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D6 HDTV VTR
D6 HDTV VTR is SMPTE videocassette standard. A D6 VTR can record and playback HDTV video uncompressed. The only D6 VTR product is the Philips, now Thomson's Grass Valley's Media Recorder, model DCR 6024, also called the D6 Voodoo VTR. The VTR was a joint project between Philips Digital Video Systems of Germany and Toshiba in Japan. The tape deck module was designed and made by Philips in Weiterstadt, Germany (formerly Bosch Fernseh), and the digital processor module designed and made by Toshiba. Since there is no data compression, after 20 tape copies of multi generations there is no noticeable loss of quality. As a very high-end, costly system about 70 were sold to high-end post houses from about 2000 to 2005. The VTR had a data record option. The data module could record and play back 2k DPX files at 6 frames per second over a HIPPI connection. The VTR came in a data only model, or with a switch module, so the record deck could be used for both video and data recording. ...
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Magnetic Tape
Magnetic tape is a medium for magnetic storage made of a thin, magnetizable coating on a long, narrow strip of plastic film. It was developed in Germany in 1928, based on the earlier magnetic wire recording from Denmark. Devices that use magnetic tape can with relative ease record and play back audio, visual, and binary computer data. Magnetic tape revolutionized sound recording and reproduction and broadcasting. It allowed radio, which had always been broadcast live, to be recorded for later or repeated airing. Since the early 1950s, magnetic tape has been used with computers to store large quantities of data and is still used for backup purposes. Magnetic tape begins to degrade after 10–20 years and therefore is not an ideal medium for long-term archival storage. The exception is data tape formats like Linear Tape-Open, LTO which are specifically designed for long-term archiving. Information in magnetic tapes is often recorded in tracks which are narrow and long areas of in ...
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Fernseh
Fernseh AG was a German television company headquartered in Berlin. Founded in 1929, it did research and manufacturing of television equipment. Etymology The company name "Fernseh AG" is a compound of ''Fernsehen'' ‘television’ and ''Aktiengesellschaft (AG)'' ‘joint-stock company’. The company was mainly known by its German abbreviation "FESE". See the see also section on this page for other uses. Early years The company was registered in Berlin on July 3, 1929, by John Logie Baird, Robert Bosch, Zeiss Ikon and D.S. Loewe as partners. John Baird owned Baird Television Ltd. in London, Zeiss Ikon was a camera company in Dresden, D.S. Loewe owned a company in Berlin and Robert Bosch owned a company, Robert Bosch GmbH, in Stuttgart. It had an initial capital of 100,000 Reichsmark. In 1929 Fernseh AG's original board of directors included: Emanuel Goldberg, Oliver George Hutchinson (for Baird), David Ludwig Loewe, and Erich Carl Rassbach (for Bosch) and Eberhard Falkens ...
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Recording Head
''Tape Head'' is the seventh studio album by American rock band King's X King's X is an American Rock music, rock band formed in Springfield, Missouri, in 1979. They were first called the Edge and later became Sneak Preview before settling on its current name in 1985. The band's current lineup has remained intact fo ..., released in 1998 via Metal Blade Records. A music video was made for the song "Fade". "World" is a reworked song from the band's ''Sneak Preview'' demos. The controversial unreleased track "Quality Control" is included on the album, but has been re-titled to "Happy". The majority of the lyrics are now different, including the lack of profanity. The album cover picture is that of Doug Pinnick wrapped in recording tape. According to Pinnick, he brought the songs "Happy", "Cupid" and "Hate You", and Ty Tabor brought "Ocean" to the ''Tape Head'' recording sessions. All other songs were band created during the recording session. The song "Walter Bela Far ...
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Helical Scan
Helical scan is a method of recording high-frequency signals on magnetic tape, used in open-reel video tape recorders, video cassette recorders, digital audio tape recorders, and some computer tape drives. With this technique, magnetic tape heads (or head chips) are placed on a rotating head drum, which moves the chips at high speed by due to its high angular velocity. The speed of the head chips must be higher than the linear speed of the tape. The tape is wrapped tightly around the drum. The drum and/or the tape is tilted at an angle that allows the head chips to read the tape diagonally. The linear speed of the tape is slower than the speed of the head chips, allowing high frequency signals to be read or recorded, such as video. As the tape moves linearly or length-wise, the head chips move across the width of the tape in a diagonal path. Due to geometry, this allows for high head chip speeds, known as writing speeds, to be achieved in spite of the low linear speed of the tap ...
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D-5 (Panasonic)
D-5 is a professional digital video format introduced by Panasonic at 18th International Television Symposium in Montreux in 1993 and released a year later in 1994. Overview Like Sony's D-1 (8-bit), it is an uncompressed digital component system (10-bit), but uses the same half-inch tapes as Panasonic's digital composite D-3 format. A 120 min. D-3 tape will record 60 min. in D-5/D-5 HD mode. D-5 standard definition (SD) decks can be retrofitted to record high definition with the use of an external HD input/output box/decoder. There were native D5 HD decks as well that didn't need an external processor and could record in both SD and HD. High definition conversion on D5 HD decks does not allow for any error correction that exists on standard definition recordings, as the full bandwidth of the tape is required for high definition recording. D-5 HD D-5 HD uses standard D-3/D-5 videocassettes to record HD material, using an intra-frame compression with a 4:1 ratio. It was introdu ...
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HDCAM
HDCAM is a high-definition video digital recording videocassette version of Digital Betacam introduced in 1997 that uses an 8-bit discrete cosine transform (DCT) compressed 3:1:1 recording, in 1080i-compatible down-sampled resolution of 1440×1080, and adding 24p and 23.976 progressive segmented frame (PsF) modes to later models. The HDCAM codec uses rectangular pixels and as such the recorded 1440×1080 content is upsampled to 1920×1080 on playback. The recorded video bit rate is 144 Mbit/s. Audio is also similar, with four channels of AES3 20-bit, 48 kHz digital audio. Like Betacam, HDCAM tapes were produced in small and large cassette sizes; the small cassette uses the same form factor as the original Betamax. The main competitor to HDCAM was the DVCPRO HD format offered by Panasonic, which uses a similar compression scheme and bit rates ranging from 40 Mbit/s to 100 Mbit/s depending on frame rate. HDCAM is standardized as SMPTE 367M, also know ...
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Helical Scan
Helical scan is a method of recording high-frequency signals on magnetic tape, used in open-reel video tape recorders, video cassette recorders, digital audio tape recorders, and some computer tape drives. With this technique, magnetic tape heads (or head chips) are placed on a rotating head drum, which moves the chips at high speed by due to its high angular velocity. The speed of the head chips must be higher than the linear speed of the tape. The tape is wrapped tightly around the drum. The drum and/or the tape is tilted at an angle that allows the head chips to read the tape diagonally. The linear speed of the tape is slower than the speed of the head chips, allowing high frequency signals to be read or recorded, such as video. As the tape moves linearly or length-wise, the head chips move across the width of the tape in a diagonal path. Due to geometry, this allows for high head chip speeds, known as writing speeds, to be achieved in spite of the low linear speed of the tap ...
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Metal Particle Tape
Audio compact cassettes use magnetic tape of three major types which differ in fundamental magnetic properties, the level of bias applied during recording, and the optimal time constant of replay equalization. Specifications of each type were set in 1979 by the International Electrotechnical Commission (IEC): Type I (IEC I, 'ferric' or 'normal' tapes), Type II (IEC II, or 'chrome' tapes), Type III (IEC III, ferrichrome or ferrochrome), and Type IV (IEC IV, or 'metal' tapes). 'Type 0' was a non-standard designation for early compact cassettes that did not conform to IEC specification. By the time the specifications were introduced, Type I included pure gamma ferric oxide formulations, Type II included ferricobalt and chromium(IV) oxide formulations, and Type IV included metal particle tapes—the best-performing, but also the most expensive. Double-layer Type III tape formulations, advanced by Sony and BASF in the 1970s, never gained substantial market presence. In the 1980s t ...
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D2 (video Format)
D-2 is a professional digital videocassette format created by Ampex and introduced in 1988 at the NAB Show as a composite video alternative to the component video D-1 format. It garnered Ampex a technical Emmy in 1989. Like D-1, D-2 stores uncompressed digital video on a tape cassette; however, it stores a composite video signal, rather than component video as with D-1. While component video is superior for advanced editing, especially when chroma key effects are used, composite video was more compatible with most analog facilities existing at the time. History Ampex created the first D-2 video machine, the ACR-225 commercial spot player working with Sony, who had done some early research into composite digital video, as a cost-effective solution for TV broadcasters with large investments in composite analog infrastructure such as video routers and switchers, since it could be inserted into existing analog broadcast facilities without extensive redesign or modificatio ...
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D1 (Sony)
D-1 or 4:2:2 Component Digital is an SMPTE digital recording video standard, introduced in 1986 through efforts by SMPTE engineering committees. It started as a Sony and Bosch – BTS product and was the first major professional digital video format. SMPTE standardized the format within ITU-R 601 (orig. CCIR-601), also known as Rec. 601, which was derived from SMPTE 125M and EBU 3246-E standards. Format D-1 or 4:2:2 D-1 (1986) was a major feat in real time, broadcast quality digital video recording. It stores uncompressed digitized component video, encoded at Y'CbCr 4:2:2 using the CCIR 601 raster format with 8 bits, along with PCM audio tracks as well as timecode on a 3/4 inch (19 mm) videocassette tape (though not to be confused with the ubiquitous 3/4-inch U-Matic/U-Matic SP cassette). The uncompressed component video used enormous bandwidth for its time: 167 Mbit/sec (bit rate). One of the first D-1 VTRs, the Sony DVR-1000, required a separate ...
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Giga Bit
The bit is the most basic unit of information in computing and digital communication. The name is a portmanteau of binary digit. The bit represents a logical state with one of two possible values. These values are most commonly represented as either , but other representations such as ''true''/''false'', ''yes''/''no'', ''on''/''off'', or ''+''/''−'' are also widely used. The relation between these values and the physical states of the underlying storage or device is a matter of convention, and different assignments may be used even within the same device or program. It may be physically implemented with a two-state device. A contiguous group of binary digits is commonly called a ''bit string'', a bit vector, or a single-dimensional (or multi-dimensional) ''bit array''. A group of eight bits is called one ''byte'', but historically the size of the byte is not strictly defined. Frequently, half, full, double and quadruple words consist of a number of bytes which is a ...
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HIPPI
HIPPI, short for High Performance Parallel Interface, is a computer bus for the attachment of high speed storage devices to supercomputers, in a Point-to-point link#Point-to-point, point-to-point link. It was popular in the late 1980s and into the mid-to-late 1990s, but has since been replaced by ever-faster standard interfaces like Fibre Channel and 10 Gigabit Ethernet. HIPPI was the first “near-gigabit” (0.8 Gbit/s) (American National Standards Institute, ANSI) standard for network data transmission. It was specifically designed for supercomputers and was never intended for mass market networks such as Ethernet. Many of the features developed for HIPPI were integrated into such technologies as InfiniBand. What is remarkable about HIPPI is that it came out when Ethernet was still a 10 Mbit/s data link and SONET at OC-3 (155 Mbit/s) was considered leading edge technology. The first HIPPI standard (HIPPI-PH) defined a 50-pair (100-wire) unidirectional twis ...
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