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Farnace
''Farnace'' is an opera by Italian composer Antonio Vivaldi, set to a libretto by Antonio Maria Lucchini initially set by Leonardo Vinci during 1724. Vivaldi's setting received its first performance in 1727 at the Teatro Sant'Angelo in Venice. Popular at the time, and revived with great success at the Sporck theater in Prague in 1730, Vivaldi's ''Farnace'' ( RV 711) slipped into oblivion until the last quarter of the 20th century when it emerged from obscurity. History of the libretto ''Farnace'' is the title of several 18th-century operas set to various librettos. The earliest version was written by Lorenzo Morari with music by Antonio Caldara, first performed at the Teatro Sant'Angelo in Venice in 1703. The best known libretto on this subject, however, was written by Antonio Maria Lucchini and set by Vinci and Vivaldi. Corselli version ''Farnace'' was recomposed by Francesco Corselli (1705–1778) (an Italian composer with a French father). Corselli's ''Farnace'' receive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farnace (Mysliveček)
''Farnace'' is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was composed to a libretto by the Italian poet Antonio Maria Lucchini that is best known from a setting by Antonio Vivaldi first produced at the Teatro Sant'Angelo in Venice for the carnival operatic season of 1727. For a performance in the 1760s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste; this libretto was unusually old, even older than all but one of the librettos by Metastasio that continued by be set in the 1760s. The cuts and changes in the text made for the 1767 performance of Mysliveček's opera are not attributable.Freeman, where detailed documentation can be found Indeed, they are quite extensive; not a single one of Lucchini's original aria texts was re-set by Mysliveček. However, it is the same cut libretto of ''Farnace'', with small variants, used by the Neapolitan Davide Perez in his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pharnaces II Of Pontus
Pharnaces II of Pontus ( grc-gre, Φαρνάκης; about 97–47 BC) was the king of the Bosporan Kingdom and Kingdom of Pontus until his death. He was a monarch of Persian and Greek ancestry. He was the youngest child born to King Mithridates VI of Pontus from his first wife, his sister Queen Laodice. He was born and raised in the Kingdom of Pontus and was the namesake of his late double great grandfather Pharnaces I of Pontus. After his father was defeated by the Romans in the Third Mithridatic War (73–63 BC) and died in 63 BC, the Romans annexed the western part of Pontus, merged it with the former Kingdom of Bithynia and formed the Roman province of Bithynia and Pontus. The eastern part of Pontus remained under the rule of Pharnaces as a client kingdom until his death. Rebellion against his father Pharnaces II was raised as his father's successor and treated with distinction. However, we know little of his youth from ancient writers and find him first mentioned aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Vinci
Leonardo Vinci (1690 – 27 May 1730) was an Italian composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. A central proponent of the Neapolitan School of opera, his influence on subsequent opera composers such as Johann Adolph Hasse and Giovanni Battista Pergolesi was considerable. Life and career He was born at Strongoli and educated at Naples under Gaetano Greco in the Conservatorio dei Poveri di Gesù Cristo. He first became known for his '' opere buffe'' (comic operas) in Neapolitan dialect in 1719; he also composed many ''opere serie'' (dramatic operas). He was received into the Congregation of the Rosary, a lay religious and burial fraternity, at Formiello in 1728. He died in May 1730. Vinci is rumoured to have been poisoned by a jealous husband in the wake of an ill-advised affair, a story which is given by several reliable authorities without evident contradictions. Music Vinci's ''opere buffe,'' of which '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Fasolis
Diego Fasolis (born 19 April 1958) is a Swiss classical organist and conductor, the leader of the ensemble I Barocchisti. He has conducted operas in historically informed performance at major European opera houses and festivals, and has made award-winning recordings. Career Born in Lugano, Fasolis studied in Zurich, at both the Zurich Conservatory and the Musikhochschule, organ with Erich Vollenwyder, piano with Jürg Wintschger, voice with Carol Smith, and conducting with Klaus Knall, achieving all four diplomas with distinction. He further studied organ and organ improvisation with Gaston Litaize in Paris, and historically informed performance (HIP) with Michael Radulescu. In 1985 and 1986, he performed the complete organ works by Johann Sebastian Bach, Felix Mendelssohn and Franz Liszt. He received several international awards such as the Stresa first prize, the first prize and scholarship of the Migros-Göhner Foundation, the Hegar Prize, the Traetta Prize 2020, and he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Corselli
Francesco Corselli (Piacenza, 19 April 1705 - 3 April 1778 in Madrid) was an Italian composer of the pre-classical period. Biography Francesco Corselli (Courcelle) was born on 19 April 1705 in Piacenza, Italy from French parents. He was the director of music for the funerals of Francesco Farnese in Parma in 1724, and Antonio Farnese in 1731, and Kapellmeister at the Church of Santa Maria della Steccata, 1727-1731, and simultaneously at the court of Parma, 1727-33. From this period date his first works: the operas ''La Venere placata'' (1731, at the Teatro San Samuele in Venice) and ''Nino'' (1732, at the Reggio Theatre ) and various compositions of religious music, Including the oratorio ''Santa Clotilde'' (1733 in Parma). In 1734 he decided to move to Madrid, Spain where he was active as a tenor, harpsichordist and violinist and music teacher of the Royal Infants. In 1737/38 he joined the "Colegio de cantorcillos" until his death. In 1747, he was appointed director of the Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delphine Galou
Delphine Galou (born 1977) is a French contralto. She was the "Discovery of the Year" of the French Association for the Promotion of Young Artists in 2004. Galou's outstanding vocal technique combined with noble bearing allow her performances of the most virtuoso roles of the baroque repertoire. Early life and education Galou was born in Paris in 1977, and studied philosophy at the Sorbonne while also studying piano and voice. Career Galou started her career in 2000 as a member of the ensemble of the "Jeunes Voix du Rhin", and performed at the Opéra national du Rhin in roles such as Hänsel in '' Hänsel und Gretel'', Lucretia in ''The Rape of Lucretia'', and Mercedes in '' Carmen'', and she was subsequently a guest in Rennes, Dijon, Caen, Angers-Nantes, Toulon, Nancy, Luxemburg, Freiburg, Basel, St Gallen, at the Händel Festival in Karlsruhe, and at the Schwetzingen Festival. Galou has established herself internationally as a George Frideric Händel specialist, with parts s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jordi Savall
Jordi Savall i Bernadet (; born 1 August 1941) is a Spanish conductor, composer and viol player. He has been one of the major figures in the field of Western early music since the 1970s, largely responsible for popularizing the viol family of instruments (notably the viola da gamba) in contemporary performance and recording. As a historian of early music his repertoire features everything from medieval, Renaissance and Baroque through to the Classical and Romantic periods. He has incorporated non-western musical traditions in his work; including African vernacular music for a documentary on slavery. Musical education His musical training started at age six in the school choir of his native Igualada (1947–55). After graduating from the Barcelona's Conservatory of Music (where he studied from 1959 to 1965) he specialized in early music, collaborating with Ars Musicae de Barcelona under Enric Gispert, studying with August Wenzinger at the Schola Cantorum Basiliensis in Basel, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Maria Lucchini
Antonio Maria Lucchini or Luchini (Venice, c. 1690 – Venice, before 1730) was an Italian librettist. His texts were set to music by Antonio Vivaldi, Baldassare Galuppi, Leonardo Vinci, and Rinaldo di Capua, among others. Libretti *''Foca superbo'' (set to music by Antonio Lotti, 1716) *''Tieteberga'' (set to music by Antonio Vivaldi, 1717) *''Giove in Argo'' (set to music by Antonio Lotti, 1717; set to music by Georg Friedrich Händel, 1739; set to music by Carl Heinrich Graun, 1747) *''Ascanio ovvero Gli odi delusi dal sangue'' (set to music by Antonio Lotti, 1718) *''L'inganno tradito dall'amore'' (set to music by Antonio Caldara, 1720) *''Ermengarda'' (set to music by Tomaso Albinoni, 1723) *''Gli sforzi d'ambizione e d'amore'' (set to music by Giovanni Porta, 1724) *''Farnace'' (set to music by Leonardo Vinci, 1724; set to music by Antonio Vivaldi, 1727; set to music by Francesco Corselli, 1739; set to music by Rinaldo di Capua, 1739; set to music by Giuseppe Arena, 1742; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than fifty operas. His best-known work is a series of violin concertos known as '' the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale della Pietà'', a home for abandoned children. Vivaldi had worked as a Catholic p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Angelo
The Teatro San Angelo (in Venetian dialect) or Teatro Sant' Angelo (in Italian) was once a theatre in Venice which ran from 1677 until 1803. It was the last of the major Venetian theatres to be built in the 1650s–60s opera craze following Teatro Santi Giovanni e Paolo in 1654, Teatro San Samuele 1655, Teatro San Salvatore 1661, Teatro San Giovanni Crisostomo in 1667. The Teatro San Angelo was located in the Campo San 'Angelo, facing the Grand Canal and Rialto Bridge, on the sites of two demolished palazzi belonging to the Marcellos and Capellos. The project was completed in 1676 by Francesco Santorini, and opened in 1677 under the families of Benedetto Marcello and the Capellos. The house was opened with the opera ''Helena rapita da Paride'' of Domenico Freschi, (1677) and continued with operas by Freschi, Gasparini, Albinoni and Bononcini. From around 1715 onwards the house was best known as the venue of many of the operas of Antonio Vivaldi.John Booth ''Vivaldi'' 1989 " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Sant'Angelo
The Teatro San Angelo (in Venetian dialect) or Teatro Sant' Angelo (in Italian) was once a theatre in Venice which ran from 1677 until 1803. It was the last of the major Venetian theatres to be built in the 1650s–60s opera craze following Teatro Santi Giovanni e Paolo in 1654, Teatro San Samuele 1655, Teatro San Salvatore 1661, Teatro San Giovanni Crisostomo in 1667. The Teatro San Angelo was located in the Campo San 'Angelo, facing the Grand Canal and Rialto Bridge, on the sites of two demolished palazzi belonging to the Marcellos and Capellos. The project was completed in 1676 by Francesco Santorini, and opened in 1677 under the families of Benedetto Marcello and the Capellos. The house was opened with the opera ''Helena rapita da Paride'' of Domenico Freschi, (1677) and continued with operas by Freschi, Gasparini, Albinoni and Bononcini. From around 1715 onwards the house was best known as the venue of many of the operas of Antonio Vivaldi.John Booth ''Vivaldi'' 1989 "O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
