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Giuseppe Borgatti
Giuseppe Borgatti (Cento, 17 March 1871 – Reno di Leggiuno, 18 October 1950) was an Italian dramatic tenor with an outstanding voice. (See Michael Scott, cited below, for a laudatory appraisal of his singing.) The creator of the title role in Umberto Giordano's verismo opera ''Andrea Chénier'', he subsequently earned renown for his performances of the music of Richard Wagner, becoming in 1904 the first Italian tenor to appear at the Bayreuth Festival. He sang a variety of leading roles at La Scala, Milan, from 1896 until 1914, but deteriorating eyesight caused by glaucoma put a premature end to his stage career, after which he turned successfully to teaching. Biography Borgatti was born into a poor rural family from the Province of Ferrara in northern Italy and grew up illiterate, according to the music-performance historian John Rosselli. This handicap did not prevent Borgatti from finding work as a bricklayer/stone-cutter. He was also called up by the authorities to disc ...
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Giuseppe is the Italian form of the given name Joseph, from Latin Iōsēphus from Ancient Greek Ἰωσήφ (Iōsḗph), from Hebrew יוסף. It is the most common name in Italy and is unique (97%) to it. The feminine form of the name is Giuseppina. People with the given name Artists and musicians * Giuseppe Aldrovandini (1671–1707), Italian composer * Giuseppe Arcimboldo (1526 or 1527–1593), Italian painter * Giuseppe Belli (singer) (1732–1760), Italian castrato singer * Giuseppe Gioachino Belli (1791–1863), Italian poet * Giuseppe Castiglione (1829–1908) (1829–1908), Italian painter * Giuseppe Giordani (1751–1798), Italian composer, mainly of opera * Giuseppe Ottaviani (born 1978), Italian musician and disc jockey * Giuseppe Psaila (1891–1960), Maltese Art Nouveau architect * Giuseppe Sammartini (1695–1750), Italian composer and oboist * Giuseppe Sanmartino or Sammartino (1720–1793), Italian sculptor * Giuseppe Santomaso (1907–1990), Italian painter * Gi ...
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Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late- Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic '' verismo'' style, of which he became one of the leading exponents. His most renowned works are '' La bohème'' (1896), ''Tosca'' (1900), ''Madama Butterfly'' (1904), and '' Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local m ...
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Cosima Wagner
Francesca Gaetana Cosima Wagner (née Liszt; 24 December 1837 – 1 April 1930) was the daughter of the Hungarian composer and pianist Franz Liszt and Franco-German romantic author Marie d'Agoult. She became the second wife of the German composer Richard Wagner, and with him founded the Bayreuth Festival as a showcase for his stage works; after his death she devoted the rest of her life to the promotion of his music and philosophy. Commentators have recognised Cosima as the principal inspiration for Wagner's later works, particularly ''Parsifal''. In 1857, after a childhood largely spent under the care of her grandmother and with governesses, Cosima married the conductor Hans von Bülow. Although the marriage produced two children, it was largely a loveless union, and in 1863 Cosima began a relationship with Wagner, who was 24 years her senior. They married in 1870; after Wagner's death in 1883 she directed the Bayreuth Festival for more than 20 years, increasing its repertoire ...
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Enrico Caruso
Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) from the Italian and French repertoires that ranged from the lyric to the dramatic. One of the first major singing talents to be commercially recorded, Caruso made 247 commercially released recordings from 1902 to 1920, which made him an international popular entertainment star. Biography Early life Enrico Caruso came from a poor but not destitute background. Born in Naples in the via Santi Giovanni e Paolo n° 7 on 25 February 1873, he was baptised the next day in the adjacent Church of San Giovanni e Paolo. His parents originally came from Piedimonte d'Alife (now called Piedimonte Matese), in the Province of Caserta in Campania, Southern Italy. Caruso was the third of seven children and one of only three to survive infancy. There i ...
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Eugenio Giraldoni
Eugenio Giraldoni (20 May 1871, Marseille – 23 June 1924, Helsinki) was an Italian operatic baritone who enjoyed a substantial international career. In 1900, he created the role of Baron Scarpia in Giacomo Puccini's ''Tosca''. He was the son of another leading baritone, Leone Giraldoni, and the soprano and violinist Carolina Ferni. His mother gave him voice lessons and he made his opera debut in Barcelona, as Escamillo in ''Carmen'', in 1891. Giraldoni consolidated his career by appearing at various operatic venues in Italy and, in 1898, visiting South America. Then, in 1900, he earned a place in operatic history when he created the part of Baron Scarpia in ''Tosca'', at the Teatro Costanzi in Rome. He also appeared in the first performance of Alberto Franchetti's ''La figlia di Jorio'' at Italy's foremost opera house, La Scala, Milan, in 1906. He sang in Russia and Poland from 1901 until 1907 and at the Metropolitan Opera in New York City during the 1904–05 season. In ...
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Mario Sammarco
(Giuseppe) Mario Sammarco (13 December 1868, although some sources say 1867 – 24 January 1930) was an Italian operatic baritone noted for his acting ability. Biography Sammarco was born in Palermo, Sicily, and studied locally with Antonio Cantelli. He made his operatic début in Palermo as Valentine in ''Faust'' in 1888. He subsequently sang to acclaim in Milan (at La Scala, Italy's most celebrated theatre), Buenos Aires and London. Between 1904 and 1919 he appeared intermittently, in 26 different roles, at the Royal Opera House, Covent Garden. In New York City, he was hired by Oscar Hammerstein I for his Manhattan Opera Company as a replacement for the great French singing-actor Maurice Renaud. He sang with the Manhattan company in 1908–1910, becoming its principal Italian baritone, but he never 'graduated' to the rival Metropolitan Opera. Sammarco next joined the Chicago–Philadelphia opera company. His career there continued smoothly enough until 1913 when he en ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the ave ...
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Luisa Tetrazzini
Luisa Tetrazzini (June 29, 1871 in Florence – April 28, 1940 in Milan) was an Italian dramatic coloratura soprano of great international fame. Tetrazzini "had a scintillating voice with a brilliant timbre and a range and agility well beyond the norm...". She enjoyed a highly successful operatic and concert career in Europe and America from the 1890s through to the 1920s. Her voice lives on in recordings made from 1904–1920. She wrote a memoir, ''My Life of Song'', in 1921 and a treatise, ''How to Sing'', in 1923. After retirement, she taught voice in her homes in Milan and Rome until her death. Biography Early life Tetrazzini was born on June 29, 1871, in Florence, Italy. Her father was a tailor and she had two sisters and two brothers. Reportedly, she began singing at the age of three. Luisa herself recalled singing early on as a child and reminisced that her father was the first person to ever compare her to the famous bel canto soprano, Adelina Patti. Luisa fir ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Francesco Tamagno
Francesco Tamagno (28 December 1850 – 31 August 1905) was an Italian operatic tenor who sang with enormous success throughout Europe and America.Warrack, John and West, Ewan (1992), ''The Oxford Dictionary of Opera'', 782 pages, On 5 February 1887, he sang Otello in the first performance of Giuseppe Verdi's opera. Kennedy, Michael (2006), ''The Oxford Dictionary of Music'', 985 pages, He is also the earliest Italian tenor of note to have left a sizeable body of recordings of his voice. He was one of the first international male public figures to admit that he was the single parent and caregiver of a daughter from her birth. Musical significance The most famous heroic tenor of his age, Tamagno performed in 26 countries, gaining renown for the power of his singing, especially in the upper register. Tamagno was among the rare species of singers known as a ''tenore robusto'' or ''tenore di forza'', and critics likened the sound of his voice to that of a trumpet or even a cannon ...
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Arturo Toscanini
Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory. He was at various times the music director of La Scala in Milan and the New York Philharmonic. Later in his career he was appointed the first music director of the NBC Symphony Orchestra (1937–54), and this led to his becoming a household name (especially in the United States) through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire. Biography Early years Toscanini was born in Parma, Emilia-Romagna, and won a scholarship to the local music conservatory, where he studied the cello. Living conditions at the conservatory were harsh and strict. For example, the menu at the conservatory consisted almost entirely of fish; in his later years, T ...
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Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to ...
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