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Die Schöne Müllerin
' (,"The Fair Maid of the Mill", Op. 25, D. 795), is a song cycle by Franz Schubert from 1823 based on 20 poems by Wilhelm Müller. It is the first of Schubert's two seminal cycles (preceding '' Winterreise'')'','' and a pinnacle of '' Lied'' repertoire. ''Die schöne Müllerin'' is performed by a pianist and a solo singer. The vocal part falls in the range of a tenor or soprano voice, but is often sung by other voices, transposed to a lower range, a precedent established by Schubert himself. Since the protagonist is a young man, performances by women's voices are less common. The piano part bears much of the expressive burden of the work, and is only seldom a mere 'accompaniment' to the singer. A typical performance lasts around sixty to seventy minutes. Composition Müller published twenty-five poems in the first fascicule (1821) of ''Sieben und siebzig Gedichten aus den nachgelassenen Papieren eines reisenden Waldhornisten'' (Seventy-seven Poems from the Posthumous Papers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Cycle
A song cycle (german: Liederkreis or Liederzyklus) is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in a sequence as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. The number of songs in a song cycle may be as brief as two songs or as long as 30 or more songs. The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of ''Koch’s Musikalisches Lexikon'', but works definable in retrospect as song cycles existed long before then. One of the earliest examples may be the set of seven Cantiga de amigo, Cantigas de amigo by the 13th-century Galicians, Galician jongleur Martin Codax. Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's ''The Briefe Discourse'' (1614) as the first of a number of early 17th Century examples in England. A song cycle is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strophic Form
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, with new music written for every stanza, and ternary form, with a contrasting central section. The term is derived from the Greek word , '' strophē'', meaning "turn". It is the simplest and most durable of musical forms, extending a piece of music by repetition of a single formal section. This may be analyzed as "A A A...". This additive method is the musical analogue of repeated stanzas in poetry or lyrics and, in fact, where the text repeats the same rhyme scheme from one stanza to the next, the song's structure also often uses either the same or very similar material from one stanza to the next. A ''modified'' strophic form varies the pattern in some stanzas (A A' A"...) somewhat like a rudimentary theme and variations. Contrasting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Through-composed
In music theory of musical form, through-composed music is a continuous, non- sectional, and non- repetitive piece of music. The term is typically used to describe songs, but can also apply to instrumental music. While most musical forms such as ternary form, (ABA), rondo form, (ABACABA), and sonata form (ABA') rely on repetition, through-composed music does not re-use material (ABCD). This constant introduction of new material is most noticeable in musical settings of poems, in contrast to the often used strophic form (AAA). Through-composed songs have different music for each stanza of the lyrics. The German word "''durchkomponiert'' " is also used to indicate this concept. Examples Musicologist James Webster defines through-composed music in the following manner: Many examples of this form can be found in Schubert's ''Lieder'', where the words of a poem are set to music and each line is different. In his lied ''Erlkönig'', in which the setting proceeds to a different musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strophic Form
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, with new music written for every stanza, and ternary form, with a contrasting central section. The term is derived from the Greek word , '' strophē'', meaning "turn". It is the simplest and most durable of musical forms, extending a piece of music by repetition of a single formal section. This may be analyzed as "A A A...". This additive method is the musical analogue of repeated stanzas in poetry or lyrics and, in fact, where the text repeats the same rhyme scheme from one stanza to the next, the song's structure also often uses either the same or very similar material from one stanza to the next. A ''modified'' strophic form varies the pattern in some stanzas (A A' A"...) somewhat like a rudimentary theme and variations. Contrasting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Wandern Ist Des Müllers Lust
"Das Wandern ist des Müllers Lust" ("To wander is the miller's delight") is the first line of a poem by Wilhelm Müller, written in 1821 with the title "Wanderschaft" as part of a collection, ''Die schöne Müllerin''. While ''wandern'' is defined as "hiking" today, it referred to the required journeyman years of craftsmen when written, in this case of a miller. The poem was set to music often, notably by Franz Schubert in 1823 titled "Das Wandern", as part of his song cycle ''Die schöne Müllerin'', and by Carl Friedrich Zöllner, who wrote a four-part setting in 1844. With his melody, the poem became a popular German and . History of the text The beginning of the poetry is based on the play ''Rose, die schöne Müllerin'', which premiered in the house of Friedrich August von Staegemann in Berlin in the fall of 1816. Inspired by Giovanni Paisiellos 1788 opera ''La molinara'', Ludwig Berger wrote the plot as a ''Liedspiel''. Berger requested more texts related to the topic, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a '' Ritter'' (knight) by Emperor Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elmar Budde
Elmar Budde (born 13 June 1935) is a German musicologist. He studied at the Universität der Künste Berlin. Training and career Born in Bochum, Budde studied piano and school music at the Hochschule für Musik Freiburg where he passed his state examination in 1961. After subsequent studies in musicology and Germanistic at the Albert-Ludwigs-Universität Freiburg, he received his doctorate in 1967 with a thesis on the early Anton Webern. In 1972 he was appointed Professor of musicology at the State University of Music and Performing Arts in Berlin (today: Berlin University of the Arts). His areas of research include the history of musical composition from the Middle Ages to the present; the music of the 19th and 20th centuries, the history of performance practice and interpretation and questions and problems of the interdisciplinary (music - painting - architecture) and finally the music of Franz Schubert Franz Peter Schubert (; 31 January 179719 November 1828) was an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau (28 May 1925 – 18 May 2012) was a German lyric baritone and conductor of classical music, one of the most famous Lieder (art song) performers of the post-war period, best known as a singer of Franz Schubert's Lieder, particularly ''"Winterreise"'' of which his recordings with accompanists Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release. Recording an array of repertoire (spanning centuries) as musicologist Alan Blyth asserted, "No singer in our time, or probably any other has managed the range and versatility of repertory achieved by Dietrich Fischer-Dieskau. Opera, Lieder and oratorio in German, Italian or English came alike to him, yet he brought to each a precision and individuality that bespoke his perceptive insights into the idiom at hand." In addition, he recorded in French, Russian, Hebrew, Latin and Hungarian. He was described as "one of the supreme vocal artists of the 20th century" and "the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Friedlaender (musicologist)
Max Friedlaender (12 October 1852, Brieg/Brzeg, Province of Silesia, Prussia – 2 May 1934, Berlin) was a German bass singer, music editor, and musicologist. He specialized in German Lieder. Life Friedlaender studied voice with well-known teachers Manuel Garcia in London and Julius Stockhausen in Frankfurt, both of the bel-canto school. From 1881 to 1883 the singer lived and worked at Frankfurt, moving to Berlin in 1883. He received a doctorate from the University of Rostock in 1894 with a dissertation on Franz Schubert and joined the music faculty at Berlin University in 1894. Friedlaender emigrated to America in 1911 where he taught at Harvard University. He succeeded Rochus von Liliencron as general editor for a ''Book of National Songs for Men's Choirs'' first proposed by Kaiser Wilhelm II in 1906. In the 1920s, Friedlaender was closely involved in the formation of the ''Deutscher Volksliedarchiv'' (German folksong archive). The Nazi regime popularized the archive's work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edition Peters
Edition Peters is a classical music publisher founded in Leipzig, Germany in 1800. History The company came into being on 1 December 1800 when the Viennese composer Franz Anton Hoffmeister (1754–1812) and the local organist Ambrosius Kühnel (1770–1813) opened a concern in Leipzig known as the "Bureau de Musique." Along with publishing, the new firm included an engraving and printing works and a retail shop for selling printed music and instruments. Among its earliest publications were collections of chamber music works by Haydn and Mozart. When Hoffmeister departed for Vienna in 1805, the firm had already issued several works by the then new Viennese composer, Ludwig van Beethoven (Opp. 19-22; 39-42). Kühnel continued publishing new works, adding those of composers Daniel Gottlob Türk, Václav Tomášek, and Louis Spohr, all of whom went on to have a long relationship with the firm. After Kühnel's death, the enterprise was sold to Carl Friedrich Peters (1779–1827), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bärenreiter
Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also has offices in Basel, London, New York and Prague. The company is currently managed by Barbara Scheuch-Vötterle and Leonhard Scheuch. Since 1951, the company's focus has been on the New Complete Editions series for various composers. These are urtext editions, and cover the entire work of the selected composer. Series include: J. S. Bach (the ''Neue Bach-Ausgabe'', a joint project with the Deutscher Verlag für Musik), Berlioz, Fauré, Gluck, Handel, Janáček, Mozart ( Neue Mozart-Ausgabe), Rossini, Saint-Saëns, Schubert (New Schubert Edition Franz Schubert (1797–1828): New Edition of the Complete Works (), commonly known as the New Schubert Edition (NSE), or, in german: Neue Schubert-Ausgabe (NSA), is a complete edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walther Dürr
Walther Dürr (27 April 1932 – 6 January 2018) was a German musicologist. He is especially known for his research of the work of Franz Schubert. From 1965 to 1997 Dürr was editor of the '' Neue Schubert-Ausgabe'', with particular responsibility for the 14 volumes of lieder."Prof. Dr. Walther Dürr" biography, photo, list of works, ''Neue Schubert-Ausgabe'' Born in Berlin, Dürr studied from 1951 musicology and German and Romance studies in Berlin and . He gained a in 1956. Further studies and teaching led him to |
