Dante In Hell
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Dante In Hell
''Dante in Hell'' or ''Dante, led by Virgil, Consoles the Souls of the Envious'' is an 1835 oil-on-canvas painting by Hippolyte Flandrin. Contrary to its primary title, it shows a scene from the Circle of the Envious, the second circle of Purgatory in Canto III of ''Purgatorio''. The scene depicts Dante on the mountain of Purgatorio trying to comfort the blind men. It is now in the Museum of Fine Arts of Lyon The Museum of Fine Arts of Lyon (french: Musée des Beaux-Arts de Lyon) is a municipal museum of fine arts in the French city of Lyon. Located near the Place des Terreaux, it is housed in a former Benedictine convent which was active during the 1 .... Sources * This source analyzes the third canto of Purgatorio. * "Flandrin family." Grove Art Online. 2003. Oxford University Press. Date of access 10 Dec. 2020, This article focuses on the Flandrin family. Contains a long portion about Jean-Hippolyte Flandrin and his artistic career. Highlights his achievements and artisti ...
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Hippolyte Flandrin - Le Dante, Conduit Par Virgile, Offre Des Consolations Aux âmes Des Envieux
In Classical Greek mythology, Hippolyta, or Hippolyte (; grc-gre, Ἱππολύτη ''Hippolytē'') was a daughter of Ares and Otrera, queen of the Amazons, and a sister of Antiope and Melanippe. She wore her father Ares' ''zoster'', the Greek word found in the Iliad and elsewhere meaning "war belt." Some traditional English translations have preferred the more feminine-sounding "girdle." Hippolyta figures prominently in the myths of both Heracles and Theseus. The myths about her are varied enough that they may therefore be about several different women. The name ''Hippolyta'' comes from Greek roots meaning "horse" and "let loose." Legends Ninth Labor of Heracles In the myth of Heracles, Hippolyta's belt (ζωστὴρ Ἱππολύτης) was the object of his ninth labour. He was sent to retrieve it for Admete, the daughter of King Eurystheus.Hyginus, ''Fabulae'', 30 Most versions of the myth indicate that Hippolyta was so impressed with Heracles that she gave him ...
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Hippolyte Flandrin
Jean-Hippolyte Flandrin (23 March 1809 – 21 March 1864) was a French Neoclassical painter. His most celebrated work, ''Study (Flandrin), Jeune Homme Nu Assis au Bord de la Mer'' ("Young Male Nude Seated beside the Sea"), from 1836, is held in the Louvre. Biography Early life From an early age, Flandrin showed interest in the arts and a career as a painter. However, his parents pressured him to become a businessman, and having very little training, he was forced to instead become a portrait miniature, miniature painter. Hippolyte was the second of three sons, all of whom were painters in some aspect. Auguste, his older brother, spent most of his life as a professor at Lyon and later died there. Paul Jean Flandrin, Paul, his younger brother, was a painter of portraits and religious imagery. He married Aimée-Caroline Ancelot (1822-1882) in 1843, to whom was born Paul Hippolyte Flandrin (1856-1921), who become painter of sacred art, portraitist and decorator. Hippolyte and Paul ...
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Purgatory
Purgatory (, borrowed into English via Anglo-Norman and Old French) is, according to the belief of some Christian denominations (mostly Catholic), an intermediate state after physical death for expiatory purification. The process of purgatory is the final purification of the elect, which is entirely different from the punishment of the damned. Tradition, by reference to certain texts of scripture, sees the process as involving a cleansing fire. Some forms of Western Christianity, particularly within Protestantism, deny its existence. Other strands of Western Christianity see purgatory as a place, perhaps filled with fire. Some concepts of Gehenna in Judaism resemble those of purgatory. The word "purgatory" has come to refer to a wide range of historical and modern conceptions of postmortem suffering short of everlasting damnation. English-speakers also use the word in a non-specific sense to mean any place or condition of suffering or torment, especially one that is tempo ...
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Purgatorio
''Purgatorio'' (; Italian for "Purgatory") is the second part of Dante's ''Divine Comedy'', following the '' Inferno'' and preceding the '' Paradiso''. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil—except for the last four cantos, at which point Beatrice takes over as Dante's guide. Allegorically, ''Purgatorio'' represents the penitent Christian life. Dorothy L. Sayers, ''Purgatory'', notes on Canto VII. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem posits the theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. Overview of Purgatory In the poem, Purgatory is depicted as an island-mountain in the Southern Hemisphere. This realm is divided into three p ...
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Museum Of Fine Arts Of Lyon
The Museum of Fine Arts of Lyon (french: Musée des Beaux-Arts de Lyon) is a municipal museum of fine arts in the French city of Lyon. Located near the Place des Terreaux, it is housed in a former Benedictine convent which was active during the 17th and 18th centuries. It was restored between 1988 and 1998, remaining open to visitors throughout this time despite the restoration works. Its collections range from ancient Egyptian antiquities to the Modern art period, making the museum one of the most important in Europe. It also hosts important exhibitions of art, for example the exhibitions of works by Georges Braque and Henri Laurens in the second half of 2005, and another on the work of Théodore Géricault from April to July 2006. It is one of the largest art museums in France. Buildings Abbey Until 1792, the buildings belonged to the Royal :fr:Abbaye de Saint-Pierre-les-Nonnains de Lyon, Abbaye des Dames de Saint-Pierre, which was built in the 17th century. The abbess alway ...
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Paintings By Hippolyte Flandrin
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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