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Dangak
''Dangak'' (syllables: ''dang-ak'') is a genre of traditional Korean court music. The name means " Tang music", and the style was first adapted from Tang Dynasty Chinese music during the Unified Silla period in the late first millennium. It was continued through the Goryeo (918–1392) and Joseon (1392–1910) dynasties, when, along with ''hyangak'' and '' aak'' it was one of the three approved genres of court music. ''Dangak'' performances were accompanied by Tang-style dances known as ''dangak jeongjae''. Together with ''hyangak'', during the Joseon Dynasty ''dangak'' performances were the charge of the ''Jeonakseo'' (hangul: 전악서; hanja: 典 樂 署; 1394–1457) and later of the Jangagwon (hangul: 장악원; hanja: 掌 樂 院), the court office of music. Performers of ''hyangak'' and ''dangak'' were drawn from the lower classes, in contrast to performers of ''aak''. One of the most famous pieces in the ''dangak'' repertoire is called ''Nakyangchun'' (hangul: 낙 ...
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Korean Music
Korea refers to music from the Korean peninsula ranging from prehistoric times to the division of Korea into South and North in 1945. It includes court music, folk music, poetic songs, and religious music used in shamanistic and Buddhist traditions. Together, traditional Korean music is referred to as ''gugak'' (Hangul: 국악), which literally means "national music." History Proto-Three Kingdoms of Korea Not much is known about music from the Proto-Three Kingdoms of Korea period (before 57 BCE). It is believed that Korean people practiced shamanistic rituals involving music at agricultural festivals. Tomb murals and ceramics from this period depict string instruments with complex features that suggest the instruments were quite developed. Three Kingdoms of Korea The Three Kingdoms of Korea refers to the period from 57 BCE to 668 CE when the Korean peninsula was ruled by three kingdoms: Goguryeo, Baekje, and Silla. Each kingdom was known for favoring different musical ins ...
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Hyangak
''Hyangak'', literally "indigenous/native music, folks music" is a traditional form of Korean court music with origins in the Three Kingdoms period (57 BC – 668 AD). It is often accompanied by traditional folk dances of Korea, known as ''hyangak jeongjae''. These dances are performed in front of audiences—as opposed to the square dance more familiar to Westerners, which is primarily for the participants' enjoyment. One important ''hyangak'' piece is '' Yeomillak'' (hangul: 여민락; hanja: 與 民 樂). Few ''hyangak'' pieces are performed in Chinese style; these include ''Pollyeong'', ''Haeryeong'' (hangul: 해령; hanja: 解 令), and ''Poheoja'' History During the Unified Silla Period, Hyangak began to be used as a symmetrical concept with dangak. At that time, Hyangak included both native music from the Korean Peninsula and foreign music that had been adopted before the unified Silla Dynasty. The literature of the Goryeo Dynasty often referred to Korean tradition ...
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Tōgaku
is the Japanese pronunciation of an early style of music and dance from the Tang Dynasty in China. was introduced into Japanese culture from China no earlier than the 8th century, and is still performed as one style of the imperial court music called . During the Nara period (710–794), music and dances continued to flow into the capital from many parts of Asia. Many styles were eventually organized under two basic categories of . The first, , consisted of pieces of Chinese and Indian origin, while included Manchurian, Korean, and many of the Japanese pieces. These two styles can be distinguished by their instrumentations. Malm,William. "Music Cultures of the Pacific, the Near East, and Asia." pg. 138. The Korea equivalent of (also introduced from China) is called . The instruments used in are the , , , , , and . See also * * *Korean court music Korean court music comprises three main musical genres: ''aak'', an imported form of Chinese ritual music; a pure Korean form ...
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Luoyang
Luoyang is a city located in the confluence area of Luo River and Yellow River in the west of Henan province. Governed as a prefecture-level city, it borders the provincial capital of Zhengzhou to the east, Pingdingshan to the southeast, Nanyang to the south, Sanmenxia to the west, Jiyuan to the north, and Jiaozuo to the northeast. As of December 31, 2018, Luoyang had a population of 6,888,500 inhabitants with 2,751,400 people living in the built-up (or metro) area made of the city's five out of six urban districts (except the Jili District not continuously urbanized) and Yanshi District, now being conurbated. Situated on the central plain of China, Luoyang is among the oldest cities in China and one of the cradles of Chinese civilization. It is the earliest of the Four Great Ancient Capitals of China. Names The name "Luoyang" originates from the city's location on the north or sunny ( "yang") side of the Luo River. Since the river flows from west to east and the sun is to t ...
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Korean Culture
The traditional culture of Korea is the shared cultural and historical heritage of Korea and southern Manchuria before the division of Korea in 1945. Manchuria refers to the ancient geographical and historical region in Northeast Asia, including countries like China and Russia. Since the mid-20th century, Korea has been split between the North Korean and South Korean states, resulting in a number of cultural differences that can be observed even today. the practice of Confucianism and Korean shamanism is deeply rooted in Korean culture. Clothing The traditional dress known as ''hanbok'' (한복, 韓服) (known as ''joseonot'' ��선옷in the DPRK). The ''hanbok'' consists of a shirt (''jeogori'') and a skirt (''chima''). According to social status, Koreans used to dress differently, making clothing an important mark of social rank. Costumes were worn by the ruling class and the royal family. These upper classes also used jewelry to distance themselves from the ordina ...
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Hyangak
''Hyangak'', literally "indigenous/native music, folks music" is a traditional form of Korean court music with origins in the Three Kingdoms period (57 BC – 668 AD). It is often accompanied by traditional folk dances of Korea, known as ''hyangak jeongjae''. These dances are performed in front of audiences—as opposed to the square dance more familiar to Westerners, which is primarily for the participants' enjoyment. One important ''hyangak'' piece is '' Yeomillak'' (hangul: 여민락; hanja: 與 民 樂). Few ''hyangak'' pieces are performed in Chinese style; these include ''Pollyeong'', ''Haeryeong'' (hangul: 해령; hanja: 解 令), and ''Poheoja'' History During the Unified Silla Period, Hyangak began to be used as a symmetrical concept with dangak. At that time, Hyangak included both native music from the Korean Peninsula and foreign music that had been adopted before the unified Silla Dynasty. The literature of the Goryeo Dynasty often referred to Korean tradition ...
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:Category:Korean Words And Phrases
{{see, wikt:Korean language Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no conse ... Words and phrases by language ...
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Yayue
''Yayue'' () was a form of classical music and dance performed at the royal court and temples in ancient China. The basic conventions of ''yayue'' were established in the Western Zhou. Together with law and rites, it formed the formal representation of aristocratic political power. The word ''ya'' () was used during the Zhou dynasty to refer to a form of song-texts used in court and collected in ''Shijing''. The term ''yayue'' itself appeared in '' Confucius' Analects'', where ''yayue'' was considered by Confucius to be the kind of music that is good and beneficial, in contrast to the popular music originated from the state of Zheng which he judged to be decadent and corrupting. ''Yayue'' is therefore regarded in the Confucian system as the proper form of music that is refined, improving, and essential for self-cultivation, and one that can symbolize good and stable governance. It means the kind of solemn ceremonial music used in court, as well as ritual music in temples incl ...
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Nhã Nhạc
''Nhã nhạc'' (, , "elegant music") is a traditional music of Vietnam. Vietnamese court music is very diverse, but the term ''nhã nhạc'' refers specifically to the Vietnamese court music performed from the Trần dynasty of the 13th century to the Nguyễn dynasty at the end of the 20th century. Nhã Nhạc Vietnamese court music was performed at annual ceremonies, including anniversaries and religious holidays, as well as special events such as coronations, funerals or official receptions, by highly trained and skilled court musicians. Along with the musicians, a number of intricate court dances also exist (''see Traditional Vietnamese dance''). Both musicians and dancers wore elaborately designed costumes during their performances. While the largest foreign influence on nhã nhạc came from the Ming dynasty court of China, later on there were also adapted a few elements from the music of Champa, which the Vietnamese court found intriguing. Instruments Instruments commo ...
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Guoyue
''Guoyue'' ( 國 樂; literally "national music"; also ''minyue'' (民乐), ''huayue'' (華樂) or ''zhongyue'' (中樂)), nowadays refers to the music composed for Chinese musical instruments, which is an extension of the Chinese traditional music. It is often written for some form of grand presentation through a large Chinese orchestra, as well as performances with solo instruments. It is frequently broadcast on radio and television in the People's Republic of China, and it is also the primary form of Chinese music taught in conservatories in China, as well as in Taiwan and Singapore. Terms and definitions Names The term ''guoyue'' appeared in various ancient texts and had various different meanings before the 20th century. It was used as early as the Sui-Tang period to refer to court music or '' yayue''. In the ''Music Record'' section of ''History of Liao'', it was used to distinguish the music of the Khitan rulers from that of the Han Chinese. During the Qing Dyna ...
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Taoist Music
Taoist music is the ceremonial music of Taoism. The importance of music in Taoist ceremony is demonstrated by revealing how central beliefs are reflected through elements of music such as instrumentation and rhythm. Expression of spiritual beliefs through music enables followers of Taoism to enhance their path to enlightenment. Music in Taoist ceremony Music has long played an integral part in religious ceremonies. In Taoist ceremonies, music has several different functions. Taoists believe that music is a way to speak to the gods, to inspire religious followers and to achieve inner harmony, bringing the listener or participant closer to Tao. To follow Tao is to recognise the inner harmony and balance in all living things. This belief is often represented in the Yin Yang symbol. In the ceremony witnessed at the Evergreen Taoist Church of Australia, Deagon, the birth of Quan Yin, the goddess of mercy was celebrated. Music and instrumentation played a central role in this ritual. ...
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List Of Musical Genres
This is a list of music genres and styles. Music can be described in terms of many genres and styles. Classifications are often arbitrary, and may be disputed and closely related forms often overlap. Larger genres and styles comprise more specific sub-categories. Art (classical) * Andalusian classical music * Indian classical music * Korean court music * Persian classical music * Western classical music ** Early music *** Medieval music (500–1400) **** Ars antiqua (1170–1310) **** Ars nova (1310–1377) **** Ars subtilior (1360–1420) *** Renaissance music (1400–1600) *** Baroque music (1600–1750) *** Galant music (1720–1770) *** Classical period (1750–1820) *** Romantic music (1780–1910) ** 20th and 21st-centuries classical music (1901–present): *** Modernism (1890–1930) *** Impressionism (1875 or 1890–1925) *** Neoclassicism (1920–1950) *** High modernism (1930–present) *** Postmodern music (1930–present) *** Experimental music (1950–p ...
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