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Ego-Futurist
Ego-Futurism was a Russian literary movement of the 1910s, developed within Russian Futurism by Igor Severyanin and his early followers. While part of the Russian Futurism movement, it was distinguished from the Moscow-based cubo-futurists as it was associated with poets and artists active in Saint Petersburg. Background In 1909, the Italian poet Filippo Tommaso Marinetti began the Futurist movement by publishing the ''Manifesto of Futurism''; it called for a total break with the past, in favour of a completely modern world. Very quickly he gained numerous followers, such as the painter Umberto Boccioni, and the musician Luigi Russolo. In 1910, Marinetti went to Russia to lecture on his ideas; it was this year that one of the earliest Russian Futurist groups began: led by David and Wladimir Burliuk, it was called 'Hylea', and its members included poets who would later become Cubo-Futurists, the rivals of the Ego-Futurists. Igor Severyanin, the founder of Ego-Futurism, was alr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Olimpov
Konstantin Konstantinovich Olimpov (Russian: Константин Константинович Олимпов) (1889–1940) Birth name Konstantin Konstantinovich Fofanov (Russian: Константин Константинович Фофанов) Konstantin Olimpov was a poet and son of Symbolist poet Konstantin Mikhailovich Fofanov (1862–1911). Along with Igor Severyanin, Olimpov was one of the founding members of Ego-Futurism Ego-Futurism was a Russian literary movement of the 1910s, developed within Russian Futurism by Igor Severyanin and his early followers. While part of the Russian Futurism movement, it was distinguished from the Moscow-based cubo-futurists as it .... A disagreement between Olimpov and Severyanin caused Severyanin to leave the group of Ego-Futurists in the Autumn of 1912. He also co-founded The Academy of Ego-Poetry with fellow Ego-Futurists Graal Arelsky. References {{DEFAULTSORT:Olimpov, Konstantin Soviet poets 1889 births 1940 deaths Poets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cubo-Futurist
Cubo-Futurism (also called Russian Futurism or Kubo-Futurizm) was an art movement that arose in early 20th century Russian Empire, defined by its amalgamation of the artistic elements found in Italian Futurism and French Analytical Cubism. Cubo-Futurism was the main school of painting and sculpture practiced by the Russian Futurists. In 1913, the term ‘Cubo-Futurism’ first came to describe works from members of the poetry group ‘Hylaeans’, as they moved away from poetic Symbolism towards Futurism and ''zaum'', the experimental “visual and sound poetry of Kruchenykh and Khlebninkov”. Later in the same year the concept and style of ‘Cubo-Futurism’ became synonymous with the works of artists within Ukrainian and Russian post-revolutionary avant-garde circles as they interrogated non-representational art through the fragmentation and displacement of traditional forms, lines, viewpoints, colours, and textures within their pieces. The impact of Cubo-Futurism was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graal Arelsky
Graal-Arelsky ( rus, Граа́ль-Аре́льский, p=ɡrɐˈalʲ ɐˈrʲelʲskʲɪj, a=Graal' Aryelskiy.ru.vorb.oga; 1889-1937) or Stepan Stephanovich Petrov ( rus, Сте́фан Сте́фанович Петро́в, p=ˈsʲtʲɛfən ˈsʲtʲɛfənəvʲɪtɕ pʲɪˈtrof, a=Styephan Styephanovich Pyetrov.ru.vorb.oga), was a poet of Ego-Futurism in Russia. He co-founded the Academy of Ego-Poetry with fellow Ego-Futurist Konstantin Olimpov. Arelsky is also an identified astronomer. Biography Graal Arelsky was born in 1888 (or 1889, according to other sources) to a peasant family. In 1909, after graduating from high school, he studied astronomy at St. Petersburg University. In 1914 he was expelled from the university for non-payment. He worked at the observatory of the People's House. In his student years, he participated in the revolutionary movement and was a member of the Socialist Revolutionary Party. Works Arelsky met Igor Severyanin and Konstantin Olimpov, with whom he t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Futurist
Russian Futurism is the broad term for a movement of Russian poets and artists who adopted the principles of Filippo Marinetti's " Manifesto of Futurism," which espoused the rejection of the past, and a celebration of speed, machinery, violence, youth, industry, destruction of academies, museums, and urbanism; it also advocated the modernization and cultural rejuvenation. Russian Futurism began roughly in the early 1910s; in 1912, a year after Ego-Futurism began, the literary group "Hylea" - also spelt "Guilée" and "Gylea" – issued the manifesto ''A Slap in the Face of Public Taste''. The 1912 movement was originally called Cubo-Futurism, but this term is now used to refer to the style of art produced. Russian Futurism ended shortly after the Russian Revolution of 1917, after which former Russian Futurists either left the country, or participated in the new art movements. Notable Russian Futurists included Natalia Goncharova, Mikhail Larionov, David Burliuk, Kazimir Malev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Futurism
Russian Futurism is the broad term for a movement of Russian poets and artists who adopted the principles of Filippo Marinetti's " Manifesto of Futurism," which espoused the rejection of the past, and a celebration of speed, machinery, violence, youth, industry, destruction of academies, museums, and urbanism; it also advocated the modernization and cultural rejuvenation. Russian Futurism began roughly in the early 1910s; in 1912, a year after Ego-Futurism began, the literary group "Hylea" - also spelt "Guilée" and "Gylea" – issued the manifesto ''A Slap in the Face of Public Taste''. The 1912 movement was originally called Cubo-Futurism, but this term is now used to refer to the style of art produced. Russian Futurism ended shortly after the Russian Revolution of 1917, after which former Russian Futurists either left the country, or participated in the new art movements. Notable Russian Futurists included Natalia Goncharova, Mikhail Larionov, David Burliuk, Kazimir Malevi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Futurists
Russian Futurism is the broad term for a movement of Russian poets and artists who adopted the principles of Filippo Marinetti's "Manifesto of Futurism," which espoused the rejection of the past, and a celebration of speed, machinery, violence, youth, industry, destruction of academies, museums, and urbanism; it also advocated the modernization and cultural rejuvenation. Russian Futurism began roughly in the early 1910s; in 1912, a year after Ego-Futurism began, the literary group "Hylea" - also spelt "Guilée" and "Gylea" – issued the manifesto ''A Slap in the Face of Public Taste''. The 1912 movement was originally called Cubo-Futurism, but this term is now used to refer to the style of art produced. Russian Futurism ended shortly after the Russian Revolution of 1917, after which former Russian Futurists either left the country, or participated in the new art movements. Notable Russian Futurists included Natalia Goncharova, Mikhail Larionov, David Burliuk, Kazimir Malevich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Burliuk
David Davidovich Burliuk (Давид Давидович Бурлюк; 21 July 1882 – 15 January 1967) was a Russian-language poet, artist and publicist associated with the Futurist and Neo-Primitivist movements. Burliuk has been described as "the father of Russian Futurism." Biography Early life David Burliuk was born on 21 July 1882 in the village of Riabushky (near Lebedyn, Ukraine) in the Kharkov Governorate of the Russian Empire. Burliuk's family was artistically inclined; two of his brothers were talented artists as well, Nikolai and Volodimir Burliuk. The Burliuk family partly descended from Ukrainian Cossacks on their father's side, who held premier positions in the Hetmanate. His mother, Ludmyla Mikhnevich, was of ethnic Belarusian descent.Pg. 77, ''Nabokov and his fiction: new perspectives'' by Julian W. Connolly Education, career From 1898 to 1904, he studied at Kazan and Odesa art schools, as well as at the Royal Academy in Munich. His exuberant, extrovert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Pasternak
Boris Leonidovich Pasternak (; rus, Бори́с Леони́дович Пастерна́к, p=bɐˈrʲis lʲɪɐˈnʲidəvʲɪtɕ pəstɛrˈnak; 30 May 1960) was a Russian poet, novelist, composer and literary translator. Composed in 1917, Pasternak's first book of poems, ''My Sister, Life'', was published in Berlin in 1922 and soon became an important collection in the Russian language. Pasternak's translations of stage plays by Goethe, Schiller, Calderón de la Barca and Shakespeare remain very popular with Russian audiences. Pasternak is the author of ''Doctor Zhivago'' (1957), a novel that takes place between the Russian Revolution of 1905 and the Second World War. ''Doctor Zhivago'' was rejected for publication in the USSR, but the manuscript was smuggled to Italy and was first published there in 1957. Pasternak was awarded the Nobel Prize in Literature in 1958, an event that enraged the Communist Party of the Soviet Union, which forced him to decline the prize. In 1989 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Severyanin
Igor Severyanin (russian: И́горь Северя́нин; pen name, real name Igor Vasilyevich Lotaryov: И́горь Васи́льевич Лотарёв; May 16, 1887 – December 20, 1941) was a Russian poet who presided over the circle of the so-called Ego-Futurists. Igor was born in St. Petersburg in the family of an army engineer. Through his mother, he was remotely related to Nikolai Karamzin and Afanasy Fet. In 1904 he left for Harbin with his father but later returned to St. Petersburg to publish first poems at his own expense. It was not until 1913 that, in the words of D.S. Mirsky, "the moment came when vulgarity claimed a place on Parnassus and issued its declaration of rights in the verse of Igor Severyanin". That year, Severyanin (his pen name means "Northerner" in Russian) brought out a collection entitled ''The Cup of Thunder'' (''Громокипящий кубок''), with a preface written by Fyodor Sologub. In one of his most celebrated poems, Lotar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasilisk Gnedov
Vasily Ivanovich Gnedov ( rus, Васи́лий Ива́нович Гне́дов, p=vɐˈsʲilʲɪj ɪˈvanəvʲɪdʑ ˈɡnʲedəf, a=Vasiliy Ivanovich Gnyedov.ru.vorb.oga), better known by the pen name Vasilisk Gnedov ( rus, Васили́ск Гне́дов, p=vəsʲɪˈlʲizɡ ˈɡnʲedəf, a=Vasilisk Gnyedov.ru.vorb.oga; 3 March 1890 — November 20, 1978), was one of the most radically experimental poets of Russian Futurism, though not as prolific as his peers. Gnedov is chiefly known for his '' Poem of the End'', which consisted of its title alone on a blank page, and which the poet performed on stage using a silent gesture. The collection from which it came, ''Death to Art'' (1913), contained fifteen very short poems that gradually reduced in size from one line, to one word, one letter, and ultimately to ''Poem of the End''. The poem has been compared to Kazimir Malevich's painting ''Black Square'' (1915), John Cage’s silent composition 4'33" (1952), and to Minimalism in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Mayakovsky
Vladimir Vladimirovich Mayakovsky (, ; rus, Влади́мир Влади́мирович Маяко́вский, , vlɐˈdʲimʲɪr vlɐˈdʲimʲɪrəvʲɪtɕ məjɪˈkofskʲɪj, Ru-Vladimir Vladimirovich Mayakovsky.ogg, links=y; – 14 April 1930) was a Russian and Soviet poet, playwright, artist, and actor. During his early, pre- Revolution period leading into 1917, Mayakovsky became renowned as a prominent figure of the Russian Futurist movement. He co-signed the Futurist manifesto, ''A Slap in the Face of Public Taste'' (1913), and wrote such poems as "A Cloud in Trousers" (1915) and "Backbone Flute" (1916). Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal ''LEF'', and produced agitprop posters in support of the Communist Party during the Russian Civil War of 1917–1922. Though Mayakovsky's work regularly demonstrated ideological and patriotic supp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vadim Shershenevich
Vadim Gabrielevich Shershenevich (russian: Вадим Габриэлевич Шершеневич; 25 January 1893 – 18 May 1942) was a Russian poet. He was highly prolific, working in more than one genre, moving from Symbolism to Futurism after meeting Marinetti in Moscow. Later he pioneered the post-revolutionary avant-garde Imaginist movement, but abandoned it in favour of the theatre. Biography and Career Earlier years Shershenevich was born in Kazan, Russia on 25 January 1893. He was the son of professor of Law Gabriel Feliksovich Shershenevich, a Polish national and a deputy of the first State Duma from the Constitutional Democratic party and the author of its platform. Shershenevich's mother, Yevgeniya L'vovna Mandel'shtam (L'vova), was an opera singer. At age nine he entered secondary school a year early. After moving with his parents to Moscow in 1907 he studied in the private secondary school of L.I. Polivanov—earlier graduates of the school included Valery Bry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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