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Fuzzbox
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may be used with other instruments, such as electric bass, electric piano, synthesizer, and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. Other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, grunge and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop k ...
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Effects Pedals
An effects unit, effects processor, or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion (music), distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamics (music), dynamic effects such as volume pedals and Dynamic range compression, compressors, which affect loudness; linear filter, filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as Chorus (audio effect), chorus, flangers and phaser (effect), phasers; Pitch (music), pitch effects such as pitch shifter (audio processor), pitch shifters; and time effects, such as Reverb effect, reverb and Delay (audio effect), delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such a ...
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Boss DS-1 On
Boss may refer to: Occupations * Supervisor, often referred to as boss * Air boss, more formally, air officer, the person in charge of aircraft operations on an aircraft carrier * Crime boss, the head of a criminal organization * Fire boss, a person in charge of mine safety * Pit boss, the person who looks after the employees who work in a casino pit * Political boss, a person who controls a political region or constituency Places * Boss, Missouri, United States, an unincorporated community * Boss, Texas, United States, an unincorporated community * Boss (crater), a lunar crater People As a real name *Boss (surname) *Boss Mustapha, politician, Secretary of the Nigerian government (2017–2023) As a nickname or stage name Athletes * Lance Armstrong ("", born 1971), former professional cyclist * Sasha Banks (born 1992), American professional wrestler * Tomás Boy ("", 1951–2022), former Mexican professional football player and current coach * Bobby Lashley (born 1976), Amer ...
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Hardcore Punk
Hardcore punk (commonly abbreviated to hardcore or hXc) is a punk rock music genre#subtypes, subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington, D.C., hardcore#History, Washington, D.C., and Punk rock#New York City, New York punk rock and early proto-punk. Hardcore punk generally eschews commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics". Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Fr ...
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Loudspeaker
A loudspeaker (commonly referred to as a speaker or, more fully, a speaker system) is a combination of one or more speaker drivers, an enclosure, and electrical connections (possibly including a crossover network). The speaker driver is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. The driver is a linear motor connected to a diaphragm, which transmits the motor's movement to produce sound by moving air. An audio signal, typically originating from a microphone, recording, or radio broadcast, is electronically amplified to a power level sufficient to drive the motor, reproducing the sound corresponding to the original unamplified signal. This process functions as the inverse of a microphone. In fact, the ''dynamic speaker'' driver—the most common type—shares the same basic configuration as a dynamic microphone, which operates in reverse as a generator. The dynamic speaker was invented in 1925 by Edward W. Kellogg ...
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Power Amplifier
An audio power amplifier (or power amp) amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones. Audio power amplifiers are found in all manner of sound systems including sound reinforcement, public address, home audio systems and musical instrument amplifiers like guitar amplifiers. It is the final electronic stage in a typical audio playback chain before the signal is sent to the loudspeakers. The preceding stages in such a chain are low-power audio amplifiers which perform tasks like pre-amplification of the signal, equalization, mixing different input signals. The inputs can also be any number of audio sources like record players, CD players, digital audio players and cassette players. Most audio power amplifiers require these low-level inputs, which are line level. While the input signal to an audio power amplifier, such as the si ...
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Pre-amplifier
A preamplifier, also known as a preamp, is an electronic amplifier that converts a weak electrical signal into an output signal strong enough to be noise-tolerant and strong enough for further processing, or for sending to a power amplifier and a loudspeaker. Without this, the final signal would be noisy or distorted. They are typically used to amplify signals from analog sensors such as microphones and pickup (guitar), pickups. Because of this, the preamplifier is often placed close to the sensor to reduce the effects of Noise (electronics), noise and Electromagnetic interference, interference. Description An ideal preamp will be linear (have a constant Gain (electronics), gain through its operating range) and have high input impedance (requiring only a minimal amount of current to sense the input signal) and low output impedance (when current is drawn from the output there is minimal change in the output voltage). It is used to boost the signal strength to drive the cable t ...
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Dynamic Range Compression
Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or ''compressing'' an audio signal's dynamic range. Compression is commonly used in sound recording and reproduction, broadcasting, sound reinforcement system, live sound reinforcement and some instrument amplifiers. A dedicated electronic hardware unit or audio software that applies compression is called a compressor. In the 2000s, compressors became available as software plugins that run in digital audio workstation software. In recorded and live music, compression parameters may be adjusted to change the way they affect sounds. Compression and limiting are identical in process but different in degree and perceived effect. A limiter is a compressor with a high #Ratio, ratio and, generally, a short #Attack and release, attack time. Compression is used to improve performance and clarity in public address ...
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Overtone
An overtone is any resonant frequency above the fundamental frequency of a sound. (An overtone may or may not be a harmonic) In other words, overtones are all pitches higher than the lowest pitch within an individual sound; the fundamental is the lowest pitch. While the fundamental is usually heard most prominently, overtones are actually present in any pitch except a true sine wave. The relative volume or amplitude of various overtone partials is one of the key identifying features of timbre, or the individual characteristic of a sound. Using the model of Fourier analysis, the fundamental and the overtones together are called Harmonic series (music)#Partial, partials. Harmonics, or more precisely, harmonic partials, are partials whose frequencies are numerical integer multiples of the fundamental (including the fundamental, which is 1 times itself). These overlapping terms are variously used when discussing the acoustic behavior of musical instruments.Alexander John Ellis, A ...
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SoundCloud Rap
SoundCloud is a German audio streaming service owned and operated by SoundCloud Global Limited & Co. KG. The service enables its users to upload, promote, and share audio. Founded in 2007 by Alexander Ljung and Eric Wahlforss, SoundCloud is one of the largest music streaming services in the world and is available in 190 countries and territories. The service has more than 76 million active monthly users and over 200 million audio tracks as of November 2021. SoundCloud offers both free and paid memberships on the platform, available for mobile, desktop and Xbox devices. SoundCloud has evolved from a traditional online streaming platform to an entertainment company. History SoundCloud was established in Berlin on August 27, 2007, by Swedish sound designer Alexander Ljung and Swedish electronic musician Eric Wahlforss; SoundCloud's website was launched on October 17, 2008. It was originally intended to allow musicians to collaborate by facilitating the sharing and discussion of ...
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Alternative Hip Hop
Alternative hip-hop (also known as alternative rap and experimental hip-hop) is a subgenre of hip-hop music that encompasses a wide range of styles that are not typically identified as mainstream. AllMusic defines it as comprising "hip-hop groups that refuse to conform to any of the traditional stereotypes of rap, such as gangsta, bass, hardcore, and party rap. Instead, they blur genres drawing equally from funk and pop/rock, as well as jazz, soul, reggae, and even folk." Alternative hip-hop developed in the late 1980s and experienced a degree of mainstream recognition during the early to mid-1990s. While some groups such as Arrested Development and the Fugees achieved commercial success, many alternative rap acts tend to be embraced by alternative rock listeners rather than hip-hop or pop audiences. The commercial and cultural momentum was impeded by the simultaneous emergence of significantly harder-edged West Coast gangsta rap. A resurgence came about in the late 1990s ...
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