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Guillaume Dubufe
Guillaume Édouard Marie Dubufe (16 May 1853, Paris – 25 May 1909, at sea, near Buenos Aires) was a French painter, decorator and illustrator. Biography His father Édouard was a painter and his mother Juliette Dubufe (the daughter of composer Pierre-Joseph-Guillaume Zimmermann) was a sculptor. His grandfather, Claude, was also a painter and Charles Gounod was his uncle. Sadly, his mother died while giving birth to his sister Hortense when he was only two. As might be expected, he received his first art lessons from his father, then pursued his studies at the École des Beaux-Arts under Alexis-Joseph Mazerolle. His first major commission involved decorating the ceiling of the foyer at the Comédie-Française When not staying at their mansion in Paris, his family (he had five children) stayed at their villa in Anacapri on the Isle of Capri, where he painted scenes of his home that would be exhibited in 1906 at the Georges Petit Gallery. From 1888 to 1890, he produced ...
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Hôtel De Ville, Paris
The Hôtel de Ville (, ''City Hall'') is the city hall of Paris, France, standing on the Place de l'Hôtel-de-Ville – Esplanade de la Libération in the 4th arrondissement. The south wing was originally constructed by François I beginning in 1535 until 1551. The north wing was built by Henry IV and Louis XIII between 1605 and 1628. It was burned by the Paris Commune, along with all the city archives that it contained, during the Commune's final days in May 1871. The outside was rebuilt following the original design, but larger, between 1874 and 1882, while the inside was considerably modified. It has been the headquarters of the municipality of Paris since 1357. It serves multiple functions, housing the local government council, since 1977 the Mayor of Paris and her cabinet, and also serves as a venue for large receptions. History The original building In July 1357, Étienne Marcel, provost of the merchants (i.e. mayor) of Paris, bought the so-called ''maison aux ...
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La Vie Parisienne (magazine)
' (the Parisian life) was a French weekly magazine founded in Paris in 1863 and was published without interruption until 1970. It was popular at the start of the 20th century. Originally it covered novels, sports, theater, music and the arts. In 1905 the magazine changed hands and the new editor Charles Saglio changed its format to suit the modern reader. It soon evolved into a mildly risqué erotic publication. During World War I, General Pershing personally warned American servicemen against purchasing the magazine, which boosted its popularity in the United States. ''La Vie Parisienne'' was hugely successful because it combined a new mix of subjects—short stories, veiled gossip and fashion banter, also comments about subjects from love and the arts to the stock exchange—with beautiful cartoons and full-page color illustrations by leading artists of the age. Alongside this the magazine also reflected the changing interests and values of the start of the 20th century populatio ...
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Eros Et Psyche - Guillaume Dubufe
In Greek mythology, Eros (, ; grc, Ἔρως, Érōs, Love, Desire) is the Greek god of love and sex. His Roman counterpart was Cupid ("desire").''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the earliest account, he is a primordial god, while in later accounts he is described as one of the children of Aphrodite and Ares and, with some of his siblings, was one of the Erotes, a group of winged love gods. Etymology The Greek , meaning 'desire', comes from 'to desire, love', of uncertain etymology. R. S. P. Beekes has suggested a Pre-Greek origin. Cult and depiction Eros appears in ancient Greek sources under several different guises. In the earliest sources (the cosmogonies, the earliest philosophers, and texts referring to the mystery religions), he is one of the primordial gods involved in the coming into being of the cosmos. In later sources, however, Eros is represented as the son of Aphrodite, whose mischievous interventions ...
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Musée National Jean-Jacques Henner
The Musée national Jean-Jacques Henner is a French art museum dedicated to the works of painter Jean-Jacques Henner (1829–1905). It is located in the 17th arrondissement of Paris at 43, Avenue de Villiers. The museum in housed within an 1878 ''hôtel particulier'' by architect Nicolas Félix Escalier, formerly owned by the painter Guillaume Dubufe, acquired by Henner's niece in 1921. It was inaugurated as a museum in 1924; it became a national museum in 1943. Today the museum contains a large collection of paintings and drawings by Alsace, Alsatian painter Jean-Jacques Henner, including some 1,000 sketches, documents and souvenirs distributed in seven rooms on four floors of exhibition space. The collection includes more than 130 portraits, as well as mythical themes and figures in dream landscapes that approached Symbolism (arts), Symbolism. Many studies are displayed with finished paintings, together with descriptions by major critics of the day. Temporary exhibitions * 7 ...
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Père Lachaise
A name suffix, in the Western English-language naming tradition, follows a person's full name and provides additional information about the person. Post-nominal letters indicate that the individual holds a position, educational degree, accreditation, office, or honor (e.g. "PhD", "CCNA", "OBE"). Other examples include generational designations like "Sr." and "Jr." and "I", "II", "III", etc. Another used is Sñr (Spanish for Mr). Post-nominal letters Academic Academic suffixes indicate the degree earned at a college or university. These include bachelor's degrees (AB, BA, BA (Hons), BS, BE, BFA, BTech, LLB, BSc, etc.), master's degrees ( MA, MS, MFA, LLM, MLA, MBA, MSc., MEng etc.), professional doctorates ( JD, MD, DO, PharmD, DMin., etc.), and academic doctorates (PhD., EdD., DPhil, DBA., LLD, EngD, etc.) In the case of doctorates, normally either the prefix (e.g. "Dr" or "Atty") or the suffix (see examples above) is used, but not both. In the United States, the ...
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Bas-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood ( relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze relief ...
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Albert Bartholomé
Paul-Albert Bartholomé was a French painter and sculptor. He was born on 29 August 1848 in Thiverval-Grignon, Yvelines, France, and died in 1928 in Paris. He won the Grand Prize for sculpture at the Exposition Universelle in 1900. He exhibited paintings at the Salon from 1879 to 1886, but thereafter devoted his work to sculpture. Biography He studied law and fought in the Franco-Prussian War in General Bourbaki's army and became a prisoner in Switzerland. In due course he attended the École des Beaux-Arts in Paris where he studied painting under Barthélemy Menn and Jean-Léon Gérôme. He then set himself up in a studio in Paris and became a close friend of Edgar Degas. He married the daughter of a marquis, Prospérie de Fleury, but she died at a young age in 1887. Much encouraged by Degas he decided to try his hand at sculpture and executed the moving sculpture which marked his wife's grave in Crépy-en-Valois. He now concentrated exclusively on sculpture and from 1891 ...
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Émile Augier
Guillaume Victor Émile Augier (; 17 September 182025 October 1889) was a French dramatist. He was the thirteenth member to occupy seat 1 of the Académie française on 31 March 1857. Biography Augier was born at Valence, Drôme, the grandson of Pigault Lebrun, and belonged to the well-to-do bourgeoisie in spirit as well as by birth. After a good education and legal training, he wrote a play in two acts and in verse, ''La Ciguë'' (1844), which was refused at the Théâtre Français, but produced with as considerable success at the Odéon. This settled his career. From then on, at fairly regular intervals, either alone or in collaboration with other writers—Jules Sandeau, Eugène Marin Labiche, Édouard Foussier—he produced plays such as ''Le Fils de Giboyer'' (1862) - which was regarded as an attack on the clerical party in France, and was surely brought out by the direct intervention of the emperor. His last comedy, ''Les Fourchambault'', belongs to the year 1879. Aft ...
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Saint-Mandé
Saint-Mandé () is a high-end commune of the Val-de-Marne department in Île-de-France in the eastern suburbs of Paris, France. It is located from the center of Paris. It is one of the smallest communes of the Île-de-France by land area, but is one of the most densely populated municipalities in Europe. It is located on the edge of the 12th arrondissement of Paris, near the Porte de Vincennes and the Porte de Saint-Mandé. The motto of the city is ''Cresco et Floresco'', which means "I grow and I flourish". History On 1 January 1860, the city of Paris was enlarged by annexing neighboring communes. On that occasion, about two-thirds of the commune of Saint-Mandé was annexed to Paris, and now forms the neighborhoods of Bel-Air and Picpus, in the 12th arrondissement of Paris. In 1929, the commune of Saint-Mandé lost one-quarter of its territory when the city of Paris annexed the Bois de Vincennes, a small part of which belonged to Saint-Mandé, leaving Saint-Mandé as a small ...
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Édouard Rosset-Granger
Paul Édouard Rosset-Granger (9 July 1853 – 26 July 1934) was a French genre and portrait painter who adopted the academic style. Biography Rosset-Granger was born in 1853 Vincennes. He studied at the École des Beaux-Arts in Paris under Alexandre Cabanel, Édouard Louis Dubufe and Alexis-Joseph Mazerolle. He painted portraits, landscapes and genre works, and also made illustrations for the press and publishing houses. From 1878, he exhibited mythological and genre works at the Paris Salons and at the ''Sociéte nationale des beaux-arts'', receiving medals in 1889 and 1890. From 1906 to 1909, he worked with Guillaume Dubufe on decorating the town hall in Saint-Mandé. In 1900, he was invited to paint ''Le Train blue'' on a decorative panel for the Gare de Lyon restaurant in Paris. In their style, colour, composition and choice of subjects, Rosset-Granger's works benefited from his familiarity with Bouguereau, Boulanger and Lefebvre. From 1906, his studio was located at ...
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Gare De Lyon
The Gare de Lyon, officially Paris-Gare-de-Lyon, is one of the six large mainline railway stations in Paris, France. It handles about 148.1 million passengers annually according to the estimates of the SNCF in 2018, with SNCF railways and RER D accounting for around 110 million and 38 million on the RER A, making it the second-busiest station of France after the Gare du Nord and one of the busiest in Europe. The station is located in the 12th arrondissement, on the right bank of the river Seine, in the east of Paris. Opened in 1849, it is the northern terminus of the Paris–Marseille railway. It is named after the city of Lyon, a stop for many long-distance trains departing here, most en route to the South of France. The station is served by high-speed TGV trains to Southern and Eastern France, Switzerland, Germany, Italy and Spain. The station also hosts regional trains and the RER and also the Gare de Lyon Métro station. Main line trains depart from 32 platforms in ...
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