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Duomo Vecchio, Brescia
The Duomo Vecchio or Old Cathedral (also called "La Rotonda" because of its round layout) is a Roman Catholic church in Brescia, Italy; the rustic circular Romanesque co-cathedral stands next to the Duomo Nuovo (New Cathedral) of Brescia. It is officially known as the ''Winter Co-Cathedral of Santa Maria Assunta'', while the adjacent main cathedral is known as the ''Summer Cathedral''. It is one of the most important examples of Romanesque round church in Italy. While some claims for an earlier construction exist, the earliest documents state that construction of the cathedral started about 1100 on the site of a prior church with a basilica layout. It has a circular shape that became rare after the Council of Trent, and is one of the most prominent round churches of the period still remaining. There are 13th century frescoes on the interior walls, and a large canvas by Francesco Maffei showing the church with a bell tower, which has since collapsed. In the 19th century, ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duomo Vecchio Facciata Brescia
''Duomo'' (, ) is an Italian term for a church with the features of, or having been built to serve as, a cathedral, whether or not it currently plays this role. Monza Cathedral, for example, has never been a diocesan seat and is by definition not a cathedral. On the other hand, the city of Trevi no longer has a bishop, although it once did, and the erstwhile cathedral of Emilianus of Trevi is now a mere church. By contradistinction, the Italian word for a cathedral '' sensu stricto'' is ''cattedrale''. There is no direct translation of "duomo" into English, leading to many such churches being erroneously called "cathedral" in English, regardless of whether the church in question hosts a bishop. Many people refer to particular churches simply as ''il Duomo'', the ''Duomo'', without regard to the full proper name of the church. Similar words exist in other European languages: ''Dom'' (German), ''dom'' (Romanian), ''dóm'' ( Hungarian and Slovak), ''dôme'' ( French), ''domo'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Churches In Brescia
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music *Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμα ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Roman Catholic Church Buildings In Italy
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Medieval Arabic And Western European Domes
The early domes of the Middle Ages, particularly in those areas recently under Byzantine control, were an extension of earlier Roman architecture. The domed church architecture of Italy from the sixth to the eighth centuries followed that of the Byzantine provinces and, although this influence diminishes under Charlemagne, it continued on in Venice, Southern Italy, and Sicily. Charlemagne's Palatine Chapel, Aachen, Palatine Chapel is a notable exception, being influenced by Byzantine models from Ravenna and Constantinople. The Dome of the Rock, an Umayyad Caliphate, Umayyad Muslim religious shrine built in Jerusalem, was designed similarly to nearby Byzantine Martyrium (architecture), martyria and Christian churches. Domes were also built as part of Muslim palaces, throne halls, pavilions, and baths, and blended elements of both Byzantine and Iranian architecture, Persian architecture, using both pendentives and squinches. The origin of the Dome#Crossed-arch dome, crossed-arch dome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerolamo Romanino
Girolamo Romani, known as Romanino (c. 1485 - c. 1566), was an Italian High Renaissance painter active in the Veneto and Lombardy, near Brescia. His long career brought forth several different styles. Biography Romani was born in Brescia. His early training and life are not well documented. A Quattrocento-esque ''Pietà'', painted for the church of ''San Lorenzo'' of Brescia, dated from 1510, is exhibited in the Accademia. He took up residence in Venice in his twenties, at the latest by 1513. He was commissioned to complete a ''Madonna enthroned with four saints'' for the church of Santa Giustina in Padua in 1513. The coloration of the painting is of Venetian style, but the duller visages in bejeweled setting recalls styles of previous generations. He completed series of frescoes for Niccolò Orsini's Palace in Ghedi and an altarpiece for San Francesco, Brescia. Romanino completed four frescoes in the nave of the cathedral of Cremona in 1519-1520 depicting stories of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moretto Da Brescia
Alessandro Bonvicino (also Buonvicino) (possibly 22 December 1554), more commonly known as Moretto, or in Italian Il Moretto da Brescia (the Moor of Brescia), was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive. He also painted a few portraits, but these are more influential. A full-length '' Portrait of a Man'' in the National Gallery, London, dated 1526, seems to be the earliest Italian independent portrait at full length, all the more unexpected as the subject, though clearly a wealthy nobleman, shows no sign of being from a princely r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarcophagus
A sarcophagus (plural sarcophagi or sarcophaguses) is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek σάρξ ' meaning "flesh", and φαγεῖν ' meaning "to eat"; hence ''sarcophagus'' means "flesh-eating", from the phrase ''lithos sarkophagos'' ( λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. History of the sarcophagus Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 B.C. The Hagia Triada sarcophagus is a stone sarcophagus elaborately painted in fresco; one style of later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatified
Beatification (from Latin ''beatus'', "blessed" and ''facere'', "to make”) is a recognition accorded by the Catholic Church of a deceased person's entrance into Heaven and capacity to intercede on behalf of individuals who pray in their name. ''Beati'' is the plural form, referring to those who have undergone the process of beatification; they possess the title of "Blessed" (abbreviation "Bl.") before their names and are often referred to in English as "a Blessed" or, plurally, "Blesseds". History Local bishops had the power of beatifying until 1634, when Pope Urban VIII, in the apostolic constitution ''Cœlestis Jerusalem'' of 6 July, reserved the power of beatifying to the Holy See. Since the reforms of 1983, as a rule, one miracle must be confirmed to have taken place through the intercession of the person to be beatified. Miracles are almost always unexplainable medical healings, and are scientifically investigated by commissions comprising physicians and theologia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philastrius
Philastrius (also Philaster or Filaster) Bishop of Brescia, was one of the bishops present at a synod held in Aquileia in 381. Augustine of Hippo met him at Milan about 383, or perhaps a little later (St. Augustine, ''Ep.'' ccxxii). He composed a catalogue of heresies (''Diversarum Hereseon Liber'') about 384. He died before 397. Among the writings of Gaudentius of Brescia was a sermon purporting to be preached on the fourteenth anniversary of Philastrius's death. According to this sermon, Philastrius's life began with a great act of renunciation, for which he might fitly be compared to Abraham. Later he was ordained priest, and travelled over nearly the whole Roman world ''(circumambiens Universum pene ambitum Romani Orbis''), preaching against pagans, Jews, and heretics, especially the Arians. Like Paul of Tarsus he carried in his body the "stigmata" of Christ, having been scourged for his zeal against the last-named heretics. In Milan he was a great pillar of the Catholic par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Maffei
Francesco Maffei (1605 – 2 July 1660) was an Italian painter, active in the Baroque style. Biography He probably trained in his birthplace of Vicenza with his father, and painted mostly in the towns of the Veneto (Venetian mainland). He died in Padua. He is noted for his somewhat provincial stylistic quirks, combining the decorative manner of baroque with visual distortions and nervous brush strokes. His figures often glimmer with imprecise borders; a style which would characterize also the ''pittura de tocco e di macchia'' (painting of touch and dots) of the following decades and century. Representatives of this manner came from diverse regions of Europe, and worked in diverse styles, including Ricci, Carpioni, Magnasco, and later Francesco Guardi. The canvases are often crowded with people and vigorous action (see ''War against the Fallen Angels'' at the Galleria Brera in Milan). He is known for paintings in ''Ca Rezzonico'' in Venice, the ''Palazzo del Podesta'' in V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Council Of Trent
The Council of Trent ( la, Concilium Tridentinum), held between 1545 and 1563 in Trent (or Trento), now in northern Italy, was the 19th ecumenical council of the Catholic Church. Prompted by the Protestant Reformation, it has been described as the embodiment of the Counter-Reformation."Trent, Council of" in Cross, F. L. (ed.) ''The Oxford Dictionary of the Christian Church'', Oxford University Press, 2005 (). The Council issued condemnations of what it defined to be heresies committed by proponents of Protestantism, and also issued key statements and clarifications of the Church's doctrine and teachings, including scripture, the biblical canon, sacred tradition, original sin, justification, salvation, the sacraments, the Mass, and the veneration of saints.Wetterau, Bruce. ''World History''. New York: Henry Holt and Company, 1994. The Council met for twenty-five sessions between 13 December 1545 and 4 December 1563. Pope Paul III, who convoked the Council, oversaw the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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