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Guigemar
"Guigemar" is a Breton lai, a type of narrative poem, written by Marie de France during the 12th century. The poem belongs to the collection known as ''The Lais of Marie de France''. Like the other lais in the collection, ''Guigemar'' is written in the Anglo-Norman language, a dialect of Old French, in rhyming octosyllabic couplets. "Guigemar" is one of the works in which the author explicitly gives her name as "Marie." In the prologue of this lai, she proclaims two goals for her work: to give rightful praise to people who have earned it, despite what envious rivals may have said; and to present the stories behind certain songs that were well known at the time. It has been suggested that the prologue to "Guigemar" predates the overall prologue to the ''Lais'' in the Harley 978 manuscript, the only manuscript that records all twelve of Marie's known lais. Plot Guigemar, son of a loyal vassal to the King of Brittany">Guiomar (Arthurian legend)">Guigemar, son of a loyal vassal to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guihomar II, Viscount Of Léon
Guihomar II de Léon (died in 1103) was a Viscounty of Léon, Viscount of Léon. He is said to have succeeded his grandfather Guihomar I, Viscount of Léon, Guihomar I. Origins Guihomar is said to be the son of a man named Ehuarn. But according to Joëlle Quaghebeur, this Ehuarn was actually a "Viscount from Cornouaille", that is to say a Viscount of Le Faou. It seems that Guihomar II succeeded his supposed grandfather and namesake Guihomar I. A charter of the Cartulary of Saint-Georges de Rennes also mentions a Guihomar, son of Alan, himself named son of Guihomar in another charter in the same cartulary. Guihomar might then be the son of Ehuarn and a daughter or a granddaughter of Guihomar I. Guihomar's death is mentioned in the ''Chronicon Britannicum''. It is specified that Guihomar II was killed in 1103 by his own subjects. Possible family tree Source: Alan [I] of Léon │ ├──> Guihomar I, Viscount of Léon, Guihom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie De France
Marie de France (floruit, fl. 1160–1215) was a poet, likely born in France, who lived in England during the late 12th century. She lived and wrote at an unknown court, but she and her work were almost certainly known at the royal court of King Henry II of England. Virtually nothing is known of her life; both her given name and its geographical specification come from manuscripts containing her works. However, one written description of her work and popularity from her own era still exists. She is considered by scholars to be the first woman known to write francophone verse. Marie de France wrote in Old French, possibly the Anglo-Norman language, Anglo-Norman variety. She was proficient in Latin, as were most authors and scholars of that era, as well as Middle English and possibly Breton language, Breton. She is the author of the ''Lais of Marie de France''. She translated Aesop's Fables from Middle English into Anglo-Norman French and wrote ''Espurgatoire seint Partiz'', ''Leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lais Of Marie De France
The ''lais'' of Marie de France are a series of twelve short narrative Breton lais by the poet Marie de France. They are written in Anglo-Norman and were probably composed in the late 12th century, most likely between 1155-1170. The short, narrative poems generally focus on glorifying the concept of courtly love by the adventures of their main characters. Marie's lais are thought to form the basis for what would eventually become the genre known as the Breton lais. Despite her stature in Anglo-Norman literature and medieval French literature generally, little is known of Marie herself, but it is thought that she was born in France and wrote in England. Literacy characters Marie de France's lais, told in octosyllables or eight-syllable verse, are notable for their celebration of love, individuality of character, and vividness of description, hallmarks of the emerging literature of the times. Five different manuscripts contain one or more of the lais, but only one, Harley 978, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guiomar (Arthurian Legend)
Guiomar is the best known name of a character appearing in many medieval texts relating to the Arthurian legend, often in relationship with Morgan le Fay or a similar fairy queen type character. In medieval literature His earliest known appearances are as Graelent, Guingamor and Guigemar, the titular character of three 12th-century Breton lai "fairy lais" (''lais féeriques''): '' Graelent'', '' Guingamor'' and '' Guigemar'', each telling a similar story. There, he is a king's relative or vassal who, after rejecting the advances of the unnamed queen (the king's adulterous and jealous wife), becomes a lover of a fairy queen known only as the Fairy Mistress (a figure considered to represent Morgan) and is taken to an Otherworld (Avalon). All of these texts are related to Marie de France's '' Lanval'', where the human queen character is Guinevere. His name may have been derived from that of Gwyn ap Nudd, who in the Welsh Arthurian tales appears as the ruler of the Celtic Otherwo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Generides
''Generides'' or ''Generydes'' is an English verse romance, originating in the English Midlands and dated to the end of the 14th century. It survives in two different lengthy forms. The hero Generides is born as an illegitimate son of the King of India, and after adventures marries a princess of Persia and becomes ruler of both India and Persia. The original, which may have been in Middle English or French, appears to have been a compilation of the fourteenth century. Despite the wide use of Eastern names and locations, these do not appear to have any particular significance, and though many analogues can (and have) been drawn between it and various Indian and Persian tales, the characters and episodes are familiar ones in medieval romances. As in the romance ''Guigemar'', one of the hero's parents is already married to a cruel spouse, and some of the scene suggest deliberate imitation of that romance; as in the romance ''Erec'', the father is woken the next morning by the lady's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breton Lai
A Breton lai, also known as a narrative lay or simply a lay, is a form of medieval French and English romance literature. Lais are short (typically 600–1000 lines), rhymed tales of love and chivalry, often involving supernatural and fairy-world Celtic motifs. The word "lay" or "lai" is thought to be derived from the Old High German and/or Old Middle German ''leich'', which means play, melody, or song, or as suggested by Jack Zipes in ''The Oxford Companion to Fairy Tales'', the Irish word ''laid'' (song).Zipes, 62 Zipes writes that Arthurian legends may have been brought from Wales, Cornwall and Ireland to Brittany; on the continent the songs were performed in various places by harpists, minstrels, storytellers.Zipes, Jack, ''The Oxford Companion to Fairytales''. Oxford UP. 2009 62-63 Zipes reports the earliest recorded lay is Robert Biker's Lai du Cor, dating to the mid- to late-12th century. The earliest of the Breton lais to survive are probably '' The Lais of Marie de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval French Literature
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of World history (field), global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early Middle Ages, Early, High Middle Ages, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtly Love
Courtly love ( ; ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love was originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love spread to popular culture and attracted a larger literate audience. In the High Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and disc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Norman Literature
Anglo-Norman literature is literature composed in the Anglo-Norman language and developed during the period of 1066–1204, as the Duchy of Normandy and the Kingdom of England were united in the Anglo-Norman realm. Introduction The Norman language was introduced to England during the rule of William the Conqueror. Following the Norman Conquest, the Norman language was spoken by England's nobility. Similar to Latin, the Anglo-Norman language (the variety of Norman used in England) was deemed the literary language of England in the 12th century, and it was in use at the court until the 14th century. During the reign of Henry IV, English became the native tongue of the kings of England. The language underwent specific changes which distinguished it from the Old Norman spoken in Normandy, from which specific pronunciation rules are inferred. An Anglo-Norman variety of French continued to exist into the early 15th century, though it was in decline from at least the 1360s when it wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chivalric Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovid
Publius Ovidius Naso (; 20 March 43 BC – AD 17/18), known in English as Ovid ( ), was a Augustan literature (ancient Rome), Roman poet who lived during the reign of Augustus. He was a younger contemporary of Virgil and Horace, with whom he is often ranked as one of the three Western canon, canonical poets of Latin literature. The Roman Empire, Imperial scholar Quintilian considered him the last of the Latin love elegy, elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus Exile of Ovid, exiled him to Constanța, Tomis, the capital of the newly-organised province of Moesia, on the Black Sea, where he remained for the last nine or ten years of his life. Ovid himself attributed his banishment to a "poem and a mistake", but his reluctance to disclose specifics has resulted in much speculation among scholars. Ovid is most famous for the ''Metamorphoses'', a continuous mythological narrative in fifteen books written in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remedia Amoris
(also known as ''Love's Remedy'' or ''The Cure for Love''; ) is an 814-line poem in Latin by Roman poet Ovid. In this companion poem to '' The Art of Love'', Ovid offers advice and strategies to avoid being hurt by love feelings, or to fall out of love, with a stoic overtone. Genre fell into the Hellenistic category of didactic poetry, often carried out on mock-solemn subjects. Goal and methods Ovid's goal was to provide, for men and women alike, advice on how to escape safely from an unhappy love affair – emotional bondage – without falling into the tragic ends of such legendary figures as Dido or Medea In Greek mythology, Medea (; ; ) is the daughter of Aeëtes, King Aeëtes of Colchis. Medea is known in most stories as a sorceress, an accomplished "wiktionary:φαρμακεία, pharmakeía" (medicinal magic), and is often depicted as a high- .... Among the techniques he suggested were keeping busy; travelling; avoiding wine and love poetry; and concentrating on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
