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Dixit Maria
''Dixit Maria'' (Mary said o the angel is a motet for four voices by Hans Leo Hassler. It is part of his collection ''Cantiones sacrae'' published in 1591. It sets a verse from the narration of the annunciation in Latin. Hassler based a mass on the motet, ''Missa super Dixit Maria''. History Hans Leo Hassler studied in Venice with Andrea Gabrieli, and was a musician for the Fugger family in Augsburg. He composed ''Dixit Maria'' as a motet for choir a cappella, setting a verse from Luke's narration of the annunciation in Latin, specifically Mary's consent to the announcement that she would bear a son. The motet is suitable for the feast of the Annunciation. He included the motet in his 1591 collection ''Cantiones sacrae'' (Sacred songs). Hassler also composed a mass on the theme ''Dixit Maria'', the ''Missa super Dixit Maria''. Carus-Verlag included the motet in a 2013 ''Chorbuch Advent'', a choral collection for Advent. Music The motet is written for four voices, soprano, al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carus-Verlag
Carus-Verlag is a German music publisher founded in 1972 and based in Stuttgart. Carus was founded by choral conductor Günter Graulich and his wife Waltraud with an emphasis on choral repertoire. The catalogue currently includes more than 26,000 works (January 2016). The company produces the standard editions of the complete works of Josef Rheinberger and Max Reger.''Harald Wanger, Rheinberger-Archivar, Organist, Pädagoge'' Harald Wanger, Franz-Georg Rössler, Robert Allgäuer - 2003 p. 48 Carus-Verlag, Musikalische Schätze abseits bekannter Pfade - Harald Wanger und der Carus-Verlag "Für den Carus-Verlag ist die Verbindung zu Harald Wanger und dem Josef Rheinberger-Archiv ein Glücksfall." Record label The company also produces CDs to accompany some of its printed editions. Currently the publishers are working on recordings accompanying the complete editions of Wilhelm Friedemann Bach Wilhelm Friedemann Bach (22 November 17101 July 1784), the second child and eldest s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge Singers
The Cambridge Singers is an English mixed voice chamber choir formed in 1981 by their director John Rutter with the primary purpose of making recordings under their own label Collegium Records. The group initially comprised former singers from the Choir of Clare College, Cambridge, where Rutter had previously been the music director. They have been involved in the last four Fresh Aire albums (about "mankind's curiosities") of the Mannheim Steamroller band, by composer Chip Davis, but they are primarily a classical choral group. They have recorded several highly acclaimed Christmas albums, including ''Christmas Day in the Morning'', '' Christmas Night: Carols of the Nativity'', ''Christmas Star'', ''Christmas with the Cambridge Singers'', and ''The Cambridge Singers Christmas Album''. List of albums * ''Gloria'' (1983 and 2005) with Philip Jones Brass Ensemble and City of London Sinfonia * ''Fauré: Requiem and other sacred music'' (1984, 1988 and 2010) * ''Hurry to Bet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainzer Domchor
The choir Mainzer Domchor is the choir at Mainz Cathedral, of boys' and men's voices. It was founded in 1866 by the then bishop of Mainz, Wilhelm Emmanuel von Ketteler. History The choir of c. 140 voices is mainly concerned with the musical part in services at the cathedral. The singers are trained in three weekly rehearsals in the ''Chorhaus'' near the cathedral. Every year, a small group of new singers is educated to join the choir. The repertoire consists of church music by Johann Sebastian Bach, Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert and Anton Bruckner. The choir has toured several countries in concert, including Italy, France, Belgium, Switzerland, Israel, Russia, the US, Canada and Brazil. They made several recordings, representing the repertoire. Heinrich Hain was conductor to 1985, succeeded by Domkapellmeister Mathias Breitschaft to 2012, and then . Literature * Horst-Willi Groß: ''Der Mainzer Domchor.'' In: ''Musica sacra ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainz Cathedral
, native_name_lang = , image = Mainzer Dom nw.jpg , imagesize = , imagelink = , imagealt = , caption = , pushpin map = , pushpin label position = , pushpin map alt = , pushpin mapsize = , relief = , map caption = , iso region = , osgraw = , osgridref = , location = Mainz , country = Germany , denomination = Roman Catholic , previous denomination = , churchmanship = , membership = , attendance = , website = , former name = , bull date = , founded date = 975 or 976 , founder = , dedication = Martin of Tours , dedicated date = 29 August 1009 (1st time) , consecrated date = , cult = , relics = Chasuble of Willigis , events = , past bishop = Willigis , people = , status = Cathedral , functional status = Active , heritage designation = , designated date = , architect = , architectural type = , style = Romanesque (original) Gothic (chapels and bell towers)Baroque (roof) , years built = 975 - 1009 , groundbreaking ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incarnation (Christianity)
In Christian theology, the incarnation is the belief that the pre-existent divine person of Jesus Christ, God the Son, the second person of the Trinity, and the eternally begotten ''Logos'' (Koine Greek for "word"), took upon human nature and "was made flesh" by being conceived in the womb of a woman, the Virgin Mary, also known as the '' Theotokos'' (Greek for "God-bearer" or "Mother of God"). The doctrine of the incarnation then entails that Jesus was at the same time both fully God and fully human—two natures in one person. In the incarnation, as traditionally defined by those Churches that adhere to the Council of Chalcedon, the divine nature of the Son was united but not mixed with human nature in one divine person, Jesus, who was both "truly God and truly man". This is central to the traditional faith held by most Christians. Alternative views on the subject (see Ebionites and the Gospel of the Hebrews) have been proposed throughout the centuries, but all were rejected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melismas
Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. An informal term for melisma is a vocal run. The term roulade is also sometimes used interchangeably with melisma. History General The term melisma may be used to describe music of any genre, including baroque singing, opera, and later gospel Gospel originally meant the Christian message (" the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words a .... Within the tradition of Religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Nevi'im, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is oppose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imitation (music)
In music, imitation is the repetition of a melody in a polyphonic texture shortly after its first appearance in a different voice. The melody may vary through transposition, inversion, or otherwise, but retain its original character. The intervals and rhythms of an imitation may be exact or modified; imitation occurs at varying distances relative to the first occurrence, and phrases may begin with voices in imitation before they freely go their own ways. Imitation helps provide unity to a composition and is used in forms such as the fugue and canon. Definitions When a phrase recurs exactly as before (except perhaps transposed), it is called strict imitation. A round is thus an example of strict imitation. Repetition is defined as the repetition of a phrase or melody often with variations in key, rhythm, and voice. Different authors define imitation somewhat differently: The point of imitation, "marks the beginning of a series of imitative entries in a contra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canzona
The canzona is an Italian musical form derived from the Franco-Flemish and Parisian chansons, and during Giovanni Gabrieli's lifetime was frequently spelled canzona, though both earlier and later the singular was spelled either canzon or canzone with the plural canzoni. The use of canzone as the plural is sometimes found in Italian, but is not common. English (and often German) uses the form canzona, with canzonas as the plural. Background The canzona is an instrumental musical form that differs from the similar forms of ricercare and fantasia in its livelier, markedly rhythmic material and separation into distinct sections. At first based on the Franco-Flemish polyphonic songs (chansons) that gave it its name, the instrumental canzona was soon independently composed, not least by Gabrieli in his brass canzonas and by Girolamo Frescobaldi in his keyboard canzonas. As a form, the canzona would influence the fugue, and the ensemble canzonas were the direct ancestors of the 17th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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