Francesco Currado
   HOME





Francesco Currado
Francesco Curradi or Currado (15 November 1570 – 1661) was an Italian painter of the style described as Counter-''Maniera'' or Counter-Mannerism, born and active in Florence. Biography Curradi was the son of a jeweller, Taddeo. He trained under Giovanni Battista Naldini and in 1590 matriculated in the Accademia del Disegno, Florence. His first independent works from 1597 to 1598 were for churches in Volterra, including that in the Colleoni chapel of the local Duomo. He helped paint the frescoes of the ''Fame Exalting Michelangelo'' (c. 1616–1617) for the Casa Buonarroti. In 1622 he painted the ''St Francis Xavier preaching in India'' for the church of San Giovannino degli Scolopi in Florence, and a canvas of ''Narcissus'' and ''Herminia among shepherds'' commissioned by the cardinal Carlo de' Medici for his Casino di San Marco. He also executed seven lunettes in the chapel of Villa del Poggio Imperiale with the ''Story of Mary Magdalen''. Curradi painted the ''Crowning of ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Altarpiece Of The Church Of Santa Maria Assunta By Francesco Curradi In Spicchio, Italy
An altarpiece is a painting or sculpture, including relief, of religious subject matter made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of Baroque painting. The word altarpiece, used for paintings, usually means a framed work of panel painting on wood, or later on canvas. In the Middle Ages they were generally the largest genre for these formats. Murals in fresco tend to cover larger surfaces. The largest painted altarpieces developed complicated structures, especially winged altarpieces with hinged side wings that folded in to cover the main image, and were painted on ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  



MORE