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El Grillo (song)
''El Grillo'' (''The Cricket'') is a frottola by Josquin des Prez. Possibly written in the late 15th to early 16th century, it is regarded as one of Josquin's most popular works. History Published in the early sixteenth century, ''El Grillo'' is attributed to an "Iosquin Dascanio", traditionally identified as Franco-Flemish composer Josquin des Prez. Several scholars have posited that Josquin wrote the song to either honour or make fun of his colleague at the House of Sforza, an Italian court singer named Carlo Grillo. This would have to have been no earlier than the 1490s. The ''Frottole libro tertio'', published by Ottaviano Petrucci in 1505, is the only contemporaneous source of ''El Grillo''. It received considerably little attention from modern musicologists until 1931, when it was included in ''Geschichte der Musik in Beispielen'' by Arnold Schering. Analysis The song is scored for four voices. Written from a third-person perspective, ''El Grillo'' concerns the cricket. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frottola
The frottola (; plural frottole) was the predominant type of Italian popular secular song of the late fifteenth and early sixteenth century. It was the most important and widespread predecessor to the madrigal. The peak of activity in composition of frottole was the period from 1470 to 1530, after which time the form was replaced by the madrigal. While "frottola" is a generic term, several subcategories can be recognized, as would be expected of a musical form which was used for approximately a hundred years, maintaining immense popularity for more than half of that time. Most typically, a frottola is a composition for three or four voices (more towards the end of the period), with the uppermost voice containing the melody: instrumental accompaniments may have been used. The poem usually has a rhyme scheme of ABBA for a ''ripresa'' (reprise), and a stanza of CDCDDA or CDCDDEEA, though there is much variation between subtypes of frottola. Most likely the poetic forms are des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onomatopoeia
Onomatopoeia (or rarely echoism) is a type of word, or the process of creating a word, that phonetics, phonetically imitates, resembles, or suggests the sound that it describes. Common onomatopoeias in English include animal noises such as Oink (sound), ''oink'', ''meow'', ''roar'', and ''Bird vocalization, chirp'', among other sounds such as ''Beep (sound), beep'' or ''hiccup''. Onomatopoeia can differ by language: it conforms to some extent to the broader natural language, linguistic system. Hence, the sound of a clock may be expressed variously across languages: as ' in English language, English, in Spanish language, Spanish and Italian language, Italian (see photo), in Standard Chinese, Mandarin, in Japanese language, Japanese, or in Hindi, Urdu, and Bengali language, Bengali. Etymology and terminology The word ''onomatopoeia'', with rarer spelling variants like ''onomatopeia'' and ''onomatopœia'', is an English word from the Ancient Greek language, Ancient Greek com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ''ars nova'', the music of the Trecento, Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triad (music), triadic harmony and the spread of the ''contenance angloise'' style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque music, Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410s or '20s–1497) and Josquin des Prez (late 1450s–1521), and culminating during the Counter-Reformat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 189 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gematria
In numerology, gematria (; or , plural or ) is the practice of assigning a numerical value to a name, word, or phrase by reading it as a number, or sometimes by using an alphanumeric cipher. The letters of the alphabets involved have standard numerical values, but a word can yield several values if a cipher is used. According to Aristotle (384–322 BCE), isopsephy, based on the Milesian numbering of the Greek alphabet developed in the Greek city of Miletus, was part of the Pythagorean tradition, which originated in the 6th century BCE. The first evidence of use of Hebrew letters as numbers dates to 78 BCE; gematria is still used in Jewish culture. Similar systems have been used in other languages and cultures, derived from or inspired by either Greek isopsephy or Hebrew gematria, and include Arabic abjad numerals and English gematria. The most common form of Hebrew gematria is used in the Talmud and Midrash, and elaborately by many post-Talmudic commentators. It inv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volta (literature)
The volta is a rhetorical shift or dramatic change in thought and/or emotion. Turns are seen in all types of written poetry. In the last two decades, the volta has become conventionally used as a word for this, stemming supposedly from technique specific mostly to sonnets. Volta is not, in fact, a term used by many earlier critics when they address the idea of a turn in a poem, and they usually are not discussing the sonnet form. It is a common Italian word more often used of the idea of a time or an occasion than a turnabout or swerve. Terminology The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of ''How Does a Poem Mean?'', John Ciardi speaks thus of the "fulcrum" in relation to the non-sonnet poem "O western wind" (O Western Wind/when wilt thou blow/The small rain down can rain//Christ! my love were in my arms/and I in my bed again): 'The first two lines are a cry of anguish to the western wind (in England, the wind of spring). The lam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballata
The ''ballata'' (plural: ''ballate'') is an Italian poetic form, poetic and musical form in use from the late 13th to the 15th century. It has the musical form AbbaA, with the first and last stanzas having the same texts. It is thus most similar to the France, French musical 'formes fixes, forme fixe' virelai (and not the ballade (forme fixe), ballade as the name might otherwise suggest). The first and last "A" is called a ''ripresa'', the "b" lines are ''piedi'' (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc. Unlike the virelai, the two "b" lines usually have exactly the same music and only in later ballate pick up the (formerly distinctly French) first and second (open and close) endings. The term comes from the verb ''ballare'', to dance, and the form certainly began as dance music. The ballata was one of the most prominent secular musical forms during the trecento, the period often known as the Italian ''ars nova''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that provide the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often Imitation (music), imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated Motif (music), motifs between voices. Josquin was a singer, and List of compositions by Josquin des Prez, his compositions are mainly vocal. They include mass (music), masses, motets and secular chansons. Josqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songbird
A songbird is a bird belonging to the suborder Passeri of the perching birds (Passeriformes). Another name that is sometimes seen as the scientific or vernacular name is Oscines, from Latin ''oscen'', "songbird". The Passeriformes contains 5,000 or so speciesEdwards, Scott V. and John Harshman. 2013. Passeriformes. Perching Birds, Passerine Birds. Version 06 February 2013 (under construction). http://tolweb.org/Passeriformes/15868/2013.02.06 in The Tree of Life Web Project, http://tolweb.org/ ccessed 2017/12/11 found all over the world, in which the vocal organ typically is developed in such a way as to produce a diverse and elaborate bird song. Songbirds form one of the two major lineages of extant perching birds (~4,000 species), the other being the Tyranni (~1,000 species), which are most diverse in the Neotropics and absent from many parts of the world. The Tyranni have a simpler syrinx musculature, and while their vocalizations are often just as complex and striking as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cricket (insect)
Crickets are orthopteran insects which are related to Tettigoniidae, bush crickets and more distantly, to grasshoppers. In older literature, such as Augustus Daniel Imms, Imms,Imms AD, rev. Richards OW & Davies RG (1970) ''A General Textbook of Entomology'' 9th Ed. Methuen 886 pp. "crickets" were placed at the family level (''i.e.'' Gryllidae), but contemporary authorities including Dan Otte, Otte now place them in the superfamily Grylloidea. The word has been used in combination to describe more distantly related taxa in the suborder Ensifera, such as Stenopelmatoidea, king crickets and mole crickets. Crickets have mainly cylindrically shaped bodies, round heads, and long antenna (biology), antennae. Behind the head is a smooth, robust pronotum. The abdomen ends in a pair of long Cercus, cerci; females have a long, cylindrical ovipositor. Diagnostic features include legs with 3-segmented Arthropod leg#Tarsus, tarsi; as with many Orthoptera, the hind legs have enlarged femora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
