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Franny Beecher
Francis Eugene Beecher (September 29, 1921 – February 24, 2014) was the lead guitarist for Bill Haley & His Comets from 1954 to 1962, and is best remembered for his innovative guitar solos that incorporated elements of jazz. He composed the classics "Blue Comet Blues", "Goofin' Around", "Week End", "The Catwalk", and "Shaky" when he was the lead guitarist for Bill Haley and the Comets. He continued to perform with surviving members of the Comets into 2006. In 2012, the Rock and Roll Hall of Fame inducted Beecher as a member of the Comets by a special committee, aimed at correcting the previous mistake of not inducting the Comets with Bill Haley. Career By the time Beecher became associated with Bill Haley, he had already had a lengthy career as a guitarist, having performed and recorded with the Benny Goodman Orchestra, which he joined in 1948, at a time Goodman was experimenting with music in the bebop idiom. He also worked with other big bands, with singer and former G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norristown, Pennsylvania
Norristown is a Borough (Pennsylvania), borough with Home Rule Municipality (Pennsylvania), home rule status and the county seat of Montgomery County, Pennsylvania, United States, in the Delaware Valley, Philadelphia metropolitan area. Located along the Schuylkill River, approximately from Philadelphia, Norristown had a population of 35,748 as of the 2020 United States census, 2020 census. It is the fourth-most populous municipality in the county and second-most populous borough in Pennsylvania. It is the largest non-township municipality in Montgomery County and is located southeast of Allentown, Pennsylvania, Allentown and northwest of Philadelphia. History Present-day Norristown was originally owned by the family of Isaac Norris (statesman), Isaac Norris. Along with William Trent, Norris purchased the land on October 7, 1704, for 50¢ per acre. In 1712, Norris acquired Trent's share and established a gristmill at the foot of present-day Water Street. Named the county s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic-book
A comic book, comic-magazine, or simply comic is a publication that consists of comics art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually dialogue contained in word balloons emblematic of the comics art form. '' Comic Cuts'' was a British comic published from 1890 to 1953. It was preceded by ''Ally Sloper's Half Holiday'' (1884), which is notable for its use of sequential cartoons to unfold narrative. These British comics existed alongside the popular lurid "penny dreadfuls" (such as ''Spring-heeled Jack''), boys' "story papers" and the humorous '' Punch'' magazine, which was the first to use the term "cartoon" in its modern sense of a humorous drawing. The first modern American-style comic book, '' Famous Funnies: A Carnival of Comics'', was released in the US in 1933 and was a reprinting of earlier newspaper humor comic strips, which had established many of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rip It Up (Little Richard Song)
"Rip It Up" is a rock and roll song written by Robert Blackwell and John Marascalco. In June 1956, Specialty Records released it as a single by Little Richard with " Ready Teddy" as the B-side. The song reached the top position on the ''Billboard'' Rhythm & Blues Records chart as well as number 17 on the magazine's broader Billboard Hot 100. The version peaked at number 30 in the UK Singles Chart. The song was also recorded by Elvis Presley in 1956. In the Richards recording, the tenor saxophone solo is by Lee Allen. Also in 1956, Bill Haley & His Comets released a version of the song which reached number 25 on the Hot 100, and number four in the UK Singles Chart. The song, which was recorded at Cosimo Matassa's J&M Recording Studio in New Orleans, is included as a full-length performance by Earl Palmer with guest vocalist Ivan Neville and house band in the 2005 documentary film '' Make It Funky!'', which presents a history of New Orleans music and its influence on rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
See You Later Alligator
"See You Later, Alligator" is a 1950s rock and roll song written and first recorded by American singer-songwriter Bobby Charles (credited as Robert Guidry). The song was a Top Ten hit for Bill Haley and His Comets in 1956 in the United States, reaching no. 6 on ''Billboard'' and ''CashBox''. In the UK, the single peaked at no. 7. History Originally titled "Later, Alligator", the song, based on a 12-bar blues chord structure (141541), was written by Louisiana songwriter Robert Charles Guidry and first recorded by him under his professional name "Bobby Charles" in 1955. His recording was released on Chess Records under the title "Later, Alligator" as 1609 in November 1955 backed with "On Bended Knee". Guidry, a Cajun musician, adopted a New Orleans–influenced blues style for the recording. The melody of the song was borrowed from bluesman Guitar Slim's "Later for You, Baby" which was recorded in 1954. Guidry also wrote "Walking to New Orleans (song), Walking to New Orleans", whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mexico
Mexico, officially the United Mexican States, is a country in North America. It is the northernmost country in Latin America, and borders the United States to the north, and Guatemala and Belize to the southeast; while having maritime boundary, maritime boundaries with the Pacific Ocean to the west, the Caribbean Sea to the southeast, and the Gulf of Mexico to the east. Mexico covers 1,972,550 km2 (761,610 sq mi), and is the List of countries by area, thirteenth-largest country in the world by land area. With a population exceeding 130 million, Mexico is the List of countries by population, tenth-most populous country in the world and is home to the Hispanophone#Countries, largest number of native Spanish speakers. Mexico City is the capital and List of cities in Mexico, largest city, which ranks among the List of cities by population, most populous metropolitan areas in the world. Human presence in Mexico dates back to at least 8,000 BC. Mesoamerica, considered a cradle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Knock The Rock
''Don't Knock the Rock'' is a 1956 American musical film starring Alan Dale and Alan Freed. Directed by Fred F. Sears, the film also features performances by Bill Haley & His Comets (who were top-billed), Little Richard, The Treniers, and Dave Appell and the Applejacks. In contrast to the title track of Haley's previous film, '' Rock Around the Clock'', the title track of this film was specially written for it (screenwriter Robert E. Kent is credited as co-writer of the song). A Haley recording of the song is played over the opening credits, but it is Alan Dale who performs the number in the film. Indeed, while Haley and his band are the top-billed performers in the movie, the story in fact focuses on Dale's character. Plot Arnie Haines is a rock and roll star who returns to his hometown to rest up for the summer only to find that rock and roll has been banned there by disapproving adults. Among those against him is influential newspaper columnist Arline MacLaine, though thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Around The Clock (film)
''Rock Around the Clock'' is a 1956 musical film featuring Bill Haley and His Comets along with Alan Freed, the Platters, Tony Martinez and His Band and Freddie Bell and His Bellboys. It was produced by B-movie king Sam Katzman (who would produce several Elvis Presley films in the 1960s) and directed by Fred F. Sears. The film was shot over a short period of time in January 1956 and released in March 1956 to capitalize on Haley's success and the popularity of his multimillion-selling recording " Rock Around the Clock," which had played over the opening credits of the 1955 teen flick ''Blackboard Jungle'' and is considered the first major rock and roll musical film. The same recording was used for the opening of ''Rock Around the Clock'', marking a rare occasion in which the same song opens films released in a short interval (the recording would be used once again to open the 1973 film '' American Graffiti''). Plot ''Rock Around the Clock'' tells a highly fictionalized re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Around The Clock
"Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers (the latter being under the pseudonym "Jimmy De Knight") in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca. It was a number one single for two months and did well on the United Kingdom charts; the recording also reentered the UK Singles Chart in the 1960s and 1970s. It was the first rock and roll record to top the pop charts in both the US and UKBill Haley had American chart success with " Crazy Man, Crazy" in 1953, and in 1954, " Shake, Rattle and Roll" sung by Big Joe Turner reached No. 1 on the ''Billboard'' R&B chart. Haley's recording became an anthem for rebellious 1950s youth, particularly after it was included in the 1955 film ''Blackboard Jungle''. It was number 1 on the pop charts for two months and went to number 3 on the R&B chart. The recording is widely considered to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
