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Diadumenos
The ''Diadumenos'' ("diadem-bearer"), together with the ''Doryphoros'' (spear bearer), are two of the most famous figural types of the sculptor Polyclitus, forming a basic pattern of Ancient Greek sculpture that all present strictly idealized representations of young male athletes in a convincingly naturalistic manner. The ''Diadumenos'' is the winner of an athletic contest at a games, still nude after the contest and lifting his arms to knot the diadem, a ribbon-band that identifies the winner and which in the bronze original of about 420 BCE would have been represented by a ribbon of bronze. The figure stands in contrapposto with his weight on his right foot, his left knee slightly bent and his head inclined slightly to the right, self-contained, seeming to be lost in thought. Phidias was credited with a statue of a victor at Olympia in the act of tying the fillet around his head; besides Polyclitus, his successors Lysippos and Scopas also created figures of this kind. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diadumenos Pushkin
The ''Diadumenos'' ("diadem-bearer"), together with the ''Doryphoros'' (spear bearer), are two of the most famous figural types of the sculptor Polyclitus, forming a basic pattern of Ancient Greek sculpture that all present strictly idealized representations of young male athletes in a convincingly naturalistic manner. The ''Diadumenos'' is the winner of an athletic contest at a games, still nude after the contest and lifting his arms to knot the diadem, a ribbon-band that identifies the winner and which in the bronze original of about 420 BCE would have been represented by a ribbon of bronze. The figure stands in contrapposto with his weight on his right foot, his left knee slightly bent and his head inclined slightly to the right, self-contained, seeming to be lost in thought. Phidias was credited with a statue of a victor at Olympia in the act of tying the fillet around his head; besides Polyclitus, his successors Lysippos and Scopas also created figures of this kind. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaison Diadumenos
The Vaison Diadumenos is a life size marble statue of an athlete found at the Roman city of Vaison, southern France. Since 1870, it has been part of the British Museum's collection. Discovery The statue known as the Vaison Diadumenos was discovered in the late nineteenth century in the Roman Theatre at Vaison-La-Romaine, department of Vaucluse, southern France. It was offered for sale to the Louvre, but the national museum refused to buy it on the grounds of the exorbitant price. It was later purchased by the British Museum in 1870, where it has remained ever since. Description The sculpture is one of a series of Roman statues found across the empire that were modelled on a lost original made in bronze by the sculptor Polykleitos in about 440 BC. The Diadumenos was the winner of an athletic tournament at a games, still nude after the contest and lifting his arms to knot a ribbon-band across his head. The Vaison statue is missing his left hand and ribbon but is otherwise in goo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farnese Diadumenos
The Farnese Diadumenos is a 1st-century AD, slightly smaller than lifesize, Roman marble copy of Polyclitus's Diadumenos sculpture. Once in the Farnese collection, it is now in the British Museum.Accession number GR 1864.10-21.4 (Cat. Sculptures 501) See also * Vaison Diadumenos, also in the British Museum Notes External links Ancient Greek and Roman sculptures in the British Museum Diadumenos The ''Diadumenos'' ("diadem-bearer"), together with the ''Doryphoros'' (spear bearer), are two of the most famous figural types of the sculptor Polyclitus, forming a basic pattern of Ancient Greek sculpture that all present strictly idealized ... Roman copies of 5th-century BC Greek sculptures 1st-century Roman sculptures Archaeological discoveries in Italy {{UK-sculpture-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyclitus (sculptor)
Polykleitos ( grc, Πολύκλειτος) was an ancient Greek sculptor in bronze of the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise (a canon of body proportions), the ''Canon of Polykleitos'', setting out his mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but there are many of what are believed to be later copies in marble, mostly Roman. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' ( grc, Πολύκλειτος, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Polyklitos'' or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaison
Vaison-la-Romaine (; oc, Vaison) is a town in the Vaucluse department in the Provence-Alpes-Côte d'Azur region in southeastern France. Vaison-la-Romaine is famous for its rich Roman ruins and mediaeval town and cathedral. It is also unusual in the way the antique, mediaeval and modern towns spanning 2,000 years of history lie close together. The old town is split into two parts: the "upper city" or ''Colline du Château'' on a hill on one side of the Ouvèze, and on the opposite bank, the "lower city" centred on the ''Colline de la Villasse''. With four theatres and numerous exhibitions and galleries, Vaison-la-Romaine is also renowned for its art scene. Many writers, painters and actors live in the area. History The area was inhabited in the Bronze Age. At the end of the fourth century BC Vaison became the capital of a Celtic tribe, the Vocontii, centred on the oppidum in the upper city. The Roman Period After the Roman conquest (125-118 BC) in the wars against the Salye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaison-la-Romaine
Vaison-la-Romaine (; oc, Vaison) is a town in the Vaucluse department in the Provence-Alpes-Côte d'Azur region in southeastern France. Vaison-la-Romaine is famous for its rich Roman ruins and mediaeval town and cathedral. It is also unusual in the way the antique, mediaeval and modern towns spanning 2,000 years of history lie close together. The old town is split into two parts: the "upper city" or ''Colline du Château'' on a hill on one side of the Ouvèze, and on the opposite bank, the "lower city" centred on the ''Colline de la Villasse''. With four theatres and numerous exhibitions and galleries, Vaison-la-Romaine is also renowned for its art scene. Many writers, painters and actors live in the area. History The area was inhabited in the Bronze Age. At the end of the fourth century BC Vaison became the capital of a Celtic tribe, the Vocontii, centred on the oppidum in the upper city. The Roman Period After the Roman conquest (125-118 BC) in the wars against the Salye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doryphoros
The ''Doryphoros'' (Greek Δορυφόρος Classical Greek , "Spear-Bearer"; Latinised as ''Doryphorus'') of Polykleitos is one of the best known Greek sculptures of Classical antiquity, depicting a solidly built, muscular, standing warrior, originally bearing a spear balanced on his left shoulder. Rendered somewhat above life-size, the lost bronze original of the work would have been cast ''circa'' 440 BC, but it is today known only from later (mainly Roman period) marble copies. The work nonetheless forms an important early example of both Classical Greek ''contrapposto'' and classical realism; as such, the iconic ''Doryphoros'' proved highly influential elsewhere in ancient art. Conception The renowned Greek sculptor Polykleitos designed a sculptural work as a demonstration of his written treatise, entitled the (or 'Canon'), translated as "measure" or "rule"), exemplifying what he considered to be the perfectly harmonious and balanced proportions of the human body in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Museum
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It documents the story of human culture from its beginnings to the present.Among the national museums in London, sculpture and decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections. The British Museum was the first public national museum to cover all fields of knowledge. The museum was established in 1753, largely b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the Hellenistic period often in groups was the dominant form, though reliefs, often so "h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolf Furtwängler
Johann Michael Adolf Furtwängler (30 June 1853 – 10 October 1907) was a German archaeologist, teacher, art historian and museum director. He was the father of the conductor Wilhelm Furtwängler and grandfather of the German archaeologist Andreas Furtwängler. Early life Furtwängler was born at Freiburg im Breisgau, where his father was a classical scholar and schoolteacher; he was educated there, at Leipzig and at Munich, where he was a pupil of Heinrich Brunn, whose comparative method in art criticism he much developed. Career After studying at the university of Leipzig, with Johannes Overbeck, and having graduated from Freiburg (1874), with a dissertation, ''Eros in der Vasenmalerei'', he spent the academic years 1876-1878 supported by a scholarship at the German Archaeological Institute, studying in Italy and Greece. In 1878 he participated at Ernst Curtius’ excavations at Olympia. In 1879 he published with Georg Loeschcke ''Mykenische Thongefäβe'', a complete publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Talent (measurement)
The talent was a unit of weight that was introduced in Mesopotamia at the end of the 4th millennium BC, and was normalized at the end of the 3rd millennium during the Akkadian-Sumer phase, divided into 60 minas or 3,600 shekels. In classical antiquity, the talent ( la, talentum, from Ancient Greek: , ''talanton'' "scale, balance, sum") was the heaviest of common weight units for commercial transactions. An Attic weight talent was approximately John William Humphrey, John Peter Oleson, Andrew Neil Sherwood, ''Greek and Roman technology'', p. 487. (approximately the mass of water of an amphora), and a Babylonian talent was .Herodotus, Robin Waterfield and Carolyn Dewald, ''The Histories'' (1998), p. 593. Ancient Israel adopted the Babylonian weight talent, but later revised it.III. Measures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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