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Great Bass Recorder
The great bass recorder is a member of the recorder family. With the revival of the recorder by Arnold Dolmetsch, who chose Baroque music and the corresponding recorder types as a fixed point, consideration was given to the design of recorder types larger than the bass recorder. The great bass recorder has up to seven keys, which serve to facilitate access to the finger holes. For modern large bass recorders woods like maple or African Bubinga are used. The term usually applies to an instrument with range is c–d2 (g2), but has also been used to describe an instrument descending to B or else to the low bass recorder in F, alternatively known as a contrabass. When "great bass" is used for the instrument in low F, the instruments in C and B are referred to as "quart-bass" and "quint-bass", respectively, because they are a fourth and fifth below the ordinary small bass, or "basset". The prefixes "great" and "contra" refer to the registers from C to B and from ͵C to ͵B, respect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syntagma Musicum
''Syntagma Musicum (1614-1620)'' is a musical treatise in three volumes by the German composer, organist, and music theorist Michael Praetorius. It was published in Wittenberg and Wolfenbüttel. It is one of the most commonly used research sources for seventeenth-century music theory and performance practice The second volume, ''De Organographia,'' illustrates and describes musical instruments and their use; this volume in particular became a valuable guide for research and reconstruction of early instruments in the twentieth century, and thus an integral part of the early music revival. Though never published, Praetorius intended a fourth volume on musical composition. The three extant volumes are: * I: ''Musicae Artis Analecta'' * II: ''De Organographia'' * III: ''Termini musicali'' Contents Volume One: Musicae Artis Analecta The first volume was written in Latin and divided into two parts, published separately. The first part, "on sacred or ecclesiastical music," shows Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Musical Instruments
Early may refer to: History * The beginning or oldest part of a defined historical period, as opposed to middle or late periods, e.g.: ** Early Christianity ** Early modern Europe Places in the United States * Early, Iowa * Early, Texas * Early Branch, a stream in Missouri * Early County, Georgia Other uses * ''Early'' (Scritti Politti album), 2005 * ''Early'' (A Certain Ratio album), 2002 * Early (name) * Early effect, an effect in transistor physics * Early Records, a record label * the early part of the morning Morning is the period from sunrise to noon. There are no exact times for when morning begins (also true of evening and night) because it can vary according to one's lifestyle and the hours of daylight at each time of year. However, morning stric ... See also * Earley (other) {{disambiguation, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Instruments
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments. The following table lists instruments, classified as brass instruments, woodwinds, strings, and basso continuo. The continuous bass is played by a group of instruments, depending on the given situation. Many instruments have an Italian or French name which is used as a common name also in English. The use of instruments by composers is shown in examples mostly by Johann Sebastian Bach. Table of instruments Baroque instrumentation The typical orchestra of the Baroque period is based on string instruments ( violin, viola) and continuo. A continuous bass is the rule in Baroque music; its absence is worth mentioning and has a reason, such as descri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curt Sachs
Curt Sachs (; 29 June 1881 – 5 February 1959) was a German musicologist. He was one of the founders of modern organology (the study of musical instruments). Among his contributions was the Hornbostel–Sachs system, which he created with Erich von Hornbostel. Biography Born in Berlin, Sachs studied piano, music theory and composition as a youth in that city. However, his doctorate from Berlin University (where he was later professor of musicology) in 1904 was on the history of art, with his thesis on the sculpture of Verrocchio. He began a career as an art historian, but promptly became more devoted to music, eventually being appointed director of the Staatliche Instrumentensammlung, a large collection of musical instruments. He reorganised and restored much of the collection, and his career as an organologist began. In 1913, Sachs saw the publication of his book ''Real-Lexicon der Musikinstrumente'', probably the most comprehensive survey of musical instruments in 200 y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (musicologist)
John Tyrrell (17 August 1942 – 4 October 2018) was a British people, British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours througho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicology, musicologist, music critic, and editor. He was editor of the sixth edition of the ''Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfenbüttel
Wolfenbüttel (; nds, Wulfenbüddel) is a town in Lower Saxony, Germany, the administrative capital of Wolfenbüttel District. It is best known as the location of the internationally renowned Herzog August Library and for having the largest concentration of timber-framed buildings in Germany. It is an episcopal see of the Evangelical Lutheran Church in Brunswick. It is also home to the Jägermeister distillery, houses a campus of the Ostfalia University of Applied Sciences, and the Landesmusikakademie of Lower Saxony. Geography The town center is located at an elevation of on the Oker river near the confluence with its Altenau tributary, about south of Brunswick and southeast of the state capital Hannover. Wolfenbüttel is situated about half-way between the Harz mountain range in the south and the Lüneburg Heath in the north. The Elm-Lappwald Nature Park and the Asse hill range stretch east and southeast of the town. With a population of about 52,000 people, Wol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Boult
Sir Adrian Cedric Boult, CH (; 8 April 1889 – 22 February 1983) was an English conductor. Brought up in a prosperous mercantile family, he followed musical studies in England and at Leipzig, Germany, with early conducting work in London for the Royal Opera House and Sergei Diaghilev's ballet company. His first prominent post was conductor of the City of Birmingham Orchestra in 1924. When the British Broadcasting Corporation appointed him director of music in 1930, he established the BBC Symphony Orchestra and became its chief conductor. The orchestra set standards of excellence that were rivalled in Britain only by the London Philharmonic Orchestra (LPO), founded two years later. Forced to leave the BBC in 1950 on reaching retirement age, Boult took on the chief conductorship of the LPO. The orchestra had declined from its peak of the 1930s, but under his guidance its fortunes were revived. He retired as its chief conductor in 1957, and later accepted the post of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marin Mersenne
Marin Mersenne, OM (also known as Marinus Mersennus or ''le Père'' Mersenne; ; 8 September 1588 – 1 September 1648) was a French polymath whose works touched a wide variety of fields. He is perhaps best known today among mathematicians for Mersenne prime numbers, those which can be written in the form for some integer . He also developed Mersenne's laws, which describe the harmonics of a vibrating string (such as may be found on guitars and pianos), and his seminal work on music theory, '' Harmonie universelle'', for which he is referred to as the "father of acoustics". Mersenne, an ordained Catholic priest, had many contacts in the scientific world and has been called "the center of the world of science and mathematics during the first half of the 1600s" and, because of his ability to make connections between people and ideas, "the post-box of Europe". He was also a member of the Minim religious order and wrote and lectured on theology and philosophy. Life Mersenne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Praetorius
Michael Praetorius (probably 28 September 1571 – 15 February 1621) was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant hymns. Life Praetorius was born Michael Schultze, the youngest son of a Lutheran pastor, in Creuzburg, in present-day Thuringia. After attending school in Torgau and Zerbst, he studied divinity and philosophy at the University of Frankfurt (Oder). He was fluent in a number of languages. After receiving his musical education, from 1587 he served as organist at the Marienkirche in Frankfurt. From 1592/3 he served at the court in Wolfenbüttel, under the employ of Henry Julius, Duke of Brunswick-Lüneburg. He served in the duke's State Orchestra, first as organist and later (from 1604) as '' Kapellmeister'' (court music director). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crook (music)
A crook, also sometimes called a shank, is an exchangeable segment of tubing in a natural horn (or other brass instrument, such as a natural trumpet) which is used to change the length of the pipe, altering the fundamental pitch and harmonic series which the instrument can sound, and thus the key in which it plays. Apel, pp. 392, 926. Master crook and coupler system Early horns had unalterable lengths and permanently attached mouthpieces. This presented problems in concert situations. A different horn was required for different keys, and the instrument could not be tuned. Around 1700 the Leichnamschneider brothers in Vienna developed a horn with a removable mouthpiece that could be connected to a short piece of tubing, called a master crook. Additional pieces, couplers, of different lengths were inserted between the master crook and the body of the horn to change the horn's length, and thus the pitch. Fine-tuning was done with even shorter segments called tuning bits. This simp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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