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Dusty Fletcher
Clinton "Dusty" Fletcher (July 8, 1900 – March 15, 1954) was an African-American vaudeville performer, who was best known for the comedy routine which became a hit record in 1947, "Open the Door, Richard". Routine "Open the Door, Richard!" Born in El Dorado, Arkansas, Fletcher refined his act over at least twenty years in vaudeville before the 1940s. He would come on stage dressed in rags, acting drunk, muttering and complaining about trying to find his way home. He would then bring out a ladder, and try to set it up so he could get in through a window. Every so often he would crash sprawling on the floor while shouting "Open the Door, Richard!". Revue ''Fast and Furious'' In August and September 1931 Clinton (Dusty) Fletcher was one of 90 performers in the all Negro revue, ''Fast and Furious'', produced by Forbes Randolph. The revue was performed at the Brantd's Boulevard Theater and later at the New York Theater on Broadway. Fletcher performed in at least five numbers, ...
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Dusty Fletcher
Clinton "Dusty" Fletcher (July 8, 1900 – March 15, 1954) was an African-American vaudeville performer, who was best known for the comedy routine which became a hit record in 1947, "Open the Door, Richard". Routine "Open the Door, Richard!" Born in El Dorado, Arkansas, Fletcher refined his act over at least twenty years in vaudeville before the 1940s. He would come on stage dressed in rags, acting drunk, muttering and complaining about trying to find his way home. He would then bring out a ladder, and try to set it up so he could get in through a window. Every so often he would crash sprawling on the floor while shouting "Open the Door, Richard!". Revue ''Fast and Furious'' In August and September 1931 Clinton (Dusty) Fletcher was one of 90 performers in the all Negro revue, ''Fast and Furious'', produced by Forbes Randolph. The revue was performed at the Brantd's Boulevard Theater and later at the New York Theater on Broadway. Fletcher performed in at least five numbers, ...
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Pigmeat Markham
Dewey "Pigmeat" Markham (April 18, 1904 – December 13, 1981) was an American entertainer. Though best known as a comedian, Markham was also a singer, dancer, and actor. His nickname came from a stage routine, in which he declared himself to be "Sweet Poppa Pigmeat". He was sometimes credited in films as Pigmeat "Alamo" Markham. Early life and career He was born in the community of Hayti, Durham, North Carolina. His family was the most prominent on their street, which came to be called (and later officially named) Markham Street in the Hayti District. Markham began his career in traveling music and burlesque shows. For a time he was a member of Bessie Smith's Traveling Revue in the 1920s. Later, he claimed he originated the ''Truckin' ''dance which became nationally popular at the start of the 1930s. In the 1940s he started making film appearances. In 1946 he recorded " Open the Door, Richard". Markham was a familiar act at New York's famed Apollo Theater where he wore black ...
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1954 Deaths
Events January * January 1 – The Soviet Union ceases to demand war reparations from West Germany. * January 3 – The Italian broadcaster RAI officially begins transmitting. * January 7 – Georgetown-IBM experiment: The first public demonstration of a machine translation system is held in New York, at the head office of IBM. * January 10 – BOAC Flight 781, a de Havilland Comet jet plane, disintegrates in mid-air due to metal fatigue, and crashes in the Mediterranean near Elba; all 35 people on board are killed. * January 12 – Avalanches in Austria kill more than 200. * January 15 – Mau Mau leader Waruhiu Itote is captured in Kenya. * January 17 – In Yugoslavia, Milovan Đilas, one of the leading members of the League of Communists of Yugoslavia, is relieved of his duties. * January 20 – The US-based National Negro Network is established, with 46 member radio stations. * January 21 – The first nuclear- ...
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1900 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * '' Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by S ...
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Killer Diller (1948 Film)
''Killer Diller'' is a 1948 American musical comedy race film directed by Josh Binney and released by All American. Academic and comedienne Eddie Tafoya wrote that "''Killer Diller'' is really more concerned with showcasing black talent appearing at Harlem's legendary Apollo Theater than it is with providing audiences with a satisfying story." The movie features The Clark Brothers (tap dancers), Nat King Cole, Moms Mabley, Dusty Fletcher, Butterfly McQueen, the Andy Kirk Orchestra and the Four Congaroos (dancing the Lindy Hop). René J. Hall was the film’s arranger. Plot Dusty Fletcher plays a comic, tap dancer and bad magician. While practicing his routine for that evening's variety show, he accidentally vanishes Lola, the girlfriend of the show's manager, Baltimore Dumdone. She was wearing a thousand-dollar string of pearls and it seems most likely that criminality is afoot. Dusty's slapstick antics take up a large portion of the film's first act, with some Keystone C ...
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Boarding House Blues
''Boarding House Blues'' is a 1948 American race film directed by Josh Binney which featured the first starring film role by Moms Mabley. It was the penultimate feature film of All-American News, a company that made newsreels for black Americans. Premise Mom ( Moms Mabley) runs a boarding house for struggling entertainers,''On the Real Side: A History of African American Comedy'' by Mel Watkins, Chicago Review Press, 1999. similar to the situation decades earlier when Mabley had lived in a boarding house for black entertainers in Buffalo, New York.''Icons of African American Comedy'' by Eddie Tafoya, ABC-CLIO, 2011, page 20. When the boarding house is threatened with closure and all the tenants evicted due to non-payments, everyone gets together to put on a show to raise the money needed to save Mom and their home. The plot functions as a showcase for performance and comedy sketches and in the end enough money is raised to fend off the landlord. Legacy The film was the fi ...
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Hi-De-Ho (1947 Film)
''Hi De Ho'' (also known as ''Hi-De-Ho'') is a 1947 American musical race film directed by Josh Binney. Distributed by All American Entertainment, the film stars an all African American cast, led by Cab Calloway. It first showed at the Squire Theatre in New York, and would be shown in the more than 500 African-American theaters in the US. Plot Cab Calloway, an up and coming jazz musician is putting together a band, he was looking forward to making it big as the bandleader. His girlfriend Minnie, was upset that Cab has retained the services of a female band manager to help him promote his band and get his first big break. His band manager gets him a chance to audition his jazz octet before the local owner of the new club, which he then signs the big band for its opening. Minnie becomes suspicious and jealous that Nettie, as Cab's new female band manager, is doing good things for Cab and is winning points with him. When Cab auditions with his octet, the new club owner is impresse ...
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Cotton Club
The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923–1936), then briefly in the midtown Theater District (1936–1940).Elizabeth Winter"Cotton Club of Harlem (1923- )" Black Past (retrieved September 9, 2014). The club operated during the United States' era of Prohibition and Jim Crow era racial segregation. Black people initially could not patronize the Cotton Club, but the venue featured many of the most popular black entertainers of the era, including musicians Fletcher Henderson, Duke Ellington, Jimmie Lunceford, Chick Webb, Louis Armstrong, Count Basie, Fats Waller, Willie Bryant; vocalists Adelaide Hall,Iain Cameron Williams, Chapter 15, ''Underneath A Harlem Moon: The Harlem to Paris Years of Adelaide Hall'', Continuum, 2002. Ethel Waters, Cab Calloway, Bessie Smith, Aida Ward, Avon Long, the Dandridge Sisters, the Will Vodery Choir, The Mills Brothers, Nina Mae McKinney, Billie Holiday, Lena Horne, ...
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Rowan & Martin's Laugh-In
''Rowan & Martin's Laugh-In'' (often simply referred to as ''Laugh-In'') is an American sketch comedy television program that ran for 140 episodes from January 22, 1968, to March 12, 1973, on the NBC television network, hosted by comedians Dan Rowan and Dick Martin. It originally aired as a one-time special on September 9, 1967, and was such a success that it was brought back as a series, replacing '' The Man from U.N.C.L.E.'' on Mondays at 8 pm (ET). It quickly became the most popular television show in the United States. The title of the show was a play on the 1960s hippie culture "love-ins" or the counterculture " be-ins", terms derived from the " sit-ins" common in protests associated with civil rights and antiwar demonstrations of the time. In 2002, ''Rowan & Martin's Laugh-In'' was ranked number 42 on ''TV Guide's'' 50 Greatest TV Shows of All Time. ''Laugh-In'' had its roots in the humor of vaudeville and burlesque, but its most direct influences were Olsen and Jo ...
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Apollo Theatre
The Apollo Theatre is a Grade II listed West End theatre, on Shaftesbury Avenue in the City of Westminster, in central London.English Heritage listing
accessed 28 April 2007
Designed by the architect for owner , it became the fourth legitimate theatre to be constructed on the street when it opened its doors on 21 February 1901, with the American musical comedy ''< ...
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National Association For The Advancement Of Colored People
The National Association for the Advancement of Colored People (NAACP) is a civil rights organization in the United States, formed in 1909 as an interracial endeavor to advance justice for African Americans by a group including W. E. B. Du Bois, Mary White Ovington, Moorfield Storey and Ida B. Wells. Leaders of the organization included Thurgood Marshall and Roy Wilkins. Its mission in the 21st century is "to ensure the political, educational, social, and economic equality of rights of all persons and to eliminate race-based discrimination". National NAACP initiatives include political lobbying, publicity efforts and litigation strategies developed by its legal team. The group enlarged its mission in the late 20th century by considering issues such as police misconduct, the status of black foreign refugees and questions of economic development. Its name, retained in accordance with tradition, uses the once common term ''colored people,'' referring to tho ...
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Blackface
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practic ...
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