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Different Realities
''Different Realities'' is the fourth studio album by Swedish rock band Siena Root. It´s an album of two musical pieces, where side A is leaning more to the electric side of Siena Root, and side B more to the acoustic. The B-side is a "raagmala", a series of ragas, that stretch from the morning (Bairagi) to midnight (Jog). It's an all analogue production made for reproduction on vinyl. No digital equipment was involved in the making. Track listing Credits Writing, performance and production credits are adapted from the album liner notes. Personnel Siena Root * Sam Riffer – bass, double bass, darbuka * KG West – guitar, sitar, organ, rhodes piano, synthesizer, tzouras * Love H Forsberg – drums, percussion * Anna Sandberg – recorder, Rauschpfeife, vocals, tambourine * Tängman – Hurdy-gurdy, tambourine * Janet Jones Simmonds – vocals Production * Siena Root – Record producer, recording, mixing, mastering * Per Ängkvist – recording, mixing * Christ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siena Root
Siena Root is a Swedish rock band with its roots in late '60s and '70s rock music. The group was founded in Stockholm in the late '90s. Their sound is based on heavy organ, howling guitars, bass riffing and big drums. It is also often enriched with bluesy soulful vocals, various guest musicians and psychedelic vibes. The band believes their music has the warm color of Siena Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena. The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centur ..., an earthy colour. Because their sound has roots that go deep, they named the band Siena Root. Siena Root has been touring frequently in Europe since the early 00's, and producing a wide range of genre-blending songs. Often have the concerts featured prominent guest musicians. Siena Root is a musical group formed in Stockholm, Sweden around 1997-1998 by foundi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Far From The Sun (Siena Root Album)
''Far from the Sun'' is the sixth studio album by Finnish heavy metal band Amorphis. It was the first album to feature drummer Jan Rechberger since 1994's ''Tales from the Thousand Lakes'', replacing Pekka Kasari who had quit the band to spend more time with his family. It was their last album to feature Pasi Koskinen on vocals. The American release is packaged in a slipcase and features five bonus tracks and a video for "Evil Inside". The song, "Darkrooms" is also a bonus track for the Japanese edition. The album was re-released in Europe in 2008 by Nuclear Blast. This new version includes all the bonus tracks that were previously only available on the American version and also has new artwork. Track listing Notes # Acoustic # Music video Personnel Amorphis *Amorphis – all music **Pasi Koskinen − vocals, lyrics ** Esa Holopainen − lead guitar ** Tomi Koivusaari Tomi Koivusaari (born 11 April 1973) is the current rhythm guitarist and former vocalist of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darbuka
The goblet drum (also chalice drum, tarabuka, tarabaki, darbuka, darabuka, derbake, debuka, doumbek, dumbec, dumbeg, dumbelek, toumperleki, tumbak, or zerbaghali; arz, دربوكة / Romanized: ) is a single-head membranophone with a goblet-shaped body. It is most commonly used in the traditional music of Egypt, where it is considered the National symbol of Egyptian Shaabi Music. The instrument is also featured in traditional music from West Asia, North Africa, South Asia, and Eastern Europe. The African djembe is also a goblet membranophone. This article focuses on the Middle Eastern and North African goblet drum. History The origin of the term ''Darbuka'' probably lies in the Arabic word "daraba" ("to strike"). Goblet drums have been around for thousands of years and were used in Mesopotamian and Ancient Egyptian cultures. They were also seen in Babylonia and Sumer from as early as 1100 BCE. On Sulawesi, large goblet drums are used as temple instruments and placed on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from '' Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tzouras
The ''tzouras'' ( el, τζουράς), is a Greek stringed musical instrument related to the bouzouki. Its name comes from the Turkish cura. It is made in six-string and eight-string varieties. The six-string model has the same arrangement of strings tuned to the same pitches as the six-string (''trichordo'') bouzouki. There are three pairs of strings, tuned to D3D4–A3A3–D4D4 or D4D3–A3A3–D4D4. The strings are made of steel. The tzouras is about the same length as the bouzouki, with a similar neck and head, but with a much smaller body, giving it a distinctive tone. Notable players * Saro Tribastone * Mikal Cronin See also *Baglamas *Greek musical instruments *Greek music *Pandura *Cretan lyra ) * Lira da braccio * Rabāb (Arabic الرباب) * Lijerica * Violin , musicians = * Andreas Rodinos * Alekos Karavitis * Antonis Papadakis (Kareklas) * Kostas Mountakis * Nikos Xilouris * Psarantonis * Ross Daly * Yiorgos ... References {{Authority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of molded plastic. The recorders' internal and external proportions vary, but the bore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rauschpfeife
Rauschpfeife is a commonly used term for a specific type of capped conical reed musical instrument of the woodwind family, used in Europe in the 16th and 17th centuries. In common with the crumhorn and cornamuse, it is a wooden double-reed instrument with the reed enclosed in a windcap. The player blows into a slot in the top of the windcap to produce the sound. Description Rauschpfeifes (Schreierpfeiffen) differ from cornamusen mainly in the shape of the bore, which, like the shawm, is conical. This bore profile combined with the unrestricted vibration of the reed within the windcap produced an instrument that was exceedingly loud, which made it useful for outdoor performances. The word ''Rauschpfeife'' (German for "rush (or reed) pipe" from the Old German "rusch" for 'rush', as in grass), is found in the description of two windcapped instruments depicted in one of the 16th-century woodcut illustrations of ''Triumphal Procession'', commissioned by Holy Roman Emperor Maximilian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called " zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and India. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hurdy-gurdy
The hurdy-gurdy is a string instrument that produces sound by a hand-crank-turned, rosined wheel rubbing against the strings. The wheel functions much like a violin bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a keyboard that presses ''tangents''—small wedges, typically made of wood—against one or more of the strings to change their pitch. Like most other acoustic stringed instruments, it has a sound board and hollow cavity to make the vibration of the strings audible. Most hurdy-gurdies have multiple drone strings, which give a constant pitch accompaniment to the melody, resulting in a sound similar to that of bagpipes. For this reason, the hurdy-gurdy is often used interchangeably or along with bagpipes. It is mostly used in Occitan, Aragonese, Cajun French, Asturian, Cantabrian, Galician, Hungarian, and Slavic folk music. One or more of the drone strings usually passes over a loose bridge that can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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