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Farnsworth Wright
Farnsworth Wright (July 29, 1888 – June 12, 1940) was the editor of the pulp magazine ''Weird Tales'' during the magazine's heyday, editing 179 issues from November 1924 to March 1940. Jack Williamson called Wright "the first great fantasy editor". Life and career Early life and Army service Wright was born in California, and educated at the University of Nevada and the University of Washington. A Washington journalism student, he spent three years on the staff of the '' University of Washington Daily'', ending as managing editor. He acted as managing editor of '' The Seattle Star'' on April 25, 1914 when twenty journalism students were handed responsibility for the paper for a day. An honors student, he graduated with a B.A. in Journalism in 1914. At the university, he was active in clubs, including serving as president of the Social Democratic Club. Wright experienced several personal tragedies in his early life of which he would never speak. For example, on July 27, 191 ...
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Santa Barbara, California
Santa Barbara ( es, Santa Bárbara, meaning "Saint Barbara") is a coastal city in Santa Barbara County, California, of which it is also the county seat. Situated on a south-facing section of coastline, the longest such section on the West Coast of the United States, the city lies between the steeply rising Santa Ynez Mountains and the Pacific Ocean. Santa Barbara's climate is often described as Mediterranean, and the city has been dubbed "The American Riviera". According to the 2020 U.S. Census, the city's population was 88,665. In addition to being a popular tourist and resort destination, the city has a diverse economy that includes a large service sector, education, technology, health care, finance, agriculture, manufacturing, and local government. In 2004, the service sector accounted for 35% of local employment. Education in particular is well represented, with four institutions of higher learning nearby: the University of California, Santa Barbara, Santa Barbara City C ...
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World War I
World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fighting occurring throughout Europe, the Middle East, Africa, the Pacific, and parts of Asia. An estimated 9 million soldiers were killed in combat, plus another 23 million wounded, while 5 million civilians died as a result of military action, hunger, and disease. Millions more died in genocides within the Ottoman Empire and in the 1918 influenza pandemic, which was exacerbated by the movement of combatants during the war. Prior to 1914, the European great powers were divided between the Triple Entente (comprising France, Russia, and Britain) and the Triple Alliance (containing Germany, Austria-Hungary, and Italy). Tensions in the Balkans came to a head on 28 June 1914, following the assassination of Archduke Franz Ferdi ...
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Occult Detective
Occult detective fiction is a subgenre of detective fiction that combines the tropes of the main genre with those of supernatural, fantasy and/or horror fiction. Unlike the traditional detective who investigates murder and other common crimes, the occult detective is employed in cases involving ghosts, demons, curses, magic, vampires, undead, monsters and other supernatural elements. Some occult detectives are portrayed as being psychic or in possession of other paranormal or magical powers. History Literature Fitz James O’Brien’s character Harry Escott is a contender for first occult detective in fiction. A specialist in supernatural phenomena, Escott investigates a ghost in "The Pot of Tulips" (1855) and an invisible entity in "What Was It? A Mystery" (1859). The narrator of Edward Bulwer-Lytton’s novella "The Haunted and the Haunters; or, The House and the Brain" (1859) is another student of the supernatural who probes a mystery involving a culprit with paranorma ...
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Sword And Sorcery
Sword and sorcery (S&S) is a subgenre of fantasy characterized by sword-wielding heroes engaged in exciting and violent adventures. Elements of romance, magic, and the supernatural are also often present. Unlike works of high fantasy, the tales, though dramatic, focus on personal battles rather than world-endangering matters. Sword and sorcery commonly overlaps with heroic fantasy. Origin American author Fritz Leiber coined the term "sword and sorcery" in 1961 in response to a letter from British author Michael Moorcock in the fanzine ''Amra'', demanding a name for the sort of fantasy-adventure story written by Robert E. Howard. Moorcock had initially proposed the term "epic fantasy". Leiber replied in the journal ''Ancalagon'' (6 April 1961), suggesting "sword-and-sorcery as a good popular catchphrase for the field". He expanded on this in the July 1961 issue of ''Amra'', commenting: Since its inception, many attempts have been made to provide a precise definition of ...
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The Seven Geases
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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The Frost Giant's Daughter
"The Frost-Giant's Daughter" is one of the original fantasy short stories about Conan the Cimmerian, written by American author Robert E. Howard. The story is set in the fictional history of the Hyborian Age and details Conan pursuing a spectral nymph across the frozen tundra of Nordheim. Rejected as a Conan story by ''Weird Tales'' magazine editor Farnsworth Wright, Howard changed the main character's name to "Amra of Akbitana" and retitled the piece as "The Gods of the North", as which it was published in the March 1934 issue of '' The Fantasy Fan''. It was not published in its original form in Howard's lifetime. Plot summary "The Frost-Giant's Daughter" is the earliest chronological story by Robert E. Howard in terms of Conan's life. The brief tale is set in frozen Nordheim, geographically situated north of Conan's homeland, Cimmeria. Conan is a young warrior traveling in a war party of the Aesir, the principal gods of Norse mythology. Shortly before the story begins, ...
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The Shadow Over Innsmouth
''The Shadow over Innsmouth'' is a horror novella by American author H. P. Lovecraft, written in November–December 1931. It forms part of the Cthulhu Mythos, using its motif of a malign undersea civilization, and references several shared elements of the Mythos, including place-names, mythical creatures, and invocations. ''The Shadow over Innsmouth'' is the only Lovecraft story that was published in book form during his lifetime. The narrator is a student conducting an antiquarian tour of New England. He travels through the nearby decrepit seaport of Innsmouth which is suggested as a cheaper and potentially interesting next leg of his journey. There he interacts with strange people and observes disturbing events that ultimately lead to horrifying and personal revelations. Plot The narrator explains how he instigated a secret investigation of the decrepit town of Innsmouth, Massachusetts—a former seaport isolated from other nearby towns by vast salt marshes—by the U.S. ...
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At The Mountains Of Madness
''At the Mountains of Madness'' is a science fiction-horror novella by American author H. P. Lovecraft, written in February/March 1931 and rejected that year by ''Weird Tales'' editor Farnsworth Wright on the grounds of its length. It was originally serialized in the February, March, and April 1936 issues of ''Astounding Stories''. It has been reproduced in numerous collections. The story details the events of a disastrous expedition to Antarctica in September 1930, and what is found there by a group of explorers led by the narrator, Dr. William Dyer of Miskatonic University. Throughout the story, Dyer details a series of previously untold events in the hope of deterring another group of explorers who wish to return to the continent. These events include the discovery of an ancient civilization older than the human race, and realization of Earth's past told through various sculptures and murals. The story was inspired by Lovecraft's interest in Antarctic exploration; the con ...
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Clark Ashton Smith
Clark Ashton Smith (January 13, 1893 – August 14, 1961) was an American writer and artist. He achieved early local recognition, largely through the enthusiasm of George Sterling, for traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast Romantics alongside Joaquin Miller, Sterling, and Nora May French and remembered as "The Last of the Great Romantics" and "The Bard of Auburn". Smith's work was praised by his contemporaries. H. P. Lovecraft stated that "in sheer daemonic strangeness and fertility of conception, Clark Ashton Smith is perhaps unexcelled", and Ray Bradbury said that Smith "filled my mind with incredible worlds, impossibly beautiful cities, and still more fantastic creatures". Smith was one of "the big three of '' Weird Tales'', with Robert E. Howard and H. P. Lovecraft", but some readers objected to his morbidness and violation of pulp traditions. The fantasy critic L. Sprague de Camp said of him that "nobody since Poe ...
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Robert E
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and '' berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It c ...
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Edwin Baird
Edwin Baird (; 1886 – September 27, 1954) was the first editor of ''Weird Tales'', the pioneering pulp magazine that specialized in horror fiction, as well as ''Detective Tales'', later re-titled ''Real Detective Tales''. Career Baird, hired by ''Weird Tales'' publisher J. C. Henneberger, put out the magazine's premiere issue, dated March 1923. Over the course of the next year, Baird published some of the magazine's most famous writers, including H. P. Lovecraft, Clark Ashton Smith, and Seabury Quinn. Baird—in marked contrast to his successor—accepted everything that Lovecraft submitted to the magazine, including "The Hound", " Arthur Jermyn", "The Statement of Randolph Carter", "The Cats of Ulthar", "Dagon", "The Picture in the House", "The Rats in the Walls", "Hypnos" and "Imprisoned with the Pharaohs". He did, however, insist that Lovecraft retype his first submissions using double spacing, causing the author to remark, "I am not certain whether or not I should bother ...
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Music Critic
'' The Oxford Companion to Music'' defines music criticism as "the intellectual activity of formulating judgments on the value and degree of excellence of individual works of music, or whole groups or genres". In this sense, it is a branch of musical aesthetics. With the concurrent expansion of interest in music and information media over the past century, the term has come to acquire the conventional meaning of journalistic reporting on musical performances. Nature of music criticism The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticise." Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony." Like dramatic art, music is recreated at every performance, and criticism may, therefore, be directed both at th ...
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