Dugal MacLeod
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Dugal MacLeod
''Highlander'' is a 1986 Fantasy film, fantasy Action film, action-Adventure film, adventure film directed by Russell Mulcahy from a screenplay by Gregory Widen, Peter Bellwood, and Larry Ferguson (screenwriter), Larry Ferguson. It stars Christopher Lambert, Roxanne Hart, Clancy Brown, and Sean Connery. The film chronicles the climax of an age-old war between Immortal (Highlander), immortal warriors, depicted through interwoven past and present-day storylines. It is the first film in the Highlander (franchise), ''Highlander'' franchise. Connor MacLeod (Lambert) is born in the Scottish Highlands in the 16th century. After being mortally wounded by the murderous The Kurgan, Kurgan (Brown) in battle, he makes a seemingly miraculous recovery and is banished from his village under suspicion of witchcraft. Five years later, MacLeod is found by swordsman Juan Sánchez Villa-Lobos Ramírez, Ramírez (Connery), who trains him in swordplay and explains that they and others were born immorta ...
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Russell Mulcahy
Russell Mulcahy ( ; born 23 June 1953) is an Australian director of film, television, and music videos. He began his career directing music videos for artists like Elton John and Duran Duran, before making his feature directorial debut with the horror film ''Razorback (film), Razorback'' (1984). He achieved international prominence by directing the fantasy action film ''Highlander (film), Highlander'' (1986), which spawned a Highlander (franchise), multimedia franchise. Mulcahy's subsequent work includes ''Highlander''s first sequel ''Highlander II: The Quickening'' (1991), the superhero film ''The Shadow (1994 film), The Shadow'', the action-horror film ''Resident Evil: Extinction'' (2007), and the Errol Flynn biopic ''In Like Flynn (film), In Like Flynn''. He was also a director and executive producer of the television series ''Teen Wolf (2011 TV series), Teen Wolf'' (2011–17), and directed the film's Teen Wolf: The Movie, 2023 feature film spin-off. Stylistically, Mulcahy' ...
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Cannon Group
The Cannon Group, Inc. was an American group of companies, including Cannon Films, which produced films from 1967 to 1994. The extensive group also owned, amongst others, a large international cinema chain and a video film company that invested heavily in the video market, buying the international video rights to several classic film libraries. The Cannon catalogue encompasses a wide range of different genres. On one hand, they are known for their highly successful 1980s action B movies, such as ''Missing in Action'' (1984), '' American Ninja (1985)'', and ''Bloodsport'' (1988). But they also produced the Oscar-nominated films '' Joe'' (1970), ''Runaway Train'' (1985) and '' Street Smart'' (1987). 1967–1979: Friedland/Dewey era Cannon Films was incorporated on October 23, 1967. It was formed by Dennis Friedland and Chris Dewey while they were in their early 20s. They had immediate success producing English-language versions of Swedish soft porn films directed by Joseph W. ...
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Scottish Highlands
The Highlands (; , ) is a historical region of Scotland. Culturally, the Highlands and the Scottish Lowlands, Lowlands diverged from the Late Middle Ages into the modern period, when Scots language, Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of ' literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands. The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for th ...
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Connor MacLeod
Connor MacLeod, also known as The Highlander, is a fictional character in the '' Highlander'' film series, and appears in the extended franchise of the television programs: '' Highlander: The Series'' and '' Highlander: The Animated Series''. In the films and live-action series, he is portrayed by Christopher Lambert. In the animated series, he is voiced by Lorne Kennedy. The '' Highlander'' franchise covers different fictional timelines. Though his fate is different in each of these timelines, generally Connor MacLeod's origins remain the same: he is a man born in the Scottish Highlands in the 16th century who becomes ageless after his first death in 1536. He later learns he is one of several immortals born with an energy called "the Quickening", unable to die unless beheaded. If he beheads another immortal, he will absorb the power of their Quickening, and for this reason many of his kind hunt each other in "the Game" where the winner will win the collective power of all immort ...
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Highlander (franchise)
''Highlander'' is a media franchise created by Gregory Widen. The series began with ''Highlander (film), Highlander'', a 1986 fantasy film starring Christopher Lambert, who played Connor MacLeod, the eponymous Highlander. There have been four theatrical ''Highlander'' films, one made-for-TV film, two live-action television series, an animated television series, an Highlander: The Search for Vengeance, anime film, original novels, comic books, and various licensed merchandise. The main character of the series, Connor MacLeod, was born in Glenfinnan in the Scottish Highlands in the 16th century, and is one of a number of Immortal (Highlander), immortals empowered by an energy called the Quickening and only able to die if beheaded. Other immortal protagonists from the MacLeod clan were introduced over time, including Duncan MacLeod, Quentin MacLeod and Colin MacLeod, each of whom exists in their own timelines. On television, ''Highlander: The Series'' aired for six seasons from 199 ...
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Immortal (Highlander)
In the '' Highlander'' franchise, human beings born with the power of " the Quickening" become immortal if they suffer a premature death by unnatural means (such as by violence). After this First Death, they are ageless and cannot definitively die unless their head is removed or destroyed. From the time they are born, immortals and "pre-immortals" cannot biologically have children. Immortals can sense each other's presence and may take Quickening, the "essence" or power that makes them immortal, from another of their kind by beheading them. They duel each other across the centuries, a deadly "Game" with few rules. One day, the last few will fight during "the Gathering" and the survivor will win the Prize, the collected energy of all immortals who ever lived, enough power to conquer or destroy humanity. "In the end, there can be only one." These immortals are first introduced in the 1986 film ''Highlander'', featuring Connor MacLeod ( Christopher Lambert), a Scottish Highlande ...
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Adventure Film
The adventure film is a broad genre of film. Some early genre studies found it no different than the Western film or argued that adventure could encompass all Hollywood genres. Commonality was found among historians Brian Taves and Ian Cameron in that the genre required a setting that was both remote in time and space to the film audience and that it contained a positive hero who tries to make right in their world. Some critics such as Taves limit the genre to naturalistic settings, while Yvonne Tasker found that would limit films such as '' Raiders of the Lost Ark'' (1981) from the genre. Tasker found that most films in the genre featured narratives located within a fantasy world of exoticized setting, which are often driven by quests for characters seeking mythical objects or treasure hunting. The genre is closely associated with the action film, and is sometimes used interchangeably or in tandem with that genre. The setting and visuals are key elements of adventure films. ...
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Action Film
The action film is a film genre that predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Geoff King stated they allow the scenes of spectacle to be attuned to storytelling. Action films are often hybrid with other genres, mixing into various forms such as comedy film, comedies, science fiction films, and horror films. While the term "action film" or "action adventure film" has been used as early as the 1910s, the contemporary definition usually refers to a film that came with the arrival of New Hollywood and the rise of antihero, anti-heroes appearing in American films of the late 1960s and 1970s drawing from war films, crime films and Western (film), Westerns. These genres were followed by what is referred to as the "classical period" ...
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Fantasy Film
Fantasy films are films that belong to the fantasy genre with fantastic themes, usually Magic (paranormal), magic, supernatural events, mythology, folklore, or exotic fantasy worlds. The Film genre, genre is considered a form of speculative fiction alongside science fiction films and horror films, although the genres do overlap. Fantasy films often have an element of magic, myth, Wonder (emotion), wonder, escapism, and the extraordinary. Subgenres Several sub-categories of fantasy films can be identified, although the delineations between these subgenres, much as in fantasy literature, are somewhat fluid. The most common fantasy subgenres depicted in movies are high fantasy and sword and sorcery. Both categories typically employ quasi-medieval settings, wizards, magical creatures and other elements commonly associated with fantasy stories. High fantasy films tend to feature a more richly developed fantasy world, and may also be more character-oriented or thematically complex. ...
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The Numbers (website)
The Numbers is a film industry data website that tracks box office revenue in a systematic, algorithmic way, a publication of Nash Information Services LLC. The company also conducts research services and forecasts incomes of film projects. History The site was launched in 1997 by Bruce Nash. On March 21, 2020, the Numbers released a statement that because of movie theater closures due to the COVID-19 pandemic, "We don't expect much box office reporting in the short term" and did not report the usual daily box office estimates due to lack of box office data from film studios. See also * Box Office Mojo Box Office Mojo is an American website that tracks box-office revenue in a systematic, algorithmic way. The site was founded in 1998 by Brandon Gray, and was bought in 2008 by IMDb, which itself is owned by Amazon. History Brandon Gray ... * Lumiere References External links * ''The Numbers'' Bankability Index 1997 establishments in California Comp ...
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European Audiovisual Observatory
The European Audiovisual Observatory (, ) is a public service organisation, part of the Council of Europe set up in 1992 as a partial agreement. The observatory collects and analyses data about the audiovisual industry in Europe, such as cinema, television, radio, video, Video On Demand and Catch-up TV. The observatory's headquarters are located in the Villa Schutzenberger in Strasbourg. Lumiere (database) Lumiere (stylized as LUMIERE) is an online database of ticket sales for films released in 27 European territories, created in cooperation with national information sources and the MEDIA Programme of the European Union The European Union (EU) is a supranational union, supranational political union, political and economic union of Member state of the European Union, member states that are Geography of the European Union, located primarily in Europe. The u .... References External links Lumiere {{Authority control 1992 establishments in France Organizations ...
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Monthly Film Bulletin
The ''Monthly Film Bulletin'' was a periodical of the British Film Institute published monthly from February 1934 until April 1991, when it merged with '' Sight & Sound''. It reviewed all films on release in the United Kingdom, including those with a narrow arthouse release. History The ''Monthly Film Bulletin'' was edited in the mid-1950s by David Robinson, in the late 1950s and early 1960s by Peter John Dyer, and then by Tom Milne. By the end of the 1960s, when the character and tone of its reviews changed considerably with the arrival of a new generation of critics influenced by the student culture and intellectual tumult of the time (not least the overthrow of old ideas of "taste" and quality), David Wilson was the editor. It was then edited by Jan Dawson (1938 – 1980), for two years from 1971, and from 1973 until its demise by the New Zealand-born critic Richard Combs. In 1991, the ''Monthly Film Bulletin'' was merged with '' Sight & Sound'', which had until then be ...
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