combination of two words: ''seh'' ('three' in Persian) and ''rangi'' ('coloured' in Persian) or Persian ''sad-rangi'', ''sad'' for 'hundred' in Persian ('hundred coloured) corrupted as ''sarangi''. The term ''seh-rangi'' represents the three melody strings. However, the most common folk etymology is that ''sarangi'' is derived from ...
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Gandharva
A gandharva () is a member of a class of celestial beings in Dharmic religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. Gandharvas have been associated with the historical Gandhara region. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). Hinduism In Hinduism, the gandharvas (, , , , , , ; , ) are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the sun / in the heavenly waters) which watches over the Soma (apparently) for the benefit ...
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Song By Balaram Gandarbha
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical compos ...
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Dalit
Dalit (from sa, दलित, dalita meaning "broken/scattered"), also previously known as untouchable, is the lowest stratum of the castes in India. Dalits were excluded from the four-fold varna system of Hinduism and were seen as forming a fifth varna, also known by the name of ''Panchama''. Dalits now profess various religious beliefs, including Hinduism, Buddhism, Sikhism, Christianity, Islam. Scheduled Castes is the official term for Dalits as per the Constitution of India. History The term ''Dalit'' is a self-applied concept for those called the "untouchables" and others that were outside of the traditional Hindu caste hierarchy. Economist and reformer B. R. Ambedkar (1891–1956) said that untouchability came into Indian society around 400 CE, due to the struggle for supremacy between Buddhism and Brahmanism (an ancient term for Brahmanical Hinduism). Some Hindu priests befriended untouchables and were demoted to low-caste ranks. Eknath, another excommunicated ...
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Indo-Aryans
Indo-Aryan peoples are a diverse collection of Indo-European peoples speaking Indo-Aryan languages in the Indian subcontinent. Historically, Aryan were the Indo-European pastoralists who migrated from Central Asia into South Asia and introduced Proto-Indo-Aryan language. The Indo-Aryan language speakers are found across South Asia. History Proto-Indo-Iranians The introduction of the Indo-Aryan languages in the Indian subcontinent was the result of a migration of Indo-Aryan people from Central Asia into the northern Indian subcontinent (modern-day Bangladesh, Bhutan, India, Nepal, Pakistan, and Sri Lanka). These migrations started approximately 1,800 BCE, after the invention of the war chariot, and also brought Indo-Aryan languages into the Levant and possibly Inner Asia. Another group of the Indo-Aryans migrated further westward and founded the Mitanni kingdom in northern Syria; (c. 1500–1300 BC) the other group were the Vedic people. Christopher I. Beckwith s ...
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