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Emanuele Cavalli
Emanuele Cavalli (1904–1981) was an Italian painter belonging to the modern movement of the Scuola Romana (Roman School). He was also a renowned photographer, who experimented with new techniques since the 1930s. Biography The son of Apulian landowners, Cavalli moved to Rome in 1921, where he became a student of the Italian painter Felice Carena, also attending a local art college. In 1926 he exhibited some paintings at the Biennale di Venezia, where he would continue to exhibit regularly. From 1927 to 1930, Cavalli attended some exhibitions together with the painters Giuseppe Capogrossi and Francesco Di Cocco, also travelling to France (1928), where he was introduced by his friend Onofrio Martinelli to the circle of ''Italiens de Paris'' (i.e., De Pisis, De Chirico, Savinio and others). He exhibited at the Salon Bovy in Paris with Fausto Pirandello and Di Cocco, then in 1930 he returned to Rome, where he became one of the painters of the ''Scuola Romana Scuola romana or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucera
Lucera ( Lucerino: ) is an Italian city of 34,243 inhabitants in the province of Foggia in the region of Apulia, and the seat of the Diocese of Lucera-Troia. Located upon a flat knoll in the Tavoliere Plains, near the foot of Daunian Mountains, Lucera was the capital of Province of Capitanata and the County of Molise from 1579 until 1806. Climate The city is characterized by a Mediterranean climate, with long, hot summers, with extreme temperature changes during the day, and mild winters, although due to its proximity to the Daunian mountains the temperature can drop to values below . The winds are quite frequent and, although sometimes quite strong, are usually moderate. The average annual temperature is around , and rainfall amounts to an average value of . Snowfalls are rare. History Ancient era and early Middle Ages Lucera is located in the territory of the ancient tribe of the Daunii. Archeological excavations show the presence of a Bronze Age village inside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Di Cocco
Francesco Di Cocco (1900 – 1989) was an Italian painter belonging to the modern movement. Biography He was born in Rome to Florentine parents. After a brief spell in the Army while in Albania in 1919, he returned to Rome, where he was influenced by Giacomo Balla, and spent time in the studio of Leonardo Castellani. He exhibited at the 3rd Biennale Romano in 1925, the next year in Milan at the first exhibition of the Novecento Italiano. He would travel to Paris. He continued to exhibit throughout the following decades in Italy and abroad. In 1938, he accompanied a personal exhibition at the Comet Art Gallery in New York City. He was recruited to paint murals for Italian pavilion designed by Andrea Busiri Vici at the 1939 World's Fair. In 1938, a letter from the Quadriennale board inquired as to his race prior to exhibiting, he refrained from returning to Italy under fascism. He moved to New Mexico and California, where he remained until 1953, exhibiting at various museums on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrapuntal
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primordialism
Primordialism is the idea that nations or ethnic identities are fixed, natural and ancient.Jack Hayward, Brian Barry, Archie Brown (2003) p 330 Primordialists argue that each individual has a single inborn ethnic identity independent of historical processes. While implicit primordialist assumptions are common in society and much academic research, primordialism is widely rejected by scholars of nationalism and ethnicity, as individuals can have multiple ethnic identities which are changeable and socially constructed. Primordialism can be traced philosophically to the ideas of German Romanticism, particularly in the works of Johann Gottlieb Fichte and Johann Gottfried Herder. For Herder, the nation was synonymous with language group. In Herder's thinking, language was synonymous with thought, and as each language was learnt in community, then each community must think differently. This also suggests that the community would hold a fixed nature over time. Primordialism was widely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plastic Arts
Plastic arts are art forms which involve physical manipulation of a plastic medium by molding or modeling such as sculpture or ceramics. Less often the term may be used broadly for all the visual arts (such as painting, sculpture, film and photography), as opposed to literature and music. Materials for use in the plastic arts, in the narrower definition, include those that can be carved or shaped, such as stone or wood, concrete, glass, or metal. The term "plastic" has been used to mean certain synthetic organic resins ever since they were invented, but the term "plastic arts" long preceded them. The term should not be confused, either, with Piet Mondrian's concept of " Neoplasticism". History The oldest known plastic arts date to (30,000–34,000 BP). Philosophy In contrast to the limiting of 'plastic arts' to sculpture and architecture by Friedrich Wilhelm Joseph Schelling in 1807, the German critic August Wilhelm Schlegel (1767-1845) applied the concept not only to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manifesto
A manifesto is a published declaration of the intentions, motives, or views of the issuer, be it an individual, group, political party or government. A manifesto usually accepts a previously published opinion or public consensus or promotes a new idea with prescriptive notions for carrying out changes the author believes should be made. It often is political, social or artistic in nature, sometimes revolutionary, but may present an individual's life stance. Manifestos relating to religious belief are generally referred to as creeds or, a confession of faith. Etymology It is derived from the Italian word ''manifesto'', itself derived from the Latin ''manifestum'', meaning clear or conspicuous. Its first recorded use in English is from 1620, in Nathaniel Brent's translation of Paolo Sarpi's ''History of the Council of Trent'': "To this citation he made answer by a Manifesto" (p. 102). Similarly, "They were so farre surprised with his Manifesto, that they would never ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Melli
Roberto Melli (1885–1958) was an Italian painter and sculptor to the ''Scuola Romana'', and active in Ferrara and Rome. Short biography Born in Ferrara from a Jewish family of traders, in his twenties Melli moved to Genoa to start an apprenticeship as an engraver and thereby discovered his artistic talent. He began an activity as xylographer, befriending painter and etcher Giorgio De Vincenzi, also from Ferrara. In 1910 Melli moved to Rome, where he shared a studio with sculptor Giovanni Prini. In 1913 he participated in the first exhibition of the ''Scuola Romana'', and subsequently exhibited his work at various shows organised by the Futurism movement, although Melli from then on would pursue his own peculiar style and technique. In 1915, together with artists Vittorio Costantini, Cipriano Efisio Oppo and Guglielmo Pizzirani, Melli formed the "Gruppo Moderno Italiano" (Modern Italian Group) and in 1918 he contributed to the creation of the magazine and current "Valor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetic
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonalism
Tonalism was an artistic style that emerged in the 1880s when American artists began to paint landscape forms with an overall tone of colored atmosphere or mist. Between 1880 and 1915, dark, neutral hues such as gray, brown or blue, often dominated compositions by artists associated with the style. During the late 1890s, American art critics began to use the term "tonal" to describe these works, as well as the lesser-known synonyms Quietism and Intimism. Two of the leading associated painters were George Inness and James McNeill Whistler. Tonalism is sometimes used to describe American landscapes derived from the French Barbizon style, which emphasized mood and shadow. Tonalism was eventually eclipsed by Impressionism and European modernism. Australian Tonalism emerged as an art movement in Melbourne during the 1910s. Associated artists * Willis Seaver Adams * Joseph Allworthy * Edward Mitchell Bannister * Clarice Beckett * Ralph Albert Blakelock * Emanuele Cavalli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fausto Pirandello
Fausto Calogero Pirandello (17 June 1899 – 30 November 1975) was an Italian painter belonging to the modern movement of the ''Scuola romana (Roman School)''. He was the son of Nobel laureate Luigi Pirandello. Biography After a short experience in Paris, where he met the most important artistic personalities of the time between 1920 and 1930, Pirandello entered the movement of Scuola Romana, distinguishing himself for originality and solitary exploration. His painting tends towards a quotidian realism manifested at times in the more unpleasant and pitiless aspects of life, expressed through a dense and thorny pictorial matter. His vision is an intellectualist one, which however translates even the most brutal naturalist datum into a sort of magic realism with an archaic and metaphysical taste. Pirandello's style goes from cubism, to tonalism, to realist-expressionist forms: Important in this period was his participation to the activities of literary magazine "Corrente di Vit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
