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Felsenreitschule
The Felsenreitschule (literally "rock riding school") is a theatre in Salzburg, Austria and a venue of the Salzburg Festival. History A first Baroque theatre was erected in 1693–94 at the behest of the Salzburg prince-archbishop Johann Ernst von Thun, according to plans probably designed by Johann Bernhard Fischer von Erlach. Built in the former Mönchsberg quarry for conglomerate rock used in the new Salzburg Cathedral construction, it was located next to the archiepiscopal stables (at the site of the present Großes Festspielhaus) and used as a summer riding school and for animal hunts. The audience was seated in 96 arcades carved into the Mönchsberg rock on three floors. After the secularisation of the prince-archbishopric, the premises were used by the cavalry of the Austrian Imperial-Royal Army as well as by ''Bundesheer'' forces after World War I. From 1926, the Felsenreitschule was used as an open-air theatre for performances of the Salzburg Festival. With the auditor ...
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Felsenreitschule 2013 02
The Felsenreitschule (literally "rock riding school") is a theatre in Salzburg, Austria and a venue of the Salzburg Festival. History A first Baroque theatre was erected in 1693–94 at the behest of the Salzburg prince-archbishop Johann Ernst von Thun, according to plans probably designed by Johann Bernhard Fischer von Erlach. Built in the former Mönchsberg quarry for conglomerate rock used in the new Salzburg Cathedral construction, it was located next to the archiepiscopal stables (at the site of the present Großes Festspielhaus) and used as a summer riding school and for animal hunts. The audience was seated in 96 arcades carved into the Mönchsberg rock on three floors. After the secularisation of the prince-archbishopric, the premises were used by the cavalry of the Austrian Imperial-Royal Army as well as by ''Bundesheer'' forces after World War I. From 1926, the Felsenreitschule was used as an open-air theatre for performances of the Salzburg Festival. With the auditori ...
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Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival' ...
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Salzburg
Salzburg (, ; literally "Salt-Castle"; bar, Soizbuag, label=Austro-Bavarian) is the fourth-largest city in Austria. In 2020, it had a population of 156,872. The town is on the site of the Roman settlement of ''Iuvavum''. Salzburg was founded as an episcopal see in 696 and became a seat of the archbishop in 798. Its main sources of income were salt extraction, trade, and gold mining. The fortress of Hohensalzburg, one of the largest medieval fortresses in Europe, dates from the 11th century. In the 17th century, Salzburg became a center of the Counter-Reformation, with monasteries and numerous Baroque churches built. Salzburg's historic center (German: ''Altstadt'') is renowned for its Baroque architecture and is one of the best-preserved city centers north of the Alps. The historic center was enlisted as a UNESCO World Heritage Site in 1996. The city has three universities and a large population of students. Tourists also visit Salzburg to tour the historic center and the ...
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Antigone (Sophocles)
''Antigone'' ( ; grc, Ἀντιγόνη) is an Athenian tragedy written by Sophocles in (or before) 441 BC and first performed at the Festival of Dionysus of the same year. It is thought to be the second oldest surviving play of Sophocles, preceded by ''Ajax'', which was written around the same period. The play is one of a triad of tragedies known as the three Theban plays, following ''Oedipus Rex'' and ''Oedipus at Colonus''. Even though the events in Antigone occur last in the order of events depicted in the plays, Sophocles wrote ''Antigone'' first. The story expands on the Theban legend that predates it, and it picks up where Aeschylus' ''Seven Against Thebes'' ends. The play is named after the main protagonist Antigone. After Oedipus' self-exile his sons Eteocles and Polynices engaged in a civil war for the Theban throne, which resulted in both brothers dying fighting each other. Oedipus' brother-in-law and new Theban ruler Creon ordered the public honor of Eteocles ...
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Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirro ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensivel ...
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Ferenc Fricsay
Ferenc Fricsay (; 9 August 1914 – 20 February 1963) was a Hungarian conductor. From 1960 until his death, he was an Austrian citizen. Biography Fricsay was born in Budapest in 1914 and studied music under Béla Bartók, Zoltán Kodály, Ernst von Dohnányi, and Leó Weiner. With these and other faculty at the Budapest Academy of Music he studied piano, violin, clarinet, trombone, percussion, composition and conducting. Fricsay made his first appearance as a conductor at age 15, substituting for his father at the podium of the Young Musicians Orchestra of Budapest. In 1930, at the age of 16, he succeeded his father as conductor of the Young Musicians Orchestra. On graduating in 1933, Fricsay became répétiteur for the chorus of the Budapest Opera; then, from 1933 to 1943, he was music director of the Szeged Philharmonic Orchestra in the third largest city in Hungary; he also served as director of its military band from 1933. In 1942, he was court-martialed by the governm ...
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Friedrich Hölderlin
Johann Christian Friedrich Hölderlin (, ; ; 20 March 1770 – 7 June 1843) was a German poet and philosopher. Described by Norbert von Hellingrath as "the most German of Germans", Hölderlin was a key figure of German Romanticism. Particularly due to his early association with and philosophical influence on Georg Wilhelm Friedrich Hegel and Friedrich Wilhelm Joseph Schelling, he was also an important thinker in the development of German Idealism. Born in Lauffen am Neckar, Hölderlin had a childhood marked by bereavement. His mother intended for him to enter the Lutheran ministry, and he attended the Tübinger Stift, where he was friends with Hegel and Schelling. He graduated in 1793 but could not devote himself to the Christian faith, instead becoming a tutor. Two years later, he briefly attended the University of Jena, where he interacted with Johann Gottlieb Fichte and Novalis, before resuming his career as a tutor. He struggled to establish himself as a poet, and w ...
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Sophocles
Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: '' Ajax'', ''Antigone'', '' Women of Trachis'', '' Oedipus Rex'', '' Electra'', '' Philoctetes'' and '' Oedipus at Colonus''. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four. The most famous tragedies of Sophocles ...
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Carl Orff
Carl Orff (; 10 July 1895 – 29 March 1982) was a German composer and music educator, best known for his cantata '' Carmina Burana'' (1937). The concepts of his Schulwerk were influential for children's music education. Life Early life Carl Orff (full name Karl Heinrich Maria Orff) was born in Munich on 10 July 1895, the son of Paula Orff (née Köstler, 1872–1960) and Heinrich Orff (1869–1949). His family was Bavarian and was active in the Imperial German Army; his father was an army officer with strong musical interests, and his mother was a trained pianist. The composer's grandfathers, Carl von Orff (1828–1905) and Karl Köstler (1837–1924), were both major generals and also scholars. His paternal grandmother, Fanny Orff (née Kraft, 1833–1919), was Catholic of Jewish descent. His maternal grandmother was Maria Köstler (née Aschenbrenner, 1845–1906). Orff had one sibling, a younger sister named Maria ("Mia", 1898–1975), who married the architect Alwin Sei ...
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Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the '' azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of '' opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's ''The Magic Flute'', Beethoven's ''Fidelio'', and Wagner's '' Das Rheingold''. Though origina ...
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Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian ''opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ...
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