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Fine Printer
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Prints are created by transferring ink from a matrix to a sheet of paper or other material, by a variety of techniques. Common types of matrices include: metal plates for engraving, etching and related intaglio printing techniques; stone, aluminum, or polymer for lithography; blocks of wood for woodcuts and wood engravings; and linoleum for linocuts. Screens made of silk or synthetic fabrics are used for the screen printing process. Other types of matrix substrates and related processes are discussed below. Except ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wood Engraving
Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the ''valleys'', the removed areas. As a result, the blocks for wood engravings deteriorate less quickly than the copper plates of engravings, and have a distinctive white-on-black character. Thomas Bewick developed the wood engraving technique in Great Britain at the end of the 18th century. His work differed from earlier woodcuts in two key ways. First, rather than using woodcarving tools such as knives, Bewick used an engraver's burin (graver). With this, he could create thin delicate lines, often creating large dark areas in the composition. Second, wood engraving traditionally use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzotint
Mezzotint is a monochrome printmaking process of the intaglio (printmaking), intaglio family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called a "rocker". In printing, the tiny pits in the plate retain the ink when the face of the plate is wiped clean. This technique can achieve a high level of quality and richness in the print, and produce a furniture print which is large and bold enough to be framed and hung effectively in a room. Mezzotint is often combined with other intaglio techniques, usually etching and engraving, including stipple engraving. The process was especially widely used in England from the eighteenth century, and in France was called ''la manière anglais'' (“the English manner”). Until the 20th century it has mostly been used for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collagraph
Collagraphy (sometimes spelled collography) is a printmaking process in which materials are glued or sealed to a rigid substrate (such as paperboard or wood) to create a plate. Once inked, the plate becomes a tool for imprinting the design onto paper or another medium. The resulting print is termed a collagraph. The term "collagraph" was coined by Glen Alps in the 1950s, and is derived from the Greek language, Greek word ''koll'' or ''kolla'', meaning adhesive, glue, and ''graph'', meaning the activity of drawing. Artists use a variety of materials in collagraphy, including yarn, fabric, tape, different varieties of cut paper or card, leaves, feathers, and acrylic mediums. The application of ink onto the collagraph plate is versatile, consisting of Intaglio (printmaking), intaglio-inking into recesses, brayer or paintbrush inking onto Relief printing, relief surfaces, or a combination of these methods. A print can be made with, or without use of a Printing press, press. See als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intaglio (printmaking)
Intaglio ( ; ) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand ''above'' the main surface. Normally copper, or in recent times zinc, sheets called plates are used as a surface or matrix, and the incisions are created by etching, engraving, drypoint, aquatint or mezzotint, often in combination. Collagraphs may also be printed as intaglio plates. After the decline of the main relief technique of woodcut around 1550, the intaglio techniques dominated both artistic printmaking as well as most types of illustration and popular prints until the mid 19th century. The word "intaglio" describes prints created from plates where the ink-bearing regions are recessed beneath the plate's surface. Though brass, zinc, and other materials are occasionally utilized, copper is the most commo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metalcut
Metalcut was a relief printmaking technique, belonging to the category of old master prints. It was almost entirely restricted to the period from about 1450 to 1540, and mostly to the region around the Rhine in Northern Europe, the Low Countries, Germany, France and Switzerland; the technique perhaps originated in the area around Cologne. Technique There were two different techniques for making metalcut prints, with very different results. The first technique is essentially that of woodcut but using a thin metal plate rather than a wooden block. The areas not to print are cut away, or hammered back with punches. These prints look very much like normal woodcuts of the period, and it can sometimes be hard for experts to tell them apar The subject matter is almost entirely religious in the early period, which mostly consists of single prints for display or collecting, and mostly ornamental in the 16th century revival, which mostly consists of illustrations and borders for books. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock Printing
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of textile printing, printing on textiles and later on paper. Each page or image is created by carving a wooden block to leave only some areas and lines at the original level; it is these that are inked and show in the print, in a relief printing process. Carving the blocks is skilled and laborious work, but a large number of impressions can then be printed. As a Woodblock printing on textiles, method of printing on cloth, the earliest surviving examples from China date to before 220 AD. Woodblock printing existed in Tang China by the 7th century AD and remained the most common East Asian method of printing books and other texts, as well as images, until the 19th century. ''Ukiyo-e'' is the best-known type of moku hanga, Japanese woodblock art print. Most European uses of the technique for printing images on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief Print
Relief printing is a family of printing methods where a printing block, plate or matrix, which has had ink applied to its non-recessed surface, is brought into contact with paper. The non-recessed surface will leave ink on the paper, whereas the recessed areas will not. A printing press may not be needed, as the back of the paper can be rubbed or pressed by hand with a simple tool such as a brayer or roller. In contrast, in intaglio printing, the ''recessed'' areas are printed. Relief printing is one of the traditional families of printmaking techniques, along with the intaglio and planographic families, though modern developments have created others. The relief family of techniques In the relief family of printing, the matrix was historically made subtractively, by removing material from the surface of areas not intended to be printed. The remaining surface would then receive ink. The relief family of techniques includes woodcut, metalcut, wood engraving, relief etching, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smarthistory
Smarthistory is a free resource for the study of art history created by art historians Beth Harris and Steven Zucker. Smarthistory is an independent not-for-profit organization and the official partner of the Khan Academy for art history. It is funded by the National Endowment for the Humanities. History Smarthistory started in 2005 as an audio guide series for use at the Metropolitan Museum of Art, The Museum of Modern Art in New York City, and as a resource for students taking introductory art history courses at the college level. In addition to its focus on college-level courses in art history, Smarthistory supports the art history Advanced Placement course and examination developed by The College Board. Smarthistory provides essays, videos, photographs, and links to additional resources for all of the art and architecture that make up the AP art history curriculum. Smarthistory has published more than 880 videos and 2,000 essays on art and cultural history from the Paleo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artist's Book
Artists' books (or book arts or book objects) are works of art that engage with and transform the form of a book. Some are mass-produced with multiple editions, some are published in small editions, while others are produced as one-of-a-kind objects. There is not a singular definition of an artist's book, and formulating a definition is cumbersome and subject to debate. Importantly, the creation of artists' books incorporates a variety of formats and genres. They have a complex history, with a particular focus and growth in contemporary artist movements. They also have recently grown in popularity, especially in art institutions, and have become popular in art library reference workshops. The exact definition and usage of artists' books has become more fluid and porous alongside the growth in popularity of artists' books. Overview Artists' books have employed a wide range of forms, including the traditional Codex form as well as less common forms like scrolls, fold-outs, conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edition (printmaking)
In printmaking, an edition is a number of prints struck from one plate, usually at the same time. This may be a ''limited edition'', with a fixed number of impressions produced on the understanding that no further impressions (copies) will be produced later, or an ''open edition'' limited only by the number that can be sold or produced before the plate wears. Most modern artists produce only limited editions, normally signed by the artist in pencil, and numbered as say 67/100 to show the unique number of that impression and the total edition size. Original or reproduction? An important and often confused distinction is that between editions of original prints, produced in the same medium as the artist worked (e.g., etching, or lithography), and reproduction prints (or paintings), which are photographic reproductions of the original work, essentially in the same category as a picture in a book or magazine, though better printed and on better paper. These may be marketed as "limit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Printmaker
Master printmakers or master printers are specialized technicians who hand-print editions of works of an artist in printmaking. Master printmakers often own and/or operate their own printmaking studio or print shop. Business activities of a Master printshop may include: publishing and printing services, educational workshops or classes, mentorship of artists, and artist residencies. The role of the specialist printers mostly emerged from the 18th century onwards. Previously artists in printmaking mostly printed their own prints, as for example Rembrandt did; he had a printing press for etchings and engravings in his house. For woodcuts the blockcutter had long been a specialist artisan, sometimes famous. Printing of lithographs from the 19th century on has normally been a specialist process. Training for master printmakers varies by technique, geography, and culture. Master printmakers are almost always trained by other master printmakers. The Tamarind Institute is one formal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
