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Erbar
Erbar or Erbar-Grotesk is a sans-serif typeface in the geometric style, one of the first designs of this kind released as type. Designer Jakob Erbar's aim was to design a printing type which would be free of all individual characteristics, possess thoroughly legible letter forms, and be a purely typographic creation. He concluded that this could only work if the type form was developed from a fundamental element, the circle. Erbar-Grotesk was developed in stages; Erbar wrote that he had originally sketched out the design in 1914 but had been prevented from working on it due to the war. The original version of Erbar was released in 1926, following Erbar's "Phosphor" titling capitals of 1922 which are very similar in design. The typeface first explored Bauhaus geometric letterforms with centered text and compact layouts. Under Jakob Erbar's influence, it then evolved to look similar to Bauhaus principles and asymmetrical design of New Typography. Font ''Erbar'' was originally cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jakob Erbar
Jakob Erbar (8 February 1878 – 7 January 1935) was a German professor of graphic design and a type designer. Erbar trained as a typesetter for the Dumont-Schauberg Printing Works before studying under Fritz Helmut Ehmcke and Anna Simons. Erbar went on to teach in 1908 at the ''Städtischen Berufsschule'' and from 1919 to his death at the ''Kölner Werkschulen, Kölner Werkschule''. His seminal ''Erbar (typeface), Erbar series'' was one of the first Sans-serif#Classification, geometric sans-serif typefaces, predating both Paul Renner, Paul Renner's ''Futura (typeface), Futura'' and Rudolf Koch, Rudolf Koch's ''Kabel (typeface), Kabel'' by some five years. Typefaces Foundry types produced by Jakob Erbar:Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. ''The Encyclopedia of Type Faces.'' Blandford Press Lts.: 1953, 1983, , p. 2408-249 External linksFont Designer - Jakob Erbar [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig & Mayer
Ludwig & Mayer was a German type foundry in Frankfurt am Main, Germany. Many important designers worked for the Ludwig and Mayer type foundry, including Heinrich Jost, Karlgeorg Hoefer, Helmut Matheis, and most notably Jakob Erbar, whose '' Erbar Book'' was one of the first geometric sans-serif typefaces, predating both Paul Renner's Futura and Rudolf Koch's Kabel by some five years. Starting in 1925, Ludwig & Mayer types were distributed in the United States by Continental Type Founders Association. When the foundry ceased operations in 1984, rights to the typefaces was transmitted to the Neufville Typefoundry. Typefaces These foundry types were produced by Ludwig & Mayer:Except where noted, this list is compiled from : House Faces Designer Faces Licensed Faces The following faces were originally faces cut for line-casting by Simoncini SA. References External linksLudwig + Mayerat MyFonts MyFonts is a digital fonts distributor, based in Woburn, Massachusetts. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif (), gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and Modern typography, modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: , , , , and . Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for Display typeface, display use and less for body text. Before the term "sans-serif" became standard in English typography, a number of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futura (typeface)
Futura is a Sans-serif#Classification, geometric sans-serif typeface designed by Paul Renner and released in 1927. Designed as a contribution on the New Frankfurt-project, it is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period. It was developed as a typeface by Bauersche Gießerei, in competition with Ludwig & Mayer's seminal Erbar typeface. Although Renner was not associated with the Bauhaus, he shared many of its idioms and believed that a modern typeface should express modern models, rather than be a revival of a previous design. Renner's design rejected the approach of most previous sans-serif designs (now often called Sans-serif#Grotesque, grotesques), which were based on the models of signpainting, condensed lettering and nineteenth-century serif typefaces, in favour of simple geometric forms: near-perfect circles, triangles and squares. It is based on strokes of near-even weight, which are low in contrast. The low ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continental Type Founders Association
Continental Type Founders Association was founded by Melbert Brinckerhoff Cary Jr. in 1925 to distribute foundry type imported from European foundries. The influence of more modern European type design was thus felt in the United States for the first time, and American foundries responded by imitating many of the more popular faces. A.T.F.'s ''Paramount'' and Monotype's ''Sans Serif'' series are two examples of this. Foundries represented The following foundries were represented:''Specimen Book of Continental Types,'' Continental Type Founders Association, N.Y.C., 1929. Beginning in 1927 Continental also distributed faces cast by Frederic Goudy Frederic William Goudy ( ; March 8, 1865 – May 11, 1947) was an American printer, artist and type designer whose typefaces include Copperplate Gothic, Goudy Old Style and Kennerley. He was one of the most prolific of American type designers ..., and two faces for Doug McMurtrie. At first Goudy's type was cast at his own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabel (typeface)
Kabel is a geometric sans-serif typeface designed by Rudolf Koch and released by the Klingspor foundry in 1927. Kabel belongs to the "geometric" style of sans-serifs, which was becoming popular in Germany during its creation. Based loosely on the structure of the circle and straight lines, it nonetheless applies a number of unusual design decisions, such as a delicately-low x-height (although larger in the bold weight), a tilted 'e' and irregularly-angled terminals, to add delicacy and an irregularity that suggests stylish calligraphy of which Koch was an expert. A variety of rereleases and digitisations have been created. Design Kabel shows influence from Expressionism as much as from Modernism, and may be considered as a monoline sans-serif companion of Koch's Koch-Antiqua, sharing many of its character shapes and proportions. This is visible in its low x-height and its two-storey 'g' with a large, partly open lower loop, similar to William Morris's Troy Type, and its 'e' wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neuland
Neuland is a German typeface that was designed in 1923 by Rudolf Koch for the Klingspor Type Foundry. Koch designed it by directly carving each size of each letter into metal. The original typeface thus had a different appearance in each of its sizes, something not followed in digital versions where the same font serves for every print size. While originally intended as a form of modern blackletter, Neuland has come instead to be used as a signifier of the "exotic" or "primitive", such as in the logos for Trader Vic's, Natural American Spirit cigarettes, promotional materials for ''The Lion King'', and the ''Jurassic Park'' films (which use the "inline" variant, so named because each letter has a thin line inside); the association of this "exotic" or "primitive" implication with African or African-American themes has been criticized. Neuland Inline is a common variant of Neuland, perhaps more common than the standard variety. Monotype licensed Neuland under the name of 'Othell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variable Font
A variable font (VF) is a font file that is able to store a continuous range of design variants. An entire typeface (font family) can be stored in such a file, with an infinite number of fonts available to be sampled. The variable font technology originated in Apple's TrueType GX font variations. The technology was adapted to OpenType as OpenType variable fonts (OTVF) in version 1.8 of the OpenType specification. The technology was announced by Adobe, Apple, Google, and Microsoft in September 2016. Making such a feature standardized in OpenType paved the way for support in many software platforms. Variable fonts should not be confused with variable-width fonts. A variable font may be either variable-width or fixed-width. Technology OpenType variable fonts are an adaptation of Apple's TrueType GX font variations to OpenType, with integration into key aspects of the OpenType format including OpenType Layout tables and both TrueType and CFF glyph outline formats. It also su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geometric Sans-serif Typefaces
Geometry (; ) is a branch of mathematics concerned with properties of space such as the distance, shape, size, and relative position of figures. Geometry is, along with arithmetic, one of the oldest branches of mathematics. A mathematician who works in the field of geometry is called a '' geometer''. Until the 19th century, geometry was almost exclusively devoted to Euclidean geometry, which includes the notions of point, line, plane, distance, angle, surface, and curve, as fundamental concepts. Originally developed to model the physical world, geometry has applications in almost all sciences, and also in art, architecture, and other activities that are related to graphics. Geometry also has applications in areas of mathematics that are apparently unrelated. For example, methods of algebraic geometry are fundamental in Wiles's proof of Fermat's Last Theorem, a problem that was stated in terms of elementary arithmetic, and remained unsolved for several centuries. During t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typefaces And Fonts Introduced In 1926
A typeface (or font family) is a design of Letter (alphabet), letters, Numerical digit, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size (e.g., 24 point), weight (e.g., light, bold), slope (e.g., italic), width (e.g., condensed), and so on. Each of these variations of the typeface is a font. There are list of typefaces, thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called type design. Designers of typefaces are called type designers and are often employed by type foundry, type foundries. In desktop publishing, type designers are sometimes also called "font developers" or "font designers" (a typographer is someone who ''uses'' typefaces to design a page layout). Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandra Korolkova
Alexandra Korolkova () (born 1984) is a Russian typeface designer. She was awarded the infrequently presented Prix Charles Peignot in 2013 by the Association Typographique Internationale, becoming the first Russian prizewinner. Korolkova's best-known work is probably the PT Fonts project, a partly open-source project commissioned by the Russian Ministry of Communications as a single family able to support all the common variations of the Cyrillic script. Korolkova works for the company ParaType and studied at the Moscow State University of Printing Arts. She is the author of the book ''Living Typography'' () and has also given lectures on Cyrillic letter structure. She has also designed the typeface FF Carina for FontShop FontShop International was an international manufacturer of digital typefaces (fonts), based in Berlin. It was one of the largest digital type foundries. The ''FontFont'' library of fonts contains designs by 160 type designers, among them renow .... Refere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
