Ernst Kurth
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Ernst Kurth
Ernst Kurth (1 June 1886, in Vienna – 2 August 1946, in Bern) was a Swiss music theorist of Austrian origin. Career Kurth studied musicology with Guido Adler (a student of Bruckner and Hanslick) in Vienna, and earned his Ph.D. (1908) with a thesis about Christoph Willibald Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he g ...'s operatic style. In a relatively short publishing career of about 15 years, Kurth wrote four enormously influential works: ''Grundlagen des Linearen Kontrapunkts'' (''Foundations of Linear Counterpoint''), ''Romantische Harmonik und ihre Krise in Wagners "Tristan"'' (''Romantic Harmony and its Crisis in Wagner's "Tristan"''), ''Bruckner'', and ''Musikpsychologie''. Since the 1940s, Kurth was gradually eclipsed by other theorists (notably Heinrich ...
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Kurth Ernst
Kurth may refer to: ;People * Charles J. Kurth (1862-1896), American lawyer and politician * Don Kurth (b. 1949), American politician * Ernst Kurth (1886-1946), Swiss music theorist * Godefroid Kurth (1847-1916), Belgian historian * James Kurth (b. ? ), Claude Smith Professor of Political Science at Swarthmore College, United States * Jean-Pierre Kurth, Swiss para-alpine skier * Joe Kurth (1914 - ? ), American football player * Markus Kurth (footballer) (b. 1973), German footballer (soccer player) * Markus Kurth (politician) (b. 1966), German politician * Monica Kurth, American politician * Rob Kurth (b. ? ), American punk rock drummer in the band Face to Face (punk band) * Ronald J. Kurth (b. ? ), United States Navy admiral * Wally Kurth (b. 1958), American singer and television performer ;Companies * Andrews Kurth Andrews Kurth Kenyon LLP was a Houston, Texas based international law firm founded by Frank Andrews and U.S. Congressman Thomas Henry Ball in 1902, and la ...
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Music Theorist
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the " rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of what constitutes music, a more inclusive definition could be the consideration of any sonic phenomena, ...
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Guido Adler
Guido Adler (1 November 1855, Ivančice (Eibenschütz), Moravia – 15 February 1941, Vienna) was a Bohemian-Austrian musicologist and writer. Biography Early life and education Adler was born at Eibenschütz in Moravia in 1855. He moved with his family to Vienna nine years later. His father Joachim, a physician, died of typhoid fever in 1857. Joachim contracted the illness from a patient, and therefore told his wife Franciska to "never allow any of the children to become a doctor". Adler studied at the University of Vienna and — at the same time (1868-1874) — the Vienna Conservatory of Music (where he studied piano (main subject) and music theory and composition under Anton Bruckner and Otto Dessoff). He even briefly served at the Vienna Handelsgericht before deciding to pursue his interest in music history.Erica Mugglestone, "Guido Adler's 'The Scope, Method, and Aim of Musicology' (1885): An English Translation with an Historico-Analytical Commentary," ''Yearboo ...
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Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versi ...
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