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Eleusa
The Eleusa (or ''Eleousa''; el, Ἐλεούσα – ''tenderness'' or ''showing mercy'') is a type of depiction of the Virgin Mary in icons in which the Christ Child is nestled against her cheek. In the Western Church the type is often known as the Virgin of Tenderness. Depictions Such icons have been venerated in the Eastern Church for centuries. Similar types of depiction are also found in Madonna paintings in the Western Church where they are called the Madonna Eleusa, or the Virgin of Tenderness. By the 19th century examples such as th '' Lady of Refuge'' type (e.g. the ''Refugium Peccatorum Madonna'' by Luigi Crosio) were widespread and they were also used in retablos in Mexican art.''Art and faith in Mexico: the nineteenth-century retablo tradition'' by Charles Muir Lovell pages 93–94 In Eastern Orthodoxy the term Panagia Eleousa is often used. The Theotokos of Vladimir and Theotokos of Pochayiv are well-known examples of this type of icon. Eleusa is also used as epit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna (art)
In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the ''Theotokos of Vladimir'', '' Agiosoritissa'', ''Blachernitissa'', etc., or descriptive of the depicted posture, as in ''Hodegetria'', '' Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as ''Theotokos''. "Madonna" may be generally used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image, possibly flank ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Our Lady Of The Don
''Our Lady of the Don'' (russian: Донская икона Божией Матери) is a 14th-century Eleusa icon representing the Virgin Mary with the infant Jesus Christ. The icon, currently held in Tretyakov Gallery, in Moscow, displays an Eleusa composition. The origins of the icon and the exact date of its creation are debated. It is believed that it was painted by Theophanes the Greek c. 1382–1395. The monastery book of Donskoy Monastery states that ''Our Lady of the Don'' was a gift from the Don Cossacks to Dmitry Donskoy the day before Battle of Kulikovo (1380). See also * Eleusa icon References External links * ''Our Lady of the Don''at the Pravoslavie.ru (in Russian).Byzantium: faith and power (1261-1557) an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Our Lady of the Don (88) 1380s paintings 1390s paintings Icons of the Tretyakov Gallery Don Don, don or DON and variants may refer to: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theotokos Of Vladimir
, other_title_1 = Our Lady of Vladimir , other_language_2 = uk, Вишгородська ікона Божої Матері , other_title_2 = Vyshgorod Mother of God , wikidata = Q546241 , image = Virgin of Vladimir.jpg , image_upright = 1 , alt = , caption = , artist = Unknown , year = 1131 , completion_date = , medium = Tempera , movement = , subject = Virgin Mary , height_metric = 104 , width_metric = 69 , length_metric = , diameter_metric = , height_imperial = , width_imperial = , length_imperial = , diameter_imperial = , dimensions = , dimensions_ref = , metric_unit = cm , imperial_unit = in , weight = , designation = , condition = , museum = Tretyakov Gallery , city = Moscow , coordinates = , owner = , accession = , italic title = no The Virgin of Vladimir, also known as Vladimir Mother of God, Our Lady of Vladimir (russian: Влади́мирская ико́на Бо́жией Ма́тери, uk, Вишгород ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambrai Madonna
The ''Cambrai Madonna'', also called the ''Notre-Dame de Grâce'', produced around 1340, is a small Italo-Byzantine, possibly Sienese,Upton (1989), 52 replica of an Eleusa (''Virgin of Tenderness'') icon. The work on which it is based is believed to have originated in Tuscany , and influenced a wide number of paintings from the following century as well as Florentine sculptures from the 1440–1450s.Parshall (2007-8), 19 This version was in turn widely copied across Italy and northern Europe during the 14th and 15th centuries; Filippo Lippi's 1447 '' Enthroned Madonna and Child'' is a well known example. When in 1450 the painting was brought to Cambrai, then part of the Holy Roman Empire ruled by the Dukes of Burgundy and now in France, it was believed an original by Saint Luke, patron saint of artists, for which Mary herself had sat as model. Thus it was treated as a relic; God bestowing miracles on those that travelled to view it.Ainsworth, 139Evans, p. 582 The work i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theotokos Fyodorovskaya
The Feodorovskaya Icon of the Mother of God (russian: Феодоровская икона Божией Матери), also known as Our Lady of Saint Theodore and the Black Virgin Mary of Russia, is the patron icon of the Romanov family. It is one of the most venerated icons in the Upper Volga region. Her feast days are March 14 (27) and August 29. Church lore Since the Feodorovskaya follows the same Byzantine ''Eleusa'' (Tender Mercy) type as the Theotokos of Vladimir, pious legends declared it a copy of that famous image, purportedly created by Saint Luke. In Greek, ''Theotokos'' means "God-bearer". At the beginning of the XII century it was kept in an old wooden chapel near the city of Kitezh. It is believed that, before the Mongol invasion of Rus, the icon was kept in a monastery near the town of Gorodets-on-the-Volga. After the Mongols sacked and burnt the town, the icon disappeared and was given up for lost. Several months later, on 16 August 1239, Prince Vasily of Kostr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambrai Cathedral
Cambrai Cathedral (french: Cathédrale Notre-Dame de Grâce de Cambrai) is a Catholic church located in Cambrai, Nord, France, and is the seat of the Archbishop of Cambrai. The cathedral was registered as a '' monument historique'' on 9 August 1906. It was built between 1696 and 1703, on the site of a former 11th-century building, as the church of the Abbey of Saint-Sépulcre. During the French Revolution the old cathedral of Cambrai was destroyed, but the abbey church survived because it was used instead as a Temple of Reason. When the ecclesiastical status of Cambrai was restored in 1802, albeit as a diocese rather than as an archdiocese, which it had previously been, the bishop's seat was established in the surviving abbey church, which became the cathedral of Cambrai. Cambrai was again constituted an archbishopric in 1841. The cathedral was severely damaged by fire in 1859, but at length restored, with advice from Viollet-le-Duc, and consecrated on 12 May 1894. It was r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelagonitissa
The Pelagonitissa (also known as "The Virgin with the Playing Child") is a type of depiction of the Virgin Mary (often in icons) in which the Virgin holds an infant Jesus in an abrupt movement, his head back and grabbing onto her. Pelagonitissa was developed in the twelfth and thirteenth centuries in the Byzantine Empire, particularly in Macedonia. The name ''Pelagonitissa'' refers to the city of Bitola, previously known as ''Pelagonia''. Pelagonitissa is often seen as a variant of the Eleusa icon in which the infant Jesus rests. One of the best-known examples is in the Church of St. George, Staro Nagoričane, restored by the Serbian king Milutin in the 13th century. See also * List of Theotokos of St. Theodore icons * Marian devotions Marian devotions are external pious practices directed to the person of Mary, mother of God, by members of certain Christian traditions. They are performed in Catholicism, High Church Lutheranism, Anglo-Catholicism, Eastern Orthodoxy and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theotokos
''Theotokos'' ( Greek: ) is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are ''Dei Genitrix'' or '' Deipara'' (approximately "parent (fem.) of God"). Familiar English translations are "Mother of God" or "God-bearer" – but these both have different literal equivalents in Greek, Μήτηρ Θεοῦ and Θεοφόρος ("Who gave birth to one who was God", "Whose child was God", respectively). The title has been in use since the 3rd century, in the Syriac tradition (as ) in the Liturgy of Mari and Addai (3rd century)''Addai and Mari, Liturgy of''. Cross, F. L., ed. ''The Oxford Dictionary of the Christian Church''. Oxford University Press. 2005. and the Liturgy of St James (4th century). The Council of Ephesus in AD 431 decreed that Mary is the ''Theotokos'' because Her Son Jesus is both God and man: one divine person from two natures (divine and human) intimately and hypostatically united. The title of Moth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theotokos Of Pochayiv
''Theotokos of Pochayiv'' ( uk, Почаївська ікона Пресвятої Богородиці) is an Eastern Orthodox icon of the Virgin Mary, painted in a late Byzantine style, of the Eleusa iconographic type. Like many famous icons, it is now usually displayed with most of the surface covered by an elaborate frame in precious metals, or riza, except for the faces. The icon is venerated equally by Eastern Orthodox and Catholics. The origin of the icon is not clear. It is painted in old Byzantine manner, hence it could be made in either Byzantium or Bulgaria. It has been in the Pochayiv Lavra (monastery), in Ternopil oblast, Ukraine, since 1597, when it was given by a wealthy widow Anna or Hanna Hoyska, who owned the town of Pochayiv in second half of the 16th century. Anna had received the sacred image from the Greek metropolitan Neophyte.''"О тебе радуется", из книги Н.Дмитриевой, "Pravoslavie.RU" Russian Orthodox Portal, August 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theotokos Of Tolga
The ''Theotokos of Tolga'' (russian: Толгская икона Божией Матери) is a Russian Orthodox icon representing the Virgin Mary (''Theotokos'') with the infant Jesus Christ. The ''Theotokos of Tolga'', named after the Tolga river in Yaroslavl, is known in three copies created between the end of the 13th and the beginning of the 14th century. They were drawn in Eleusa type. One of them, traditionally called a "Manifested" icon, was manifested to Prokhor, the Bishop of Rostov in 1314. The icon version of the end of 13th-century (''Throne icon'' or ''Tolgskaya I'') is held in the Tretyakov Gallery, while the Manifested one (also known as ''Tolgskaya II'') is in the Tolga Monastery. ''Tolgskaya III'' was created circa 1327. It is currently held in the Russian Museum The State Russian Museum (russian: Государственный Русский музей), formerly the Russian Museum of His Imperial Majesty Alexander III (russian: Русский Музей ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Virgin Eleousa
''The Virgin Eleousa'' is a tempera painting attributed to Angelos Akotantos. Angelos Akotantos was a Greek painter active on the island of Crete during the first half of the 15th century. He is considered one of the founding members of the Cretan School along with Andreas Pavias, Andreas Ritzos, and Nikolaos Tzafouris. Over fifty paintings are attributed to Angelos Akotantos. His works served as a prototype for Greek paintings for over five hundred years. Angelos Akotantos was active in Heraklion. He was very wealthy. Much of the information about his life was drawn from a will written in 1436. Historians consider him to have been active between 1425 and 1457. Angelos Akotantos completed many icons of the Virgin and Child in the Eleousa position. The Eleousa position was drawn from Byzantine prototypes. The style was used by both Greek and Italian painters during the period predating the Italian and Cretan Renaissance. The Greek painters continued the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
