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Giulio Cesare Martinengo
Giulio Cesare Martinengo (; – 10 July 1613) was an Italian composer and teacher of the late Renaissance and early Baroque Venetian School. He was the predecessor to Claudio Monteverdi at San Marco. He probably came from Verona, and was the son of composer Gabriele Martinengo. Accounts giving his birthdate are conflicting: one from his mother claims he was born in 1564, but a document from the "house of the Accoliti" in Verona gives his age in 1583 as 15. He studied with his father in Verona, and in the 1590s he served at Verona Cathedral as a singer as well as a priest. Martinengo is principally famous as the successor to Giovanni Croce, and predecessor to Claudio Monteverdi, to the post of ''maestro di cappella'' at San Marco in Venice, which was by far the most prestigious post in northern Italy. He was hired on 22 August 1609, at a pay of 200 ducats, after an audition, and on the recommendation of the Veronese. Martinengo's tenure was a failure; he was sick most of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italians
, flag = , flag_caption = Flag of Italy, The national flag of Italy , population = , regions = Italy 55,551,000 , region1 = Brazil , pop1 = 25–33 million , ref1 = , region2 = Argentina , pop2 = 20–25 million , ref2 = , region3 = United States , pop3 = 17-20 million , ref3 = , region4 = France , pop4 = 1-5 million , ref4 = , region5 = Venezuela , pop5 = 1-5 million , ref5 = , region6 = Paraguay , pop6 = 2.5 million , region7 = Colombia , pop7 = 2 million , ref7 = , region8 = Canada , pop8 = 1.5 million , ref8 = , region9 = Australia , pop9 = 1.0 million , ref9 = , region10 = Uruguay , pop10 = 1.0 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the nam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Classical Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Italian'' (1915 film), a silent film by Reginald Barker * ''The Italian'' (2005 film), a Russian film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Musicians
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1613 Deaths
Events January–June * January 11 – Workers in a sandpit in the Dauphiné region of France discover the skeleton of what is alleged to be a 30-foot tall man (the remains, it is supposed, of the giant Teutobochus, a legendary Gallic king who fought the Romans). * January 20 – King James I of England successfully mediates the Treaty of Knäred between Denmark and Sweden. * February 14 – Elizabeth Stuart, Queen of Bohemia, Elizabeth, daughter of King James I of England, marries Frederick V, Elector Palatine. * March 3 (February 21 O.S.) – An assembly of the Tsardom of Russia, Russian Empire elects Michael of Russia, Mikhail Romanov Tsar of Russia, ending the Time of Troubles. The House of Romanov will remain a ruling dynasty until 1917. * March 27 – The first English child is born in Canada at Cuper's Cove, Newfoundland and Labrador, Cuper's Cove, Newfoundland (island), Newfoundland to Nicholas Guy. * March 29 – Samuel de Champlain be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1560s Births
Year 156 ( CLVI) was a leap year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Silvanus and Augurinus (or, less frequently, year 909 ''Ab urbe condita''). The denomination 156 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place America * The La Mojarra Stela 1 is produced in Mesoamerica. By topic Religion * The heresiarch Montanus first appears in Ardaban (Mysia). Births * Dong Zhao, Chinese official and minister (d. 236) * Ling of Han, Chinese emperor of the Han Dynasty (d. 189) * Pontianus of Spoleto, Christian martyr and saint (d. 175) * Zhang Zhao, Chinese general and politician (d. 236) * Zhu Zhi, Chinese general and politician (d. 224) Deaths * Marcus Gavius Maximus, Roman praetorian prefect * Zhang Daoling, Chinese Taoist Taoism ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Arnold
Denis Midgley Arnold (Sheffield, 15 December 1926 – Budapest, 28 April 1986) was a British musicologist. Biography After being employed in the extramural department of Queen's University, Belfast, he became a Lecturer in Music at the University of Hull, and from 1969 to 1975 was Professor of Music at The University of Nottingham. From 1975 he was Heather Professor of Music at Oxford University. He served as editor of ''Music & Letters''. He is best known for his editing of ''The New Oxford Companion to Music'' (1983, Oxford University Press), which under his editorship grew to a two-volume work of some 2000 pages, with a broader coverage than Percy Scholes' original; and for his work on the music of Monteverdi, Marenzio and Giovanni Gabrieli. A frequent broadcaster, he also reviewed a great many recordings (mostly in the field of Renaissance music) for ''Gramophone A phonograph, in its later forms also called a gramophone (as a trademark since 1887, as a generi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th c.) and early Baroque music, Baroque (1600–1750) periods, although revisited by some later European composers. The Polyphony, polyphonic madrigal is Accompaniment, unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the Metre (music), metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s in music, 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lodovico Grossi Da Viadana
Lodovico Grossi da Viadana (usually Lodovico Viadana, though his family name was Grossi; c. 1560 – 2 May 1627) was an Italian composer, teacher, and Franciscan friar of the Order of Friars Minor Observants. He was the first significant figure to make use of the newly developed technique of figured bass, one of the musical devices which was to define the end of the Renaissance and beginning of the Baroque eras in music. Life He was born in Viadana, a town in the province of Mantua (Italy). According to a document dating from about 150 years after his death, he was a member of the Grossi family but took the name of his birth city, Viadana, when he entered the order of the Minor Observants prior to 1588. Though there is no contemporary evidence, it has been claimed that he studied with Costanzo Porta, becoming choirmaster at the cathedral in Mantua by 1594. In 1597 he went to Rome, and in 1602 he became choirmaster at the cathedral of San Luca in Mantua. He held a successio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertato
Concertato is a term in early Baroque music referring to either a ''genre'' or a ''style'' of music in which groups of instruments or voices share a melody, usually in alternation, and almost always over a basso continuo. The term derives from Italian ''concerto'' which means "playing together"—hence ''concertato'' means "in the style of a concerto." In contemporary usage, the term is almost always used as an adjective, for example "three pieces from the set are in ''concertato'' style." A somewhat oversimplified, but useful distinction between ''concertato'' and ''concerto'' can be made: the ''concertato'' style involves contrast between opposing groups of voices and groups of instruments: the ''concerto'' style, especially as it developed into the ''concerto grosso'' later in the Baroque, involves contrast between large and small groups of similar composition (later called "ripieno" and "concertino"). The style developed in Venice in the late 16th century, mainly through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
