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Dionysia
The Dionysia (; Greek: Διονύσια) was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were processions and sacrifices in honor of Dionysus, the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. Rural Dionysia Origins The Dionysia was originally a rural festival in Eleutherae, Attica ( – ''Dionysia ta kat' agrous''), celebrating the cultivation of vines. Archaeological evidence suggests that theatres for the Rural Dionysia had been constructed as early as the 6th century BCE , but the festival is generally believed to have been celebrated even before that. This "rural Dionysia" was held during the winter, in the month of Poseideon (the month straddling the winter solstice, i.e., ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and Greek mythology, myth, Dionysus (; ) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus ( or ; ) by the Greeks (a name later adopted by the Ancient Rome, Romans) for a frenzy he is said to induce called ''baccheia''. His wine, music, and ecstatic dance were considered to free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his Cult of Dionysus, cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thrace, Thracian, others as Greek. In O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Drama
A theatrical culture flourished in ancient Greece from 700 BC. At its centre was the city-state of Athens, which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres emerged there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Etymology The word , from which the word "tragedy" is derived, is a compound of two Greek words: or "goat" and meaning "song", from . This etymology indicates a link with the practices of the ancient Dionysian cults. It is impossible, however, to know with certainty how these fertility rituals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athenian Festivals
The festival calendar of Classical Athens involved the staging of many festivals each year. This includes festivals held in honor of Athena, Dionysus, Apollo, Artemis, Demeter, Persephone, Hermes, and Heracles. Other Athenian festivals were based around family, citizenship, sacrifice, and women. There were at least 120 festival days each year. Athena The Panathenaea (, "all-Athenian festival") was the most important festival for Athens and one of the grandest in the entire ancient Greek world. Except for slaves, all inhabitants of the ''polis'' could take part in the festival. This holiday of great antiquity is believed to have been the observance of Athena's birthday and honoured the goddess as the city's patron divinity, Athena Polias ('Athena of the city'). A procession assembled before dawn at the Dipylon Gate in the northern sector of the city. The procession, led by the Kanephoros, made its way to the Areopagus and in front of the Temple of Athena Nike next to the Pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristophanes
Aristophanes (; ; ) was an Ancient Greece, Ancient Greek Ancient Greek comedy, comic playwright from Classical Athens, Athens. He wrote in total forty plays, of which eleven survive virtually complete today. The majority of his surviving plays belong to the genre of comic drama known as Old Comedy and are considered its most valuable examples. Aristophanes' plays were performed at the religious festivals of Athens, mostly the City Dionysia and the Lenaia, and several of them won the first prize in their respective competitions. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes wrote plays that often dealt with real-life figures, including Euripides and Alcibiades, and contemporary events, such as the Peloponnesian War. He has been said to recreate the life of ancient Athens more convincingly than any other author. His plays are characterized by preposterous premises, explicit language, wordplays, and political satire. His powers of ridicule ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Acharnians
''The Acharnians'' or ''Acharnians'' (Ancient Greek: ''Akharneîs''; Attic: ) is the third play — and the earliest of the eleven surviving plays — by the Athenian playwright Aristophanes. It was produced in 425 BC on behalf of the young dramatist by an associate, Callistratus, and it won first place at the Lenaia festival. ''The Acharnians'' is about an Athenian citizen, Dikaiopolis, who miraculously obtains a private peace treaty with the Spartans and enjoys the benefits of peace in spite of opposition from some of his fellow Athenians. The play is notable for its absurd humour, its imaginative appeal for an end to the Peloponnesian War, and for the author's spirited response to condemnations of his previous play, ''The Babylonians'', by politicians such as Cleon, who had reviled it as a slander against the Athenian polis. In ''The Acharnians'', Aristophanes reveals his resolve not to yield to attempts at political intimidation. Along with the other surviving plays of Aris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choregos (ancient Greece)
In the theatre of ancient Greece, the ''choregos'' (pl. ''choregoi; , Greek etymology: χορός "chorus" + ἡγεῖσθαι "to lead") was a wealthy Athenian citizen who assumed the public duty, or ''choregiai'', of financing the preparation for the chorus and other aspects of dramatic production that were not paid for by the government of the ''polis'' or city-state.Brockett, p. 17 Modern Anglicized forms of the word include choragus and choregus, with the accepted plurals being the Latin forms ''choregi'' and ''choragi''. In Modern Greek, the word ''χορηγός'' is synonymous with the word "grantor". ''Choregoi'' were appointed by the archon and the tribes of Athenian citizens from among the Athenian citizens of great wealth. Service as a ''choregos'', though an honor, was a duty for wealthy citizens and was part of the liturgical system designed to improve the city-state's economic stability through the use of private wealth to fund public good. Choregoi paid for c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Chorus
A Greek chorus () in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage. Historically, the chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks. The players used masks to change their emotions while they were performing. History A common theory for the origin of the Greek chorus stems from the ancient Greek poet Arion's invention of the tragedy, the stationary chorus, and satyrs' verses. In Aristotle's ''Poetics,'' he writes that " ragedy'sbeginnings, certainly, were in improvisation utoschediastikês as were also those for comedy, tragedy originating in impromptus by the leaders of dithyrambic choruses, and comedy in those of the leaders of the phallic performances which still remain customary in many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attic Calendar
The Attic calendar or Athenian calendar is the lunisolar calendar beginning in midsummer with the lunar month of Hekatombaion, in use in ancient Attica, the ancestral territory of the Athenian polis. It is sometimes called the Greek calendar because of Athens's cultural importance, but it is only one of many ancient Greek calendars. Although relatively abundant, the evidence for the Attic calendar is still patchy and often contested. As it was well known in Athens and of little use outside Attica, no contemporary source set out to describe the system as a whole. Further, even during the well-sourced 5th and 4th centuries BC, the calendar underwent changes, not all perfectly understood. As such, any account given of it must be a tentative reconstruction. Local focus The Attic calendar was an exclusively local phenomenon, used to regulate the internal affairs of the Athenians, with little relevance to the outside world. For example, just across the border in Boeotia, the months h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleutherae
Eleutherae (; ) is a city in the northern part of Attica, bordering the territory of Boeotia. One of the best preserved fortresses of Ancient Greece stands now on the spot of an Ancient Eleutherae castle, dated between 370 and 360 BC, with walls of very fine masonry that average 2.6m thick. A circuit of wall 860 m contained towers, 6 of them still standing along the northern edge of the site, preserved to the height of 4 to 6 m. The foundations of more towers are present. Although not as well preserved, the line of the remainder of the fortification circuit is clear, as is the location of the one large, double gate (western) and one small (south-eastern) gate. There are two small sally-ports located on the north side. The fortified area is irregular and c. 113 by 290m in extent. History Eleuther, in mythology, son of Apollo and Aethusa, was regarded as the founder of Eleutherae. The feast of the Dionysia is believed to have been established throughout Greece when ''Eleu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dithyramb
The dithyramb (; , ''dithyrambos'') was an ancient Greek hymn sung and danced in honor of Dionysus, the god of wine and fertility; the term was also used as an epithet of the god. Plato, in '' The Laws'', while discussing various kinds of music mentions "the birth of Dionysos, called, I think, the dithyramb." Plato also remarks in the ''Republic'' that dithyrambs are the clearest example of poetry in which the poet is the only speaker. However, in '' The Apology'' Socrates went to the dithyrambic poets with some of their own most elaborate passages, asking their meaning, but got a response of, "Will you believe me?" which "showed me in an instant that not by wisdom do poets write poetry, but by a sort of genius and inspiration; they are like diviners or soothsayers who also say many fine things, but do not understand the meaning of them." Plutarch contrasted the dithyramb's wild and ecstatic character with the paean. According to Aristotle, the dithyramb was the origin of Atheni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delos Museum Mosaik Dionysos 05
Delos (; ; ''Dêlos'', ''Dâlos''), is a small Greek island near Mykonos, close to the centre of the Cyclades archipelago. Though only in area, it is one of the most important mythological, historical, and archaeological sites in Greece. The ongoing excavations in the island are among the most extensive in the Mediterranean, and many of the artifacts found are displayed at the Archaeological Museum of Delos and the National Archaeological Museum of Athens. Delos had a position as a holy sanctuary for a millennium before Olympian Greek mythology made it the birthplace of Apollo and Artemis. From its Sacred Harbour are visible the three conical mounds that have identified landscapes sacred to a goddess (presumably Athena). Another site, retaining its Pre-Greek name Mount Cynthus, is crowned with a sanctuary of Zeus. In 1990, UNESCO added Delos to the World Heritage List, citing its exceptional archaeological site which "conveys the image of a great cosmopolitan Mediterra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collytus
Collytus or Kollytos () was a deme of ancient Attica, located in the city of Athens. It was located within the walls of Themistocles, south of the Areopagus and southwest of Acropolis. It was famed due to its association with Plato, whose family was from this deme. Etymology According to legend the name of the deme comes from Collytus, the father of Diomus, the favourite of Heracles and eponym of the deme Diomeia. For this reason it was believed that Collytus's deme was part of Melite. Description Collytus was one of the richest demoi in the city of Athens and there were many aristocratic residences; the Peisistratids owned a house from which they often governed the city. The rural Dionysias (festival of Dionysus) took place there, which shows that the deme was also an important agricultural center. Aeschines recited in the theater of Dionysus in the deme, and was so embarrassed of his role that he renounced the theater and gave himself to politics. In the narrow main st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
