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Drag Kings
Drag kings have historically been mostly female performance artists who dress in masculinity, masculine Drag (clothing), drag and personify male gender stereotypes as part of an individual or group routine. As documented in the 2003 ''Journal of Homosexuality,'' in more recent years the world of drag kings has broadened to include performers of all gender expressions. A typical drag show may incorporate dancing, acting, stand-up comedy and singing, either live or Lip sync, lip-synching to pre-recorded tracks. Drag kings often perform as exaggeratedly Machismo, macho male characters, portray characters such as construction workers and rappers, or impersonate male celebrities like Elvis Presley, Michael Jackson and Tim McGraw. Drag kings may also perform as personas that do not clearly align with the gender binary. Drag personas that combine both stereotypically masculine and feminine traits are common in modern drag king shows. In the late 1800s and early 1900s, several drag king ...
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Sackville Gardens
Sackville Gardens is a public space in Manchester, England. It is bounded by The Manchester College, Manchester College's Shena Simon Campus on one side and Whitworth Street, Sackville Street, the Rochdale Canal and Canal Street, Manchester, Canal Street on the others. The land was purchased by Manchester City Council, Manchester Corporation in 1900 and laid out with walks, lawns and flower beds. Known as Whitworth Gardens, it was planned to complement the University of Manchester Institute of Science and Technology, Municipal College of Technology's Sackville Street Building. It is regularly used for events, such as Village People and Manchester Pride, and as the meeting point each morning for Free Manchester Walking Tours. Turing memorial The gardens contain the Alan Turing memorial statue, which depicts the "father of modern computing" sitting on a bench at a central position in the park. Sculptor Glyn Hughes said the park was chosen as the location for the statue because ...
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Drag Queen
A drag queen is a person, usually male, who uses Drag (entertainment), drag clothing and makeup to imitate and often exaggerate Femininity, female gender signifiers and gender roles for entertainment purposes. Historically, drag queens have usually been gay men, and have been a part of gay culture. People Drag (clothing), do drag for reasons ranging from self-expression to mainstream performance. Drag shows frequently include lip sync, lip-syncing, live singing, and dancing. They typically occur at gay pride parades, LGBTQ pride parades, drag pageants, cabarets, carnivals, and discotheque, nightclubs. Drag queens vary by type, culture, and dedication, from professionals who star in films and spend a lot of their time in their drag personas, to people who do drag only occasionally. Women who dress as men and entertain by imitating them are called drag kings. Those who do occasional drag may be from other backgrounds than the LGBT community. There is a long history of Drag (c ...
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Vesta Tilley
Matilda Alice Powles, Lady de Frece (13May 186416September 1952) was an English music hall performer. She adopted the stage name Vesta Tilley and became one of the best-known male impersonators of her era. Her career lasted from 1869 until 1920. Starting in provincial theatres with her father as manager, she performed her first season in London in 1874. She typically performed as a dandy or fop, also playing other roles. She found additional success as a principal boy in pantomime. By the 1890s, Tilley was England's highest earning woman. She was also a star in the vaudeville circuit in the United States, touring a total of six times. She married Walter de Frece, a theatre impresario who became her new manager and songwriter. At a Royal Command Performance in 1912, she scandalised Queen Mary because she was wearing trousers. During the First World War she was known as "England’s greatest recruiting sergeant" since she sang patriotic songs dressed in khaki fatigues like ...
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Annie Hindle
Annie Hindle was the first popular male impersonator performer in the United States. Born in the 1840s in England, she and her adoptive mother, Ann Hindle, migrated to New York City in 1868. Hall performed as a male impersonator in solo acts and in minstrel shows from 1868 to 1886. Emma Donaghue's play ''Ladies and Gentlemen'' is about Hindle after the death of her wife Annie Ryan. Early life Annie Hindle was born in England in the mid-1840s and adopted by Ann Hindle. Annie Hindle had an affinity for both singing and wearing men's clothes at an early age and began performing on the musical stage at the age of six. Hindle and her mother moved to the United States in 1868. Male impersonation career Hindle performed as a male impersonator on the US variety stage from 1868 and 1886 and received high reviews and steady bookings. Her skills in male impersonation astounded her audience. A review of one of her performances at the Adelphi Theater in Galveston, Texas, noted, "Anni ...
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Susanna Centlivre
Susanna Centlivre (c. 1669 (baptised) – 1 December 1723), born Susanna Freeman, and also known professionally as Susanna Carroll, was an English poet, actress, and "the most successful female playwright of the eighteenth century". Centlivre's "pieces continued to be acted after the theatre managers had forgotten most of her contemporaries." During a long career at the Theatre Royal, Drury Lane, she became known as the second woman of the English stage, after Aphra Behn. Life The main source of information on Centlivre's early life is Giles Jacob, who claimed he had received an account of it directly from her. This was published in ''The Poetical Register'' of 1719, yet it includes little information about her early life. Centlivre was probably baptised Susanna Freeman at Whaplode, Lincolnshire on 20 November 1669, as the daughter of William Freeman of Holbeach and his wife, Anne, the daughter of Mr Marham, a gentleman of King's Lynn, Lynn Regis, Norfolk.J. Milling, "Centlivre ...
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En Travesti
Travesti is a theatrical character in an opera, play, or ballet performed by a performer of the opposite sex. For social reasons, female roles were played by boys or men in many early forms of theatre, and ''travesti'' roles continued to be used in several types of context even after actresses became accepted on the stage. The popular British theatrical form of the pantomime traditionally contains a role for a " principal boy" — a breeches role played by a young woman — and also one or more pantomime dames, female comic roles played by men. Similarly, in the formerly popular genre of Victorian burlesque, there were usually one or more breeches roles. Etymology The word means "disguised" in French. Depending on sources, the term may be given as travesty, ''travesti'', or ''en travesti''. The ''Oxford Essential Dictionary of Foreign Terms in English'' explains the origin of the latter term as "pseudo- French", although French sources from the mid-19th century have used the te ...
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Breeches Role
In theater, a breeches role or breeches part (also pants role, pants part, trouser role, trouser part, and Hosenrolle) is a role in which a female actor performs in male clothing. Breeches, tight-fitting knee-length pants, were a standard male garment when these roles were introduced. The theatrical term '' travesti'' covers both this sort of cross-dressing and also male actors dressing as female characters. Both are part of the long history of cross-dressing in music and opera and later in film and television. In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a mezzo-soprano or contralto. Budden J., "Breeches part" in: '' The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. The operatic concept assumes that the character is male, and the audience accepts him as such, even knowing that the actor is not. Cross-dressing female characters ( ...
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TDR (journal)
''TDR: The Drama Review'' is an academic journal focusing on performances in their social, economic, aesthetic, and political contexts. The journal covers dance, theatre, music, performance art, visual art, popular entertainment, media, sports, rituals, and performance in politics and everyday life. ''TDR: The Drama Review'' was founded in 1955 by Robert W. Corrigan as the "Carleton Drama Review" (so named because Corrigan was a faculty member at Carleton College). Corrigan took ''TDR'' with him to Tulane University in 1957 where he renamed it the ''Tulane Drama Review''. In 1962, Corrigan left Tulane for Carnegie Mellon University and Richard Schechner became editor. Schechner left Tulane for New York University in 1967 taking ''TDR'' with him and renaming it ''TDR: The Drama Review''. Erika Munk succeeded Schechner as editor in 1969. Michael Kirby became editor in 1970. In 1986, Kirby resigned and Schechner resumed ''TDR'' editorship. Schechner continues as editor as of 2021. ...
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Qianlong Emperor
The Qianlong Emperor (25 September 17117 February 1799), also known by his temple name Emperor Gaozong of Qing, personal name Hongli, was the fifth Emperor of China, emperor of the Qing dynasty and the fourth Qing emperor to rule over China proper. He reigned officially from 1735 until his abdication in 1796, but retained ultimate power subsequently until his death in 1799, making him one of the longest-reigning monarchs in history as well as one of the longest-lived. The fourth and favourite son of the Yongzheng Emperor, Qianlong ascended the throne in 1735. A highly ambitious military leader, he led Ten Great Campaigns, a series of campaigns into Inner Asia, Burma, Nepal and Vietnam and suppressed rebellions in Jinchuan County, Jinchuan and Taiwan. During his lifetime, he was given the deified title Emperor Manjushri by the Qing's Tibetan subjects. Domestically, Qianlong was a major patron of the arts as well as a prolific writer. He sponsored the compilation of the ''Siku Qu ...
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Qing Dynasty
The Qing dynasty ( ), officially the Great Qing, was a Manchu-led Dynasties of China, imperial dynasty of China and an early modern empire in East Asia. The last imperial dynasty in Chinese history, the Qing dynasty was preceded by the Ming dynasty and succeeded by the Republic of China (1912–1949), Republic of China. At its height of power, the empire stretched from the Sea of Japan in the east to the Pamir Mountains in the west, and from the Mongolian Plateau in the north to the South China Sea in the south. Originally emerging from the Later Jin (1616–1636), Later Jin dynasty founded in 1616 and proclaimed in Shenyang in 1636, the dynasty seized control of the Ming capital Beijing and North China in 1644, traditionally considered the start of the dynasty's rule. The dynasty lasted until the Xinhai Revolution of October 1911 led to the abdication of the last emperor in February 1912. The multi-ethnic Qing dynasty Legacy of the Qing dynasty, assembled the territoria ...
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Tang Dynasty
The Tang dynasty (, ; zh, c=唐朝), or the Tang Empire, was an Dynasties of China, imperial dynasty of China that ruled from 618 to 907, with an Wu Zhou, interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilisation, and a Golden age (metaphor), golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivalled that of the Han dynasty. The House of Li, Li family founded the dynasty after taking advantage of a period of Sui decline and precipitating their final collapse, in turn inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The An Lushan rebellion (755 ...
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Sheng Role
The is a role type in Chinese opera for dignified and respectable male characters such as Confucian scholars, nobles, or heads of households. They may be portrayed by actors of either sex. Subtypes The has numerous subtypes. The two major subdivisions are the (older gentlemen) and (younger gentlemen), with another important subtype being the (martial men). Peking opera troupes will always have a actor. A actor may be added to play roles fitting to his age. In addition to these main , the troupe will also have a secondary . The ( zh, c=老生, p=lǎoshēng, l=old sheng) is a dignified older role, usually distinguished by a long, thin, three-part beard. These characters have a gentle and cultivated disposition and typically wear long robes with water sleeves, high-soled boots, and fabric headdresses. A subcategory is ( zh, c=武老生, l=martial laosheng, p=wǔlǎoshēng), older generals who have combat skills. They wear armor and helmets instead of robes and fabric hat ...
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