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Daniele Barbaro
Daniele Matteo Alvise Barbaro (also Barbarus) (8 February 1514 – 13 April 1570) was an Italian cleric and diplomat. He was also an architect, writer on architecture, and translator of, and commentator on, Vitruvius. Barbaro's fame is chiefly due to his vast output in the arts, letters, and mathematics. A cultured humanist, he was a friend and admirer of Torquato Tasso, a patron of Andrea Palladio, and a student of Pietro Bembo. Francesco Sansovino considered Daniele to be one of the three best Venetian architects, along with Palladio and Francesco's father Jacopo. Biography He was born in Venice, the son of Francesco di Daniele Barbaro and Elena Pisani, daughter of the banker Alvise Pisani and Cecilia Giustinian. Barbaro studied philosophy, mathematics, and optics at the University of Padua. He has been credited with the design of the university's botanical garden. Barbaro served the Republic of Venice as ambassador to the court of Edward VI in London and as represen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Republic Of Venice
The Republic of Venice, officially the Most Serene Republic of Venice and traditionally known as La Serenissima, was a sovereign state and Maritime republics, maritime republic with its capital in Venice. Founded, according to tradition, in 697 by Paolo Lucio Anafesto, over the course of its History of the Republic of Venice, 1,100 years of history it established itself as one of the major European commercial and naval powers. Initially extended in the ''Dogado'' area (a territory currently comparable to the Metropolitan City of Venice), during its history it annexed a large part of Northeast Italy, Istria, Dalmatia, the coasts of present-day Montenegro and Albania as well as numerous islands in the Adriatic Sea, Adriatic and eastern Ionian Sea, Ionian seas. At the height of its expansion, between the 13th and 16th centuries, it also governed Crete, Cyprus, the Peloponnese, a number of List of islands of Greece, Greek islands, as well as several cities and ports in the eastern Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbaro - Pratica Della Perspettiva, 1569 - 1212606
Barbaro (Italian) or Bárbaro (Spanish) means ‘barbarian’. It may refer to: Geography * Mount Barbaro People * Barbaro 'ndrina a criminal organization in southern Italy Family name * Barbaro (surname) * Barbaro family, a prominent family in the Republic of Venice ** Palazzi Barbaro, a historic building in Venice ** Villa Barbaro, a historic building in Maser, Italy Turkish admiral, Barbarossa *Barbaros Hayreddin Pasha Turkish admiral **Gölcük Barbaros Hayrettin Lisesi, a Turkish high school **Barbaros class frigate, a class of Turkish warships First name * Barbaros Barut, association football player * Bárbaro Cañizares Major League Baseball player * Bárbaro Garbey, former Major League Baseball player Horse racing * Barbaro (horse), a racehorse that won the Kentucky Derby ** Barbaro Stakes at Delaware Park ** Barbaro Stakes at Pimlico Race Course Music * Allegro barbaro (Bartók) ''Allegro barbaro'', BB 63 (Sz. 49), composed in 1911, is one of Béla Bartók's most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battista Franco
Battista Franco Veneziano (c. 1510 - 1561), baptized Giovanni Battista Franco, was an Italian Mannerism, Mannerist painter and printmaker in etching active in Rome, Urbino, and Venice in the mid 16th century. He is also known as ''il Semolei'' or just Battista Franco. Native to Venice, he came to Rome in his twenties. He painted an allegory of the ''Battle of Montemurlo'' now in the Pitti Palace (1537), and a fresco of the ''Arrest of John the Baptist'' for the San Giovanni Battista Decollato, Oratory of San Giovanni Decollato (1541). From 1545–51 he painted in Urbino. He may have been, along with Girolamo Genga, one of the mentors of Federico Barocci. His painting, in the Mannerist style, was heavily indebted to Michelangelo; but his drawings and etchings have far more verve and originality. He returned to Venice, where he helped fresco the ceiling of the Biblioteca Marciana (library). He painted a series of panels, including a ''Baptism of Christ'' (Palazzi Barbaro, Barbaro c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francesco Della Vigna
San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello, Venice, Castello in Venice, northern Italy. History Along with Santa Maria Gloriosa dei Frari, this is one of two Franciscan churches in Venice. The site, originally a vineyard (''vigna''), was donated by Marco Ziani in 1253 for construction of the monastery. A tiny chapel already on the site recalled the spot where an angel supposedly had pronounced ''Pax tibi Marce, evangelista meus'' to the shipwrecked Mark the Evangelist, Saint Mark, patron of Venice. The first church at the site was a Hallenkirche, triple-nave Gothic architecture, Gothic church by Marino da Pisa. A monastery housed the Frati Minori dell'Osservanza, while the Conventuali occupied the Frari across town. By the 16th century, the church building was in need of repair. Two main impulses led to the reconstruction of this church; one was the reform sweeping the order of the Franciscan Observants, and the other was the wishes of Doge A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Udine
Udine ( ; ; ; ; ) is a city and (municipality) in northeastern Italy, in the middle of the Friuli-Venezia Giulia region, between the Adriatic Sea and the Carnic Alps. It is the capital of the Province of Udine, Regional decentralization entity of Udine. As of 2025, it has a population of 98,320 in the commune, and 176,000 with the urban area. Names and etymology Udine was first attested in medieval Latin records as ''Udene'' in 983 and as ''Utinum'' around the year 1000. The origin of the name ''Udine'' is unclear. It has been tentatively suggested that the name may be of pre-Roman origin, connected with the Proto-Indo-European language, Indo-European root *''odh-'' 'udder' used in a figurative sense to mean 'hill'. The Slovene name ''Videm'' (with final -''m'') is a hypercorrection of the local Slovene name ''Vidan'' (with final -''n''), based on settlements named ''Videm'' in Slovenia. The Slovene linguist Pavle Merkù characterized the Slovene form ''Videm'' as an "idiotic 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , ; ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana (Veronese), The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently '' buon fresco'' technology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Heritage Site
World Heritage Sites are landmarks and areas with legal protection under an treaty, international treaty administered by UNESCO for having cultural, historical, or scientific significance. The sites are judged to contain "cultural and natural heritage around the world considered to be of outstanding value to humanity". To be selected, a World Heritage Site is nominated by its host country and determined by the UNESCO's World Heritage Committee to be a unique landmark which is geographically and historically identifiable, having a special cultural or physical significance, and to be under a sufficient system of legal protection. World Heritage Sites might be ancient ruins or historical structures, buildings, cities, deserts, forests, islands, lakes, monuments, mountains or wilderness areas, and others. A World Heritage Site may signify a remarkable accomplishment of humankind and serve as evidence of humanity's intellectual history on the planet, or it might be a place of grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Barbaro
Villa Barbaro, also known as the Villa di Maser, is a large villa at Maser in the Veneto region of northern Italy. It was designed and built by the Italian Renaissance architect Andrea Palladio, with frescos by Paolo Veronese and sculptures by Alessandro Vittoria, for Daniele Barbaro, Patriarch of Aquileia and ambassador to Queen Elizabeth I of England and his brother Marcantonio, an ambassador to King Charles IX of France. The villa was added to the list of World Heritage Sites by UNESCO in 1996. History The land originally belonged to the Arbil and then the Giustiniani families, before becoming property of the Barbaro family. Authorities vary as to the dates given for the building of the villa. The architectural historian Adalbert dal Lago states it was built between 1560 and 1570, while others state that the villa was mostly completed by 1558. Hobson concurs with dal Lago that the date of commencement was probably 1560. By this date Palladio had provided the illustratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcantonio Barbaro
Marcantonio Barbaro (1518–1595) was an diplomat of the Republic of Venice. Family He was born in Venice into the aristocratic Barbaro family. His father was Francesco di Daniele Barbaro and his mother Elena Pisani, daughter of the banker Alvise Pisani and Cecilia Giustinian. Barbaro married Giustina Giustiniani in 1534 and they had four sons, one of which, Francesco, became Patriarch of Aquileia, and another, Alvise, married a daughter of Jacopo Foscarini. On the death of Francesco Barbaro, Marcantonio and his elder brother Daniele Barbaro jointly inherited a country estate at Maser. There was already a house on the estate, but the brothers replaced it with a new house designed for them by the architect Palladio; this Villa Barbaro is now preserved as part of the World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto". The brothers probably had some input in the design of the building. Daniele was a published author whose interests included architecture. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patriarch Of Aquileia
This is a list of bishops and patriarchs of Aquileia in northeastern Italy. For the ecclesiastical history of the diocese, see Patriarchate of Aquileia. From 553 until 698 the archbishops renounced Papal authority as part of the Schism of the Three Chapters and when they returned to the Roman fold they maintained the title patriarch which was adopted during this schism. The Patriarchs gained the Countship of Friuli and the March of Carniola in 1077 and the March of Istria in 1209. The temporal authority of the patriarchate was lost on 7 July 1420 when its territories were secularized by Venice. The Patriarchate was dissolved in 1751 and its ecclesiastical authority divided between the Archbishop of Gorizia (Görz) and the Archbishop of Udine. Bishops of Aquileia, c. 50–355 * Saint Mark - founder of community * Hermagoras (c. 50–70), ''Protoepiscopus'' (first bishop) * ... * Hilarius of Aquileia or of Panonia c. 276–285, beheaded in the persecutions of Numerian * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
