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Graham Massey
Graham Vernon Massey (born 4 August 1960 in Manchester) is a British record producer, musician, and remixer. Early career He was a member of experimental punk jazz rock group Biting Tongues, once signed to Factory Records. After recording with the latter he enrolled in a sound engineer course. By 1988, he was a founding member of the British band 808 State. Originally a hip-hop group called Hit Squad Manchester, they shifted to an acid house sound for recording their debut album '' Newbuild''. Music 808 State was named after Massey's favourite drum machine, the Roland TR-808. He said he thought Roland drum machines were "severely uncool" when they first appeared. Massey had also been a member of the D.I.Y. band Danny and the Dressmakers, a member of the Manchester punk rock band Aqua in the late 1970s (not to be confused with the Danish pop band Aqua from the 1990s), and collaborated with violinist Graham Clark. Massey co-wrote and co-produced the tracks " Army of Me" and ...
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Manchester
Manchester () is a city and the metropolitan borough of Greater Manchester, England. It had an estimated population of in . Greater Manchester is the third-most populous metropolitan area in the United Kingdom, with a population of 2.92 million, and the largest in Northern England. It borders the Cheshire Plain to the south, the Pennines to the north and east, and the neighbouring city of Salford to the west. The city borders the boroughs of Trafford, Metropolitan Borough of Stockport, Stockport, Tameside, Metropolitan Borough of Oldham, Oldham, Metropolitan Borough of Rochdale, Rochdale, Metropolitan Borough of Bury, Bury and City of Salford, Salford. The history of Manchester began with the civilian settlement associated with the Roman fort (''castra'') of Mamucium, ''Mamucium'' or ''Mancunium'', established on a sandstone bluff near the confluence of the rivers River Medlock, Medlock and River Irwell, Irwell. Throughout the Middle Ages, Manchester remained a ma ...
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Aqua (band)
Aqua is a Danish-Norwegian eurodance band, best known for their 1997 single " Barbie Girl". The group formed in 1995 in Copenhagen and achieved international success around the globe in the late 1990s and early 2000s. The band released three albums: '' Aquarium'' in 1997, '' Aquarius'' in 2000 and '' Megalomania'' in 2011. The group sold an estimated 33 million albums and singles, making them the most profitable Danish band ever. The group managed to top the UK Singles Chart with three of their singles. The group also caused controversy with the double entendres in their " Barbie Girl" single, with Mattel filing a lawsuit against the group. The lawsuit was finally dismissed by a judge in 2002, who ruled "The parties are advised to chill". The band's members are vocalists René Dif and Lene Nystrøm, keyboardist Søren Rasted, and guitarist Claus Norreen. During their split, Nystrøm, Dif and Rasted all achieved solo chart success, while Norreen remixed other artists' ...
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Papua New Guinea (song)
"Papua New Guinea" is a single by the British electronic music group the Future Sound of London. It was released in November 1991 through the label Jumpin' & Pumpin' and is included on the group's debut album, '' Accelerator'', released the following year. The single entered the 's Dance Singles Chart at No.42 in December 1991, and reached number 22 on the UK Singles Chart when rereleased in mid-1992. Development Background Garry Cobain described himself as being "bit of an indie kid" in the mid 1980s, being a fan of the Manchester-based Factory Records acts such as Joy Division. Cobain reflected in 2006 that he had played guitar but was "never very good, and I'm still not very good at it." This led Cobain going to the University of Manchester Institute of Science and Technology. At the school he met Brian Dougans who was studying sound recording and was also a fan of Factory Records bands like A Certain Ratio. Cobain described Dougans as "I was well envious of Brian, and h ...
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Your Body Sub Atomic
"Stakker Humanoid" is a 1988 track by Humanoid (Brian Dougans, John Laker) released in 1988 on the London-based label Westside Records. It is described by ''The Guardian'' as "the first truly credible UK acid techno record to break into the mainstream." History The project behind the track started out with Stakker, a collaborative project by the video artists Mark McLean and Colin Scott. They needed music to support their video and contacted Brian Dougans. They sent a demo video tape containing graphics and some music to Morgan Khan who (although he didn't appreciate the video) invited Brian Dougans to record two demos at his Dance Studios in Ealing London. The sample "Humanoid", taken from the video game '' Berzerk'', provided the name of the track. The track was originally called "Humanoid" to be put out by Stakker through Morgan Khan's label Westside Records, though Morgan released it as "Stakker Humanoid" by 'Humanoid' to avoid copyright issues. As Dougans has acknowledged ...
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Remix
A remix, also sometimes called reorchestration or rework, is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, poem, or photograph can be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing (recorded music), audio mixing in music and song recordings. Songs may be remixed for a variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereophonic sound, stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original audio mastering, master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different ...
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Stakker Humanoid
"Stakker Humanoid" is a 1988 track by Humanoid (Brian Dougans, John Laker) released in 1988 on the London-based label Westside Records. It is described by ''The Guardian'' as "the first truly credible UK acid techno record to break into the mainstream." History The project behind the track started out with Stakker, a collaborative project by the video artists Mark McLean and Colin Scott. They needed music to support their video and contacted Brian Dougans. They sent a demo video tape containing graphics and some music to Morgan Khan who (although he didn't appreciate the video) invited Brian Dougans to record two demos at his Dance Studios in Ealing London. The sample "Humanoid", taken from the video game '' Berzerk'', provided the name of the track. The track was originally called "Humanoid" to be put out by Stakker through Morgan Khan's label Westside Records, though Morgan released it as "Stakker Humanoid" by 'Humanoid' to avoid copyright issues. As Dougans has acknowled ...
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The Future Sound Of London
The Future Sound of London (often abbreviated FSOL) is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient music, ambient, house music, trip hop, psychedelic music, psychedelia, and dub music, dub. While keeping an enigmatic image and releasing music under many aliases, the band found commercial success with singles "Papua New Guinea (song), Papua New Guinea" (1991) and "Cascade (song), Cascade" (1993), and albums ''Lifeforms (The Future Sound of London album), Lifeforms'' (1994), ''ISDN (album), ISDN'' (1995) and ''Dead Cities (album), Dead Cities'' (1996). In recent years, the duo has become more candid with their fanbase online. Their later work include their series of experimental ''Environments (album), Environments'' and ''Archives'' albums. History Formation Garry Cobain and Brian Dougans met in the mid-1980s while studying electronics at university in M ...
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Brian Dougans
Brian Robert Dougans (born 1965) is a Scottish musician and composer who is a member of the British electronic duo the Future Sound of London (FSOL). Dougans is the more technical member of FSOL, doing most of the programming, circuit bending et cetera and creating electronic instruments at his home studio in Glastonbury, Somerset. He is currently head of FSOLdigital (FSOL's record label) and co designer of the FSOL:Digitana SX-1 Synthesiser. Dougans' first releases were as "Humanoid", releasing the acid house single " Stakker Humanoid", which reached number 17 in the UK Singles Chart in 1988, and also charted in 1992 and 2001. "Stakker Humanoid" was No.1 for five weeks in the UK Dance Chart (December 1988) and has been cited as a major influence on early Aphex Twin releases. Dougans’ music as Humanoid is also part of the MOMA NY collection via Stakker Eurotechno. Dougans has always been the quiet, technical workhorse of FSOL whilst Garry Cobain brings in his melody and sof ...
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Skam Records
Skam Records is an independent electronic music record label based in Manchester, England, founded by Andy Maddocks around 1990. Skam also runs a smaller sub-label called 33. History Skam's first 12-inch single was '' Lego Feet'' by Lego Feet (Sean Booth and Rob Brown, later known as Autechre). The label followed with two 12" records from Gescom, a project whose members vary between each release. Other early Skam releases came from Freeform (Simon Pyke), Bola, Jega, Team Doyobi, Wevie Stonder, E.Stonji (Jens Döring), and Boards of Canada. Boards of Canada's ''Hi Scores'' EP, and Gescom's ''Keynell'' and ''Lego Feet'' have been re-pressed or reissued. Skam's first full-length LP releases were in 1998 with ''Soup'' by Bola and ''Music Has the Right to Children'' by Boards of Canada, the latter being jointly released with Warp Records. A recurring feature on the packaging of Skam releases is the title of the album printed in braille. Series releases Skam makes multiple seri ...
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Debut (Björk Album)
''Debut'' is the international debut studio album by Icelandic recording artist Björk, released in July 1993 by One Little Indian and Elektra Entertainment. It was produced by Björk and Nellee Hooper. It was Björk's first recording following the dissolution of her previous band, the Sugarcubes. The album departed from the rock style of her previous work and drew from an eclectic variety of styles, including electronic pop, house music, jazz and trip hop. ''Debut'' received critical acclaim from British music critics, though American reviews were mixed. It exceeded sales expectations, charting at number two in Iceland, three in the United Kingdom, and 61 in the US. It was certified gold in Canada and platinum in the US, where it remains Björk's best-selling album. Five singles were released from ''Debut'': " Human Behaviour", " Venus as a Boy", " Play Dead", " Big Time Sensuality" and " Violently Happy". All charted in the UK, with only "Human Behaviour", "Violently Hap ...
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Post (Björk Album)
''Post'' is the second studio album by Icelandic singer Björk. It was released on 12 June 1995 by One Little Indian Records. Continuing the style developed on her first album ''Debut (Björk album), Debut'' (1993), Björk conceived of ''Post'' as a bolder and more extroverted set of songs than its predecessor, featuring an Eclecticism, eclectic mixture of Electronic music, electronic and Dance music, dance styles such as Techno music, techno, trip hop, Intelligent dance music, IDM, and House music, house, alongside that of Ambient music, ambient, jazz, Industrial music, industrial, and experimental music. Björk produced ''Post'' herself with co-producers including Nellee Hooper, 808 State's Graham Massey, and former Massive Attack member Tricky (musician), Tricky. She wrote most of the songs after moving to London and intended the album to reflect her new life in the city. The album reached number one in Iceland, number three in the United Kingdom and number 32 in the United St ...
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