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Freight Train Blues
"Freight Train Blues" is an early American hillbilly-style country music song written by John Lair. He wrote it for Red Foley, who recorded the song with the title "I Got the Freight Train Blues" in 1934. The tune was subsequently recorded by several musicians, with popular renditions by Roy Acuff in 1936 and 1947. Bob Dylan later adapted it for his self-titled debut album (1962). Composition and recording John Lair was a Kentucky native, who had a long career in the music industry. He was a prolific songwriter and was responsible for about 500 compositions. In an interview, he explained that he wrote the song "in memory of the sound of the train that punctuated his youth in the southern United States". His lyrics include: Lair wrote the song for fellow Kentuckian Red Foley, who recorded it in Chicago around March 21, 1934. Foley was backed by the Cumberland Ridge Runners, a string band which included Lair and others who played a variety of instruments, such as fiddle, dulcimer, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clara Smith
Clara Smith (March 13, 1894 – February 2, 1935) was an American classic female blues singer, billed as the "Queen of the Moaners", although she had a lighter and sweeter voice than many of her contemporaries. Clara Smith was not related to the singers Bessie Smith and Mamie Smith. Early life Clara Smith was born to parents Selena and William Smith in Spartanburg County, South Carolina. She is not believed to have any siblings. She never was enrolled in school but was recorded on the census as able to read and write. Blues historians thinks that Smith most likely was introduced in her youth to "traveling tent shows", that frequently stopped in Spartanburg and sparked her interest in performance. Career In 1910, Smith began working on African-American theater circuits, in tent shows, and vaudeville. By 1918, she was appearing as a headliner with the Theater Owners Booking Association circuit across Southern states. By 1923, she had performed at major theatres of the time su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
78 Rpm
A phonograph record (also known as a gramophone record, especially in British English) or a vinyl record (for later varieties only) is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the outside edge and ends near the center of the disc. The stored sound information is made audible by playing the record on a phonograph (or "gramophone", "turntable", or "record player"). Records have been produced in different formats with playing times ranging from a few minutes to around 30 minutes per side. For about half a century, the discs were commonly made from shellac and these records typically ran at a rotational speed of 78 rpm, giving it the nickname "78s" ("seventy-eights"). After the 1940s, "vinyl" records made from polyvinyl chloride (PVC) became standard replacing the old 78s and remain so to this day; they have since been produced in various sizes and speeds, most commonly 7-inch discs pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Illinois Press
The University of Illinois Press (UIP) is an American university press and is part of the University of Illinois System. Founded in 1918, the press publishes some 120 new books each year, thirty-three scholarly journals, and several electronic projects. Strengths include ethnic and multicultural studies, Lincoln and Illinois history, and the large and diverse series ''Music in American Life.'' See also * List of English-language book publishing companies * List of university presses * Journals published by University of Illinois Press References External links * 1918 establishments in Illinois Book publishing companies based in Illinois Publishing companies established in 1918 Press Illinois {{Illinois-university-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmie Rodgers (country Singer)
James Charles Rodgers ( – ) was an American singer, songwriter, and musician who rose to popularity in the late 1920s. Widely regarded as the "Honorific nicknames in popular music, Father of Country Music", he is best known for his distinctive yodeling. Rodgers was known as "The Singing Brakeman" and "America's Blue yodeling, Blue Yodeler". He has been cited as an inspiration by many artists, and he has been inducted into multiple halls of fame. Originally from Meridian, Mississippi, Rodgers was the son of railroad worker Aaron Rodgers. During his early childhood the family moved according to the needs of his father's employment, or Rodgers' own poor health. As a teenager he was musically influenced by the diverse vaudeville shows that he often attended. At the age of 13 he won a local singing contest, and then traveled through the Southern United States with a medicine show. After his father took him back home to Meridian, Rodgers dropped out of school and joined the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Time
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * The '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beats Per Minute
Beat, beats, or beating may refer to: Common uses * Assault, inflicting physical harm or unwanted physical contact * Battery (crime), a criminal offense involving unlawful physical contact * Battery (tort), a civil wrong in common law of intentional harmful or offensive contact * Corporal punishment, punishment intended to cause physical pain * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition * Beating (hunt), driving game out of areas of cover during a hunt Arts, entertainment and media Fictional characters * Beat, an anthro fox in the animated series " Motto! Majime ni Fumajime Kaiketsu Zorori" * Beat, in the video game '' Eternal Sonata'' * Beat, in the video game '' Jet Set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing (jazz Performance Style)
In music, the term ''swing'' has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding (see pulse). This sense can also be called "groove". The term swing feel, as well as ''swung note(s)'' and ''swung rhythm'', is also used more specifically to refer to a technique (most commonly associated with jazz but also used in other genres) that involves alternately lengthening and shortening the first and second consecutive notes in the two part pulse-divisions in a beat. Overview Like the term "groove", which is used to describe a cohesive rhythmic "feel" in a funk or rock context, the concept of "swing" can be hard to define. Indeed, some dictionaries use the terms as synonyms: "Groovy ... denotes music that really swings." The ''Jazz in America'' glossary defines ''swing'' as, "when an individual player or ensemble performs in such a rhythmically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major
C major is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic major and melodic major scales are: On the piano, the C major scale can be played by playing only the white keys starting on C. Scale degree chords The scale degree chords of C major are: * Tonic – C major * Supertonic – D minor * Mediant – E minor * Subdominant – F major * Dominant – G major * Submediant – A minor * Leading-tone – B diminished Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
