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David Hallberg
David Hallberg (born May 18, 1982) is an American classical ballet dancer. He was a principal dancer with American Ballet Theatre and resident guest artist at The Australian Ballet, as well as a principal dancer with the Bolshoi Ballet. In 2021, Hallberg became the artistic director of The Australian Ballet. Early life Hallberg was born in Rapid City, South Dakota, and grew up in Phoenix, Arizona. He was inspired to dance when he saw a Fred Astaire film in the family living room. With his family's support, he trained at the Ballet Arizona School under the direction of Kee Juan Han. In 1999 he studied for one year at the Paris Opera Ballet School, then joined American Ballet Theatre's Studio Company in 2001. Career Hallberg joined American Ballet Theatre's (ABT) ''corps de ballet'' in 2001, was promoted to soloist in 2004, then principal in 2006. He has been a guest artist with many different companies around the world, including the Mariinsky Ballet, the Paris Opera Ball ...
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David Hallberg
David Hallberg (born May 18, 1982) is an American classical ballet dancer. He was a principal dancer with American Ballet Theatre and resident guest artist at The Australian Ballet, as well as a principal dancer with the Bolshoi Ballet. In 2021, Hallberg became the artistic director of The Australian Ballet. Early life Hallberg was born in Rapid City, South Dakota, and grew up in Phoenix, Arizona. He was inspired to dance when he saw a Fred Astaire film in the family living room. With his family's support, he trained at the Ballet Arizona School under the direction of Kee Juan Han. In 1999 he studied for one year at the Paris Opera Ballet School, then joined American Ballet Theatre's Studio Company in 2001. Career Hallberg joined American Ballet Theatre's (ABT) ''corps de ballet'' in 2001, was promoted to soloist in 2004, then principal in 2006. He has been a guest artist with many different companies around the world, including the Mariinsky Ballet, the Paris Opera Ball ...
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Soloist (ballet)
In ballet, a soloist is a dancer in a ballet company above the ''corps de ballet'' but below principal dancer. Dancers at this level perform the majority of the solo and minor roles in a ballet, such as Mercutio in '' Romeo and Juliet'' or one of the Fairies in '' The Sleeping Beauty''. See also * Demi-soloist Demi-soloist can have one of two meanings in the ballet. The first is for a solo rôle normally danced by a member of the ''corps de ballet''. Such rôles are often made in pairs, that is, two corps dancers, dance together, frequently in mirror imag ... References {{Ballet Ballet occupations ...
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Dance Magazine
''Dance Magazine'' is an American trade publication for dance published by the Macfadden Communications Group. It was first published in June 1927 as ''The American Dancer''. ''Dance Magazine'' has multiple sister publications, including '' Pointe'', ''Dance Spirit'', ''Dance Teacher'', ''Dance 212'', and ''DanceU101''. ''Dance Magazine'' was owned by Macfadden Communications Group from 2001 to 2016 when it was sold to Frederic M. Seegal, an investment banker with the Peter J. Solomon Company. Description of the collection and its provenance. Editors The first editor and publisher was Ruth Eleanor Howard. Sometime in the 1930s, Paul R. Milton took over as editor. In 1942, the magazine was purchased by Rudolf Orthwine. Lydia Joel became the editor in 1952. In 1970, William Como replaced her, and he was the editor-in-chief until his death in 1989. Richard Philp was the editor-in-chief from 1989 to 1999. Janice Berman took over from Philip late in 1999. Wendy Perron Wendy Perro ...
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Natalia Osipova
Natalia Petrovna Osipova (russian: Наталья Петровна Осипова; born 18 May 1986) is a Russian ballerina, currently a principal ballerina with The Royal Ballet in London. Early life and training Born in Moscow, Osipova began formal ballet training at the age of nine at the Mikhail Lavrosky Ballet School. From 1996 to 2004, she studied at the Moscow State Academy of Choreography (The Bolshoi Ballet Academy), under the tutelage of Marina Kotova and Marina Leonova. Career At the age of 18, she joined the Bolshoi Ballet as a member of the corps de ballet. In 2005, she danced the role of Kitri in Alexei Fadeyechev's production of ''Don Quixote'' to critical acclaim and was promoted to soloist in 2006. She was named one of the 25 to Watch by ''Dance Magazine'' in 2007 and became a leading soloist in 2009. In 2010, she became a principal dancer at the Bolshoi Ballet, but resigned in 2011, citing "artistic freedom" as her reason for leaving. After leaving the Bols ...
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Ballerina
A ballet dancer ( it, ballerina fem.; ''ballerino'' masc.) is a person who practices the art of classical ballet. Both females and males can practice ballet; however, dancers have a strict hierarchy and strict gender roles. They rely on years of extensive training and proper technique to become a part of a professional ballet company. Ballet dancers are at a high risk of injury due to the demanding technique of ballet. Training and technique Ballet dancers typically begin training at an early age if they desire to perform professionally and often take part in international competitions such as YAGP and Prix de Lausanne. At these events, scholarships are being granted to the most talented dancers, enabling them to continue their training at renowned ballet schools around the world, such as the John Kranko Schule in Germany and the Académie de Danse Classique Princesse Grace in Monaco. Pre-professional ballet dancers can audition to enroll at a vocational ballet school such ...
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Artistic Director
An artistic director is the executive of an arts organization, particularly in a theatre or dance company, who handles the organization's artistic direction. They are generally a producer and director, but not in the sense of a mogul, since the organization is generally a non-profit organization. The artistic director of a theatre company is the individual with the overarching artistic control of the theatre's production choices, directorial choices, and overall artistic vision. In smaller theatres, the artistic director may be the founder of the theatre and the primary director of its plays. In larger non-profit theatres (often known in Canada and the United States as regional theatres), the artistic director may be appointed by the board of directors. Overview The artistic director of a performing dance company is similar to the musical director of an orchestra, the primary person responsible for planning a company's season. The artistic director's responsibilities can i ...
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Sergei Filin
Sergei Yurevitch Filin (russian: Серге́й Ю́рьевич Фи́лин; born 27 October 1970) is a Russian ballet dancer and the former artistic director of the Bolshoi Theater from 2011 through 2016. He is currently the Director of the Young Artists Ballet Program at the Bolshoi Theatre. Previously, he was the artistic director of the ballet at the Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre, serving in this capacity from 2008 to 2011. Ballet career Filin was born in Moscow. He started dancing at age seven at the V. Loktev's Children's Ensemble of Folk Dances. At this time, he appeared with Oleg Popov in the film ''The Sun in the Bag''. At the age of nine, he was accepted into the Moscow Choreographic Institute. In 1988, he joined the corps de ballet of the Bolshoi Ballet in Moscow. He was promoted to the rank of Premier with the Bolshoi Ballet Company in 1990. He was also a principal dancer with the State Ballet of Georgia and guest solo ...
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Dance Chronicle
''Dance Chronicle: Studies in Dance and the Related Arts'' is a triannual peer-reviewed academic journal focusing on dance. It was established in 1977 and first published in 1978 by Marcel Dekker. The founding editors-in-chief were George Dorris and Jack Anderson, who edited the journal for thirty years, until 2007. In 2003, publication of the journal was transferred to Routledge Routledge () is a British multinational publisher. It was founded in 1836 by George Routledge, and specialises in providing academic books, journals and online resources in the fields of the humanities, behavioural science, education, law .... The current co-editors are Olive Demar (Editor-in-Chief) and Kate Mattingly (Executive Editor). The journal covers a wide range of topics relating to dance, including music, theater, film, literature, painting, and aesthetics. Individual issues have been devoted to such topics as Moscow's Island of Dance, August Bournonville, and the Camargo Society. ...
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their ...
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Prix Benois De La Danse
The Benois de la Danse is a ballet competition held annually in Moscow. Founded by the International Dance Association in 1991, it takes place each year on or around April 29 and it's judged by a jury. The members of this jury change every year and it consists of only top ballet personages. Statuettes are given to the winners in the categories of lifelong achievement, ballerina, danseur, choreographer, composer and designer. The Benois de la Danse earns a cash prize of $1,000,000, as well as exceptional events occurring during the previous year on stages around the world. These include dancing roles of all kinds as well as choreographic accomplishments. History The idea for the Benois de la Danse was initiated in Moscow and the founders succeeded in obtaining the patronage of UNESCO in the autumn of 1992. Its scheduling at the end of April is meant to coincide with the birthday of the great Alexandre Benois (1870–1960) for whom it is named. French sculptor Igor Ustinov desi ...
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Teatro Colón
The Teatro Colón (Spanish: ''Columbus Theatre'') is the main opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acoustics expert Leo Beranek among leading international opera and orchestra directors, the Teatro Colón has the room with the best acoustics for opera and the second best for concerts in the world. The present Colón replaced an original theatre which opened in 1857. Towards the end of the century it became clear that a new theatre was needed and, after a 20-year process, the present theatre opened on 25 May 1908, with Giuseppe Verdi's ''Aïda''. The Teatro Colón was visited by the foremost singers and opera companies of the time, who would sometimes go on to other cities including Montevideo, Rio de Janeiro and São Paulo. After this period of huge international success, the theatre's decline became clear and plans were made for massive ren ...
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Kyiv Ballet
Kyiv National Ballet performs works of classical ballet and tours internationally. It currently has 24 ballets in its repertory, one of the largest in the world, and has had many notable dancers among its members. History 1867 to 1930 The National Opera of Ukraine, a performing arts theatre with a resident opera company, was established in 1867. It also included a small resident troupe of ballet dancers, who would perform mainly folk-style dancing during opera productions. By 1893, this grew to a troupe large enough to stage large ballets. Folk dancing and ballets with Ukrainian stories were among the early productions. During the 1910s, the dance scene in Kyiv saw a rapid development in classical ballet and contemporary dance training and performance. Mikhail Mordkin, a former soloist with the Bolshoi Ballet, travelled to Kyiv with a troupe and gave performances with Art Nouveau approaches, containing Spanish and Oriental themes. He was hired by the experimental Kyiv Young The ...
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