Fisch-Ton-Kan
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Fisch-Ton-Kan
''Fisch-Ton-Kan'' is an opéra bouffe in one act by Emmanuel Chabrier of which only some numbers survive. The French libretto was by Paul Verlaine, and probably Lucien Viotti, after the 'parade chinoise' ''Fich-Tong-Khan ou L'orphelin de le Tartarie'' of 1835 by Thomas Sauvage (1794-1877) and Gabriel de Lurieu (1792-1869). The title is tongue-in-cheek, as ''Fisch-Ton-Kan'' is a phonetic rendition of French ''fiche ton camp'', which may be translated as "clear off!". Background Composed around 1864, when Verlaine and Chabrier, working as a civil servant, had become good friends, only five complete numbers survive from this early comic work. Many of the situations recur in Chabrier's opéra bouffe of 1877, '' L'étoile'': Goulgouly becomes Laoula, Fisch-Ton-Kan turns into Lazuli and Kakao is a precursor of Ouf Ier. The 'Air de Poussah' was re-used by Chabrier in his ''Ronde Champêtre'', a piano work of 1880. Manuscripts of ''Fisch-Ton-Kan'' in the Bibliothèque Nationale inclu ...
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Emmanuel Chabrier
Alexis-Emmanuel Chabrier (; 18 January 184113 September 1894) was a French Romantic composer and pianist. His bourgeois family did not approve of a musical career for him, and he studied law in Paris and then worked as a civil servant until the age of thirty-nine while immersing himself in the modernist artistic life of the French capital and composing in his spare time. From 1880 until his final illness he was a full-time composer. Although known primarily for two of his orchestral works, ''España'' and '' Joyeuse marche'', Chabrier left a corpus of operas (including '' L'étoile''), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator and a catalyst who paved the way for French modernism. He was admired by, and influenced, composers as divers ...
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Paul Verlaine
Paul-Marie Verlaine (; ; 30 March 1844 – 8 January 1896) was a French poet associated with the Symbolist movement and the Decadent movement. He is considered one of the greatest representatives of the '' fin de siècle'' in international and French poetry. Biography Early life Born in Metz, Verlaine was educated at the ''Lycée Impérial Bonaparte'' (now the Lycée Condorcet) in Paris and then took up a post in the civil service. He began writing poetry at an early age, and was initially influenced by the Parnassien movement and its leader, Leconte de Lisle. Verlaine's first published poem was published in 1863 in ''La Revue du progrès'', a publication founded by poet Louis-Xavier de Ricard. Verlaine was a frequenter of the salon of the Marquise de Ricard (Louis-Xavier de Ricard's mother) at 10 Boulevard des Batignolles and other social venues, where he rubbed shoulders with prominent artistic figures of the day: Anatole France, Emmanuel Chabrier, inventor-poet and hum ...
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L'étoile (opera)
''L'étoile'' is an opéra bouffe in three acts by Emmanuel Chabrier with a libretto by Eugène Leterrier and Albert Vanloo. Chabrier met his librettists at the home of a mutual friend, the painter Gaston Hirsh, in 1875. Chabrier played to them early versions of the romance "O petite étoile" and the ensemble "Le pal, est de tous les supplices..." (with words by Verlaine which Leterrier and Vanloo found too bold and toned down). They agreed to collaborate and Chabrier set about composition with enthusiasm. The story echoes some of the characters and situations of Chabrier's '' Fisch-Ton-Kan''.Delage, pp. ?? Performance history ''L'étoile'' premiered on 28 November 1877 at Offenbach's '' Théâtre des Bouffes Parisiens''. In its initial run the modest orchestra was appalled at the difficulty of Chabrier’s score, which was much more sophisticated than anything Offenbach wrote for the small boulevard theatre. It was first performed outside France in Berlin on 4 October 1878 ...
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Ba-ta-clan
''Ba-ta-clan'' is a "chinoiserie musicale" (or operetta) in one act with music by Jacques Offenbach to an original French libretto by Ludovic Halévy. It was first performed at the Théâtre des Bouffes Parisiens, Paris, on 29 December 1855.Lamb A. Ba-ta-clan. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. The operetta uses set numbers and spoken dialogue and runs for under an hour. Background ''Ba-ta-clan'' was Offenbach's first big success, and opened his new winter theatre, the Salle Choiseul. The witty piece satirised everything from contemporary politics to grand opera conventions. It was frequently revived in Paris, London and New York for decades, and Offenbach eventually expanded it as a full-length piece with a cast of eleven. Offenbach's early operettas were small-scale one-act works, since the law in France limited the licence for musical theatre works (other than most operas) to one-act pieces with no more than three singers and, ...
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Mireille Delunsch
Mireille Delunsch (born 2 November 1962) is a French soprano. She was born in Mulhouse, and studied musicology and voice at the Conservatoire de Strasbourg. Her debut was at the Opéra national du Rhin in Mulhouse, in Mussorgsky's '' Boris Godunov''. Her repertory is wide, from Baroque opera to 20th-century art songs, with an emphasis on French music. She is well known for the operas she has sung under the direction of French conductor Marc Minkowski. Recordings Among the operas Delunsch has recorded with Minkowski are: *''La dame blanche'' by Boïeldieu (1996, released 1997, EMI Classics) - ''Jenny'' *'' Armide'' by Gluck (1996, released 1999, Archiv) - ''Armide'' *'' Dardanus'' by Rameau (1998, released 2000, Archiv) - ''Vénus'' *'' Iphigénie en Tauride'' by Gluck (1999, released 2001, Archiv) - ''Iphigénie'' *'' Orphée et Eurydice'' (French version) by Gluck (2002, released 2004, Archiv) - ''Eurydice'' and DVD/TV broadcast *''L'incoronazione di Poppea'' by Monteverdi ( ...
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Roger Delage
Roger Delage (4 December 1922 – 8 February 2001) was a French musicologist and conductor. He was the leading authority on the life and works of the composer Emmanuel Chabrier, and as a conductor was known for reviving the music of early French composers such as Guillaume de Machaut. Life and career Delage was born in Vierzon in central France. He was a student at the Paris Conservatoire, where he studied the viola with Maurice Vieux and the history of music with Norbert Dufourcq. He also played in the Orchestre des Cadets du Conservatoire formed by the director Claude Delvincourt to allow his students to avoid being conscripted into the "Service du travail obligatoire" in Nazi Germany.Delage, Roger. ''Chabrier.'' Libraire Arthème Fayard, 1999: Introduction, p. 11. In 1954 he joined the viola section of the Orchestre philharmonique de Strasbourg.Condé, Gérard"Roger Delage (1922–2001)" ''Revue de Musicologie'', T. 87, No. 1 (2001), pp. 213–214 (in French) Delage settled p ...
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Opéra Bouffe
Opéra bouffe (, plural: ''opéras bouffes'') is a genre of late 19th-century French operetta, closely associated with Jacques Offenbach, who produced many of them at the Théâtre des Bouffes-Parisiens, inspiring the genre's name. Opéras bouffes are known for elements of comedy, satire, parody and farce. The most famous examples are ''La belle Hélène'', '' Barbe-bleue'' (''Bluebeard''), '' La Vie parisienne'', ''La Périchole'' and '' La Grande-Duchesse de Gérolstein''. Sources * Bartlet, M. Elizabeth C.: "Opéra bouffe" Stanley Sadie (ed.), ''The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...'' (London, 1992). {{DEFAULTSORT:Opera Bouffe Opera genres Opera terminology ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ...
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Lost Operas
Lost may refer to getting lost, or to: Geography * Lost, Aberdeenshire, a hamlet in Scotland * Lake Okeechobee Scenic Trail, or LOST, a hiking and cycling trail in Florida, US History *Abbreviation of lost work, any work which is known to have been created but has not survived to the present day Arts, entertainment, and media Films * ''Lost'' (1950 film), a Mexican film directed by Fernando A. Rivero * ''Lost'' (1956 film), a British thriller starring David Farrar * ''Lost'' (1983 film), an American film directed by Al Adamson * ''Lost!'' (film), a 1986 Canadian film directed by Peter Rowe * ''Lost'' (2004 film), an American thriller starring Dean Cain * ''The Lost'' (2006 film), an American psychological horror starring Marc Senter Games *'' Lost: Via Domus'', a 2008 video game by Ubisoft based on the ''Lost'' TV series * ''The Lost'' (video game), a 2002 vaporware game by Irrational Games Literature * ''Lost'' (Maguire novel), a 2001 horror/mystery novel by Gregory Maguire ...
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Operas By Emmanuel Chabrier
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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1864 Operas
Events January–March * January 13 – American songwriter Stephen Foster ("Oh! Susanna", "Old Folks at Home") dies aged 37 in New York City, leaving a scrap of paper reading "Dear friends and gentle hearts". His parlor song " Beautiful Dreamer" is published in March. * January 16 – Denmark rejects an Austrian-Prussian ultimatum to repeal the Danish Constitution, which says that Schleswig-Holstein is part of Denmark. * January 21 – New Zealand Wars: The Tauranga campaign begins. * February – John Wisden publishes '' The Cricketer's Almanack for the year 1864'' in England; it will go on to become the major annual cricket reference publication. * February 1 – Danish-Prussian War (Second Schleswig War): 57,000 Austrian and Prussian troops cross the Eider River into Denmark. * February 15 – Heineken brewery founded in Netherlands. * February 17 – American Civil War: The tiny Confederate hand-propelled submarine ''H. L. Hun ...
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