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Elizabeth Poole (singer)
Elizabeth Poole (1820–1906), was a British opera and concert soprano singer and actress of the 19th century. Biography Elizabeth Poole was born on 5 April 1820 in Adam Street, Marylebone, London. She was the youngest daughter of John Lidbury Poole, the architect in charge of construction of the Royal Mint. Her mother (also Elizabeth) died when she was six, and she received her early musical education from an elder sister. Her first stage appearance was at the Olympic Theatre pantomime on Boxing Day 1827, emerging from an oyster-shell to sing ''‘Oysters, Sir’'', to music by Rossini. Apprenticed in 1829 to the chorus master at Drury Lane, she enjoyed fame as a child prodigy and actress in London and Brighton. She played principal boy in Covent Garden pantomimes during the 1830s, and from 1836 began to appear in opera, beginning with Auber's '' The Bronze Horse'' at Drury Lane, where she also played a supporting role to Malibran in the premiere of Balfe's ''The Maid of Artoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Park Theatre (Brooklyn)
The Park Theatre was a playhouse in Brooklyn, New York City New York, often called New York City or NYC, is the most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the most densely populated major city in the U ..., located on 381–383 Fulton Street. Built in 1860 and opened in 1863, the Park Theatre was the oldest playhouse in Brooklyn until it was destroyed by fire on November 12, 1908. References 1860 establishments in New York (state) 1860s in New York City 1908 disestablishments in New York (state) 1908 in New York City 19th century in Brooklyn 1908 fires in the United States Buildings and structures demolished in 1908 Burned buildings and structures in the United States Demolished theatres in New York City Demolished buildings and structures in Brooklyn Theatres completed in 1860 Theatres in Brooklyn {{Brooklyn-struct-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bohemian Girl
''The Bohemian Girl'' is an Irish Romantic opera composed by Michael William Balfe with a libretto by Alfred Bunn. The plot is loosely based on a Miguel de Cervantes' tale, ''La Gitanilla''. The best-known aria from the piece is " I Dreamt I Dwelt in Marble Halls" in which the main character, Arline, describes her vague memories of her childhood. It has been recorded by many artists, most famously by Dame Joan Sutherland, and also by the Norwegian soprano Sissel Kyrkjebø and Irish singer Enya. Performance history The opera was first produced in London at the Drury Lane Theatre on 27 November 1843. The production ran for more than 100 nights and enjoyed many revivals worldwide including: New York City (25 November 1844), Dublin (1844) and Philadelphia (1844).Loewenberg, columns 832-833. Loewenberg's listing of a production in Madrid on 9 April 1845 in an Italian translation by R. Paderni is evidently incorrect. No such performance can be traced, and D'Erme (see Sources) demo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maritana
''Maritana'' is a three-act opera including both spoken dialogue and some recitatives, composed by William Vincent Wallace, with a libretto by Edward Fitzball (1792–1873). The opera is based on the 1844 French play ''Don César de Bazan'' by Adolphe d'Ennery and Philippe François Pinel ( Dumanoir), which was also the source material for Jules Massenet's opéra comique '' Don César de Bazan'' (the character of Don César de Bazan first appeared in Victor Hugo's ''Ruy Blas''). The opera premiered at the Theatre Royal, Drury Lane on 15 November 1845. The first of six operas by Wallace, the work is often cited as an inspiration for a plot device in Gilbert and Sullivan's comic opera ''The Yeomen of the Guard'' in which a man weds a woman while awaiting execution in prison, escapes and, while he is disguised, the couple fall in love. Performance history ''Maritana'' was first produced at the Theatre Royal, Drury Lane under Alfred Bunn's management on 15 November 1845, conducte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Vincent Wallace
William Vincent Wallace (11 March 1812 – 12 October 1865) was an Irish composer and pianist. In his day, he was famous on three continents as a double virtuoso on violin and piano. Nowadays, he is mainly remembered as an opera composer of note, with key works such as ''Maritana'' (1845) and ''Lurline (opera), Lurline'' (1847/60), but he also wrote a large amount of piano music (including some virtuoso pieces) that was much in vogue in the 19th century. His more modest output of songs and ballads, equally wide-ranging in style and difficulty, was also popular in his day, some numbers being associated with famous singers of the time. Early life Wallace was born at Colbeck Street, Waterford, Ireland. Both of his parents were Irish; his father, Spencer Wallace of County Mayo, one of four children, who was born in Killala, County Mayo in 1789, became a regimental bandmaster with the North Mayo Militia based in Ballina, County Mayo, Ballina. William was born while the regiment wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breeches Role
A breeches role (also pants role or trouser role, or Hosenrolle) is one in which an actress appears in male clothing. Breeches, tight-fitting knee-length pants, were the standard male garment at the time these roles were introduced. The theatrical term '' travesti'' covers both this sort of cross-dressing and also that of male actors dressing as female characters. Both are part of the long history of cross-dressing in music and opera and later in film and television. In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a mezzo-soprano or contralto. Budden J., "Breeches part" in: '' The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. The operatic concept assumes that the character is male, and the audience accepts him as such, even knowing that the actor is not. Cross-dressing female characters (e.g., Leonore in ''Fidelio'' or Gilda in Act ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Phillips (singer)
Henry Phillips (1801–1876) was an English singer, who took on operatic roles in the 1820s and 1830s. Life The son of Richard Phillips, an actor, he was born in Bristol on 13 August 1801. At age eight he appeared as a boy singer at Harrogate Theatre, and soon afterwards was engaged to sing soprano parts, first at the Haymarket Theatre, and then at Drury Lane Theatre. Phillips became a pupil of Mr Broadhurst, and began his career as a bass at Covent Garden in Henry Rowley Bishop's ''Law of Java''. At this time he was baritone, occasionally singing as a bass. His voice was weak, and he moved to Bath. He returned to London in 1823, studied under Sir George Smart, and was engaged by Charles Kemble to sing in Thomas Arne's '' Artaxerxes''; but was a failure in it. In 1824, however, Phillips sang Caspar in a production of ''Der Freischütz'', with success, and his reputation rose. He participated in provincial musical festivals, and had much theatre and concert work. In 1825 he beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Braham (tenor)
John Braham ( – 17 February 1856) was an English tenor opera singer born in London. His long career led him to become one of Europe's leading opera stars. He also wrote a number of songs, of minor importance, although " The Death of Nelson" is still remembered. His success, and that of his offspring in marrying into the British aristocracy, are also notable examples of Jewish social mobility in the early 19th century. Origins Braham's precise origins are uncertain. The favoured (but specious) present account in contemporary sources of reference is that he was possibly a son of John Abraham or Abrahams, who was possibly an operative at the Drury Lane Theatre who died in 1779 and his wife, who may have been Esther, who may have been a sister of the hazzan at the Great Synagogue of London, Myer Lyon. Braham has also been held to be related to various other London musicians with the surname of Abrahams. There is however no documentary evidence for any of these supposed connections. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Rainforth
Elizabeth Rainforth (1814–1877), was a British soprano opera and concert singer, and music arranger of the 19th century. Biography Elizabeth Rainforth was born in November 1814. She was the daughter of Sampson Rainforth, a custom-house officer, and she became a pupil of Tom Cooke, Domenico Crivelli, and George Perry, and subsequently, for dramatic action, of Mrs. Davison. She first sang in public at the vocal concerts, 29 February 1836, when she sang an aria from ''Der Freischütz''. Her success was so pronounced as to lead to an immediate engagement for the succeeding concert in March. On 27 October in the same year Miss Rainforth made her stage début as Mandane in Thomas Arne's ''Artaxerxes'' at the St James's Theatre, and for many seasons she was a popular dramatic singer at this theatre, the English Opera House, Covent Garden, and Drury Lane. At the same time her services as a concert-singer were in great demand. In 1837 she appeared in oratorio under the auspices of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exeter Hall
Exeter Hall was a large public meeting place on the north side of the Strand in central London, opposite where the Savoy Hotel now stands. From 1831 until 1907 Exeter Hall was the venue for many great gatherings by promoters of human betterment, most notably the anti-slavery movement. History London in the 19th century was the most populous city in the world, and yet its indoor meeting places were inadequate. The largest, the Freemasons' Hall, could only fit about 1600 people, so a consortium decided that it was time to build a larger venue. Exeter Hall was erected between 1829 and 1831 to designs by John Peter Gandy, the brother of the visionary architect Joseph Michael Gandy. The hall was built on the site of Exeter Exchange, which had been famous for its menagerie of wild animals; prior to the Exeter 'Change, as it was known, the site had been occupied since the 16th century by part of Exeter House (formerly Burghley House and Cecil House), the London residence of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus as the Messiah called Christ. The text begins in Part I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred Harmonic Society
The Sacred Harmonic Society (1832-1888) was an amateur musical organization of London. It was organized for the weekly practice of sacred music and the performance of oratorios and other sacred music. Performances It was noted for its performances of Handel's work at the Handel festivals held at The Crystal Palace of London beginning in 1857. As many as 3,000 singers were frequently assembled with an orchestra of 500 pieces. It performed the London premier of Mendelssohn's ''Elijah'' in 1847. Locations Its initial home was Gate Chapel in Lincoln's Inn Fields. In 1836 it moved to Exeter Hall. In 1882, the Society lost the use of Exeter Hall and disbanded. Conductors When the Society was founded, George Perry was chosen leader of the band. At the Society's first concert, on January 15, 1833, the program contained a selection from his oratorios ''The Fall of Jerusalem'' and ''The Death of Abel''. Perry assiduously supported the Society during the 16 years he was connected with it. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
