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Follies (other)
''Follies'' is a Musical theater, musical with music and lyrics by Stephen Sondheim and a book by James Goldman. The plot centers on a crumbling Broadway theater, now scheduled for demolition, previously home to a musical revue (based on the ''Ziegfeld Follies''). The evening follows a reunion of the Weismann Girls who performed during the interwar period. Several of the former showgirls perform their old numbers, often accompanied by the ghosts of their younger selves. The score offers a pastiche of 1920s and 1930s musical styles, evoking a nostalgic tone. The original Broadway theatre, Broadway production, directed by Harold Prince and Michael Bennett (theater), Michael Bennett, with choreography by Bennett, opened April 4, 1971. The musical was nominated for 11 Tony Awards and won seven at the 26th Tony Awards. The original production, among the most costly on Broadway, ran for over 500 performances but ultimately lost its entire investment. The musical has had a number of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Edward Byrd
David Edward Byrd (April 4, 1941 – February 3, 2025) was an American graphic design, graphic artist, designer, illustrator, and painter. Many of his designs are considered to have helped to define the look of rock and roll music, starting in the 1960s. He was best known for his poster designs, which included rock posters for Fillmore East and Broadway theatre posters. Byrd's poster for the Broadway play ''Godspell'' is among his most famous works. Early life and education David Byrd was born April 4, 1941, in what is now Cleveland, Tennessee. After his parents divorced, he was raised by his mother and stepfather in Miami Beach, Florida. Byrd claimed his childhood was an unhappy one as his mother and stepfather frequently hosted raucous parties where Byrd, as a young boy, had to work as a bartender. He graduated from Miami Beach High School in 1959, attended the School of the Museum of Fine Arts, Boston, Boston Museum School for a year and then Carnegie Mellon University, Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurence Olivier Award For Best Musical Revival
The Laurence Olivier Award for Best Musical Revival is an annual award presented by the Society of London Theatre in recognition of achievements in commercial London theatre. The awards were established as the Society of West End Theatre Awards in 1976, and renamed in 1984 in honour of English actor and director Laurence Olivier. This award was introduced in 1991. From 1997 to 2007, the award was presented as Outstanding Musical Production. Winners and nominees 1990s 2000s 2010s 2020s Multiple awards and nominations Awards ;Two awards * ''Fiddler on the Roof'' *''Oklahoma!'' *''Sweeney Todd'' Nominations Four nominations * ''Cabaret'' * ''Oliver!'' ;Three nominations *''Fiddler on the Roof'' *''Guys and Dolls'' *''Joseph and the Amazing Technicolor Dreamcoat'' *'' Kiss Me Kate'' *''Oliver!'' *''Show Boat'' *''South Pacific'' *''Sunset Boulevard'' *''Sweeney Todd'' ;Two nominations *''Annie Get Your Gun'' *''Anything Goes'' * ''Evita'' *''A Funny Thing Happened on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Could I Leave You? (song)
"Could I Leave You?" is a song written by Stephen Sondheim for the 1971 musical ''Follies'' for the character Phyllis. Synopsis Phyllis sings to her husband about how apathetic she is to her marriage, yet she decides to stay. Critical reception ''Time'' magazine explained that Sondheim is "still the great chronicler of married life" in all its form - in this song he demonstrates the bitterness of marriage. Backstage described it as "biting contemplation of divorce." ''Vulture'' calls the song a "stinging Coward Cowardice is a characteristic wherein excessive fear prevents an individual from taking a risk or facing danger. It is the opposite of courage. As a label, "cowardice" indicates a failure of character in the face of a challenge. One who succumb ...-esque waltz." ''The New York Times'' notes "Phyllis’s lacerating assertion of independence to her husband, overflows with both tenderness and hostility." References 1971 songs Songs from musicals Songs written by St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Still Here (Follies Song)
"I'm Still Here" is a song written by Stephen Sondheim for the 1971 musical '' Follies''. Production "I'm Still Here" was introduced in the musical ''Follies'', which premiered on Broadway at the Winter Garden Theatre on April 4, 1971. The song is sung by former Follies showgirl, Carlotta Campion. The role was originally played by Yvonne De Carlo." ''Follies'', Broadway, 1971" sondheimguide.com, accessed May 29, 2014 Other performers who have played Carlotta in ''Follies'' on Broadway include Ann Miller in the 1998 production, |
Standard (music)
In music, a standard is a musical composition of established popularity, considered part of the "standard repertoire" of one or several genres. Even though the standard repertoire of a given genre consists of a dynamic and partly subjective set of songs, these can be identified by having been performed or recorded by a variety of musical acts, often with different arrangements. In addition, standards are extensively quoted by other works and commonly serve as the basis for musical improvisation. Standards may " cross over" from one genre's repertoire to another's; for example, many jazz standards have entered the pop repertoire, and many blues standards have entered the rock repertoire. Standards exist in the classical, popular and folk music traditions of all cultures. In the context of Western classical music, the standard repertoire constitutes most of what is considered the "teaching canon", i.e. the compositions that students learn in their academic training. The standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
26th Tony Awards
The 26th Annual Tony Awards was broadcast by ABC television on April 23, 1972, from The Broadway Theatre in New York City. Hosts were Henry Fonda, Deborah Kerr and Peter Ustinov. The ceremony Presenters were Richard Benjamin, Ingrid Bergman, Claire Bloom, Arlene Dahl, Sandy Duncan, Peter Falk, Lee Grant, Joel Grey, Arthur Hill, Hal Holbrook, Jean Stapleton, and Gwen Verdon. Performers were Desi Arnaz, Janet Blair, Larry Blyden, Alfred Drake, Helen Gallagher, Lisa Kirk, Hal Linden, Barbara McNair, Ethel Merman, and Constance Towers. Musicals represented: * '' Ain't Supposed to Die a Natural Death'' ("Put a Curse on You" - Company) * ''Jesus Christ Superstar'' (Medley - Jeff Fenholt, Yvonne Elliman and Company) * ''No, No, Nanette'' ("You Can Dance With Any Girl" - Helen Gallagher and Bobby Van / "I Want to Be Happy" - Ruby Keeler and Company) Special Tony Awards were presented to Ethel Merman and Richard Rodgers. For Rodgers, there was a medley from his works, from ''Garrick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Award
The Antoinette Perry Award for Excellence in Broadway Theatre, more commonly known as a Tony Award, recognizes excellence in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in Manhattan. The ceremony is usually held in June. The awards are given for Broadway productions and performances. One is also given for regional theatre. Several discretionary non-competitive awards are given as well, including a Special Tony Award, the Tony Honors for Excellence in Theatre, and the Isabelle Stevenson Award. The awards were founded by theatre producer and director Brock Pemberton. They are named after Antoinette "Tony" Perry, an actress, producer and theatre director who was co-founder and secretary of the American Theatre Wing. The trophy consists of a spinnable medallion, with faces portraying an adaptation of the comedy and tragedy masks, mounted on a black base with a pewter swivel. The rules for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Bennett (theater)
Michael Bennett (April 8, 1943 – July 2, 1987) was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven. Bennett choreographed '' Promises, Promises'', '' Follies'' and ''Company''. In 1976, he won the Tony Award for Best Direction of a Musical and the Tony Award for Best Choreography for the musical ''A Chorus Line''. Bennett, under the aegis of producer Joseph Papp, created ''A Chorus Line'' based on a workshop process which he pioneered. He also directed and co-choreographed ''Dreamgirls'' with Michael Peters. Early life and career Bennett was born Michael DiFiglia in Buffalo, New York, the son of Helen (née Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Prince
Harold Smith Prince (born Harold Smith; January 30, 1928 – July 31, 2019), commonly known as Hal Prince, was an American theatre director and producer known for his work in musical theatre. One of the foremost figures in 20th-century theatre, Prince became associated throughout his career with many of the most noteworthy musicals in Broadway history, including ''West Side Story'', ''Fiddler on the Roof'', ''Cabaret'', ''Sweeney Todd'', and '' Phantom of the Opera'', the longest-running show in Broadway history. Many of his productions broke new ground for musical theater, expanding the possibilities of the form by incorporating more serious and political subjects, such as Nazism (''Cabaret''), the difficulties of marriage (''Company''), and the forcible opening of 19th-century Japan ('' Pacific Overtures''). Over the span of his career, he garnered 21 Tony Awards, including eight for Direction, eight for producing the year's Best Musical, two as Best Producer of a Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastiche
A pastiche () is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it. The word is the French borrowing of the Italian noun , which is a pâté or pie-filling mixed from diverse ingredients. Its first recorded use in this sense was in 1878. Metaphorically, and describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Allusion requires the audience to share in the author's cultural knowledge. Allusion and pastiche are both mechanisms of intertextuality. By art Literature In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interwar Period
In the history of the 20th century, the interwar period, also known as the interbellum (), lasted from 11 November 1918 to 1 September 1939 (20 years, 9 months, 21 days) – from the end of World War I (WWI) to the beginning of World War II (WWII). It was relatively short, yet featured many social, political, military, and economic changes throughout the world. Petroleum-based energy production and associated mechanisation led to the prosperous Roaring Twenties, a time of social mobility, social and economic mobility for the middle class. Automobiles, electric lighting, radio, and more became common among populations in the developed world, first world. The era's indulgences were followed by the Great Depression, an unprecedented worldwide economic downturn that severely damaged many of the world's largest economies. Politically, the era coincided with the rise of communism, starting in Russia with the October Revolution and Russian Civil War, at the end of WWI, and ended with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ziegfeld Follies
The ''Ziegfeld Follies'' were a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934, 1936, 1943, and 1957. They became a radio program in 1932 and 1936 as '' The Ziegfeld Follies of the Air''. Founding and history Inspired by the Folies Bergère of Paris, the Ziegfeld Follies were conceived and mounted by Florenz Ziegfeld Jr., reportedly at the suggestion of his then-wife, the actress and singer Anna Held. The shows' producers were turn-of-the-twentieth-century producing titans Klaw and Erlanger. The Follies were a series of lavish revues, something between later Broadway shows and the more elaborate high-class vaudeville and variety show. The first follies, '' The Follies of 1907'', was produced that year at the '' Jardin de Paris'' roof theatre. During the Follies era, many of the top entertainers, including W. C. Fields, Eddie Cantor, Josephine Baker, Fanny Brice, Ann Pennington, Bert Williams, Ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
