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Frogs (Aristophanes)
''The Frogs'' (; , often abbreviated ''Ran.'' or ''Ra.'') is a comedy written by the Ancient Greek playwright Aristophanes. It was performed at the Lenaia, one of the Festivals of Dionysus in Athens, in 405 BC and received first place. The play features the comical katabasis of the god of theater Dionysus, with his slave Xanthias, in order to revive the late tragedian Euripides. Dionysus is frustrated with tragedy's decline in quality after the playwright's recent passing, and concerned about theatre's future as the city of Athens struggles in the Peloponnesian War. During the pair's journey through the underworld, the god cravenly and unsuccessfully attempts to evade trouble after masquerading as Heracles, still infamous for his prior kidnapping of the guard-dog Cerberus. At the palace of Pluto, Dionysus then adjudicates a fierce debate between Euripides and Aeschylus for the underworld's throne of tragic drama. Aeschylus wins due to his pragmatism, and Dionysus ends up revivi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red-figure
Red-figure pottery () is a style of Pottery of ancient Greece, ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the natural red or orange color of the clay. It developed in Athens around 520 BC and remained in use until the late 3rd century AD. It replaced the previously dominant style of black-figure pottery within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Magna Graecia, Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Ancient Greece, Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charon
In Greek mythology, Charon or Kharon ( ; ) is a psychopomp, the ferryman of the Greek underworld. He carries the souls of those who have been given funeral rites across the rivers Acheron and Styx, which separate the worlds of the living and the dead. Archaeology confirms that, in some burials, low-value coins known generically as Charon's obols were placed in, on, or near the mouth of the deceased, or next to the cremation urn containing their ashes. This has been taken to confirm that at least some aspects of Charon's mytheme are reflected in some Greek and Roman funeral practices, or else the coins function as a viaticum for the soul's journey. In Virgil's epic poem, ''Aeneid'', the dead who could not pay the fee, and those who had received no funeral rites, had to wander the near shores of the Styx for one hundred years before they were allowed to cross the river. Charon also ferried the living mortals Heracles and Aeneas to the underworld and back again. Name origins T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toilet Humour
Toilet humour or potty humour is a type of off-colour humour dealing with: defecation (including diarrhea and constipation), in which case it is called scatological humour (compare scatology); urination; flatulence, in which case it is called flatulence humor; or, to a lesser extent, vomiting and other bodily functions. Toilet humour is commonly an interest of toddlers and young children, for whom cultural taboos related to acknowledgement of waste excretion still have a degree of novelty. The humour comes from the rejection of such taboos, and is a part of modern culture. Music Toilet humour is sometimes found in song and rhyme, particularly schoolboy songs. Examples of this are found in Mozart and scatology, and variants of the German folk schoolboys' song known as the ''Scheiße-Lied'' (English: "Shit-Song") which is indexed in the German ''Volksliederarchiv''. A children's Spanish musical duo, Enrique y Ana, made a song called "Caca Culo Pedo Pis", which literally transla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Shakespeare
William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of River Avon, Warwickshire, Avon" or simply "the Bard". His extant works, including William Shakespeare's collaborations, collaborations, consist of some Shakespeare's plays, 39 plays, Shakespeare's sonnets, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays List of translations of works by William Shakespeare, have been translated into every major modern language, living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Bernard Shaw
George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as ''Man and Superman'' (1902), ''Pygmalion (play), Pygmalion'' (1913) and ''Saint Joan (play), Saint Joan'' (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. Born in Dublin, in 1876 Shaw moved to London, where he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the Gradualism (politics), gradualist Fabian Society and became its most prominent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burt Shevelove
Burton George Shevelove (September 19, 1915 – April 8, 1982) was an American musical theater playwright, lyricist, librettist, and director. Biography Born in Newark, New Jersey, he graduated from Brown University and Yale (Master's degree). At Brown in 1935, he acted in the first ever Brownbrokers musical titled ''Something Bruin''. After serving as a volunteer ambulance driver in World War II, he began working as a writer, director and producer for radio and television. At the time of his death he had lived in London for many years. His Broadway career started in 1948 with writing material, co-producing and directing for the revue ''Small Wonder.'' Among his successes were ''A Funny Thing Happened on the Way to the Forum'' and ''No, No, Nanette'', for which he won the Drama Desk Award for Outstanding Book of a Musical. He died at his apartment in London, where he had been living for about 15 years, on April 8. 1982. He was survived by his mother and a sister. Wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Sondheim
Stephen Joshua Sondheim (; March22, 1930November26, 2021) was an American composer and lyricist. Regarded as one of the most important figures in 20th-century musical theater, he is credited with reinventing the American musical. He received List of awards and nominations received by Stephen Sondheim, numerous accolades, including eight Tony Awards, an Academy Award, eight Grammy Awards, an Olivier Award, and the Pulitzer Prize. He was inducted into the American Theater Hall of Fame in 1982, and awarded the Kennedy Center Honor in 1993 and the Presidential Medal of Freedom in 2015. Sondheim was mentored at an early age by Oscar Hammerstein II and later frequently collaborated with Harold Prince and James Lapine. His Broadway theatre, Broadway musicals tackle themes that range beyond the genre's traditional subjects, while addressing darker elements of the human experience. His music and lyrics are tinged with complexity, sophistication, and ambivalence about various aspects of li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Frogs (musical)
''The Frogs'' is a musical "freely adapted" by Stephen Sondheim and Burt Shevelove from '' The Frogs'', an Ancient Greek comedy by Aristophanes. In the musical, Dionysos, despairing of the quality of living dramatists, travels to Hades to bring George Bernard Shaw back from the dead. William Shakespeare competes with Shaw for the title of best playwright, which he wins. Dionysos brings Shakespeare back to the world of the living in the hope that art can save civilization. The musical was originally performed in Yale University's gymnasium's swimming pool in 1974. The show was produced on Broadway in 2004 with the book revised by Nathan Lane and the score expanded by Sondheim. This version was revived in London in 2017 and 2025. Background Shevelove first wrote and directed an adaptation of ''The Frogs'' in 1971, while he was a graduate student at Yale University. According to Mary-Kay Gamel, "His central production concept involved Charon and Dionysos rowing across the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agon
() is the Greek personification for a conflict, struggle or contest, describing a concept of the same name. This could be a contest in athletics, in chariot or horse racing, or in music or literature at a public festival in ancient Greece. is the word-forming element in 'agony', explaining the concept of agon(y) in tragedy by its fundamental characters, the protagonist and antagonist. Athletics In one sense, meant a contest or a competition in athletics, for example, the Olympic Games (Ὀλυμπιακοὶ Ἀγῶνες). Agon was also a mythological personification of the contests listed above. This god was represented in a statue at Olympia with '' halteres'' ( dumbbells) () in his hands. This statue was a work of sculptor , and dedicated by Micythus of Rhegium. Religion According to Pausanias, Agon was recognized in the Greek world as a deity, whose statue appeared at Olympia, presumably in connection with the Olympic Games, which operated as both religious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Comedy
Ancient Greek comedy () was one of the final three principal dramatic forms in the theatre of classical Greece; the others being tragedy and the satyr play. Greek comedy was distinguished from tragedy by its happy endings and use of comically exaggerated character archetypes, the latter feature being the origin of the modern concept of the comedy. Athenian comedy is conventionally divided into three periods; Old Comedy survives today largely in the form of the eleven extant plays of Aristophanes; Middle Comedy is largely lost and preserved only in relatively short fragments by authors such as Athenaeus of Naucratis; New Comedy is known primarily from the substantial papyrus fragments of Menander. A burlesque dramatic form that blended tragic and comic elements, known as phlyax play or hilarotragedy, developed in the Greek colonies of Magna Graecia by the late 4th century BC. The philosopher Aristotle wrote in his '' Poetics'' (c. 335 BC) that comedy is a representation of l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Chorus
A Greek chorus () in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage. Historically, the chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks. The players used masks to change their emotions while they were performing. History A common theory for the origin of the Greek chorus stems from the ancient Greek poet Arion's invention of the tragedy, the stationary chorus, and satyrs' verses. In Aristotle's ''Poetics,'' he writes that " ragedy'sbeginnings, certainly, were in improvisation utoschediastikês as were also those for comedy, tragedy originating in impromptus by the leaders of dithyrambic choruses, and comedy in those of the leaders of the phallic performances which still remain customary in many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
