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Curlew River
''Curlew River – A Parable for Church Performance'' (Op. 71) is an English music drama, with music by Benjamin Britten to a libretto by William Plomer. The first of Britten's three 'Parables for Church Performance', the work is based on the Japanese ''noh'' play ''Sumidagawa'' (Sumida River) of Juro Motomasa] (1395–1431), which Britten saw during a visit to Japan and the Far East in early 1956. Beyond the ''noh'' source dramatic material, Britten incorporated elements of ''noh'' treatment of theatrical time into this composition. ''Curlew River'' marked a departure in style for the remainder of the composer's creative life, paving the way for such works as ''Owen Wingrave'', ''Death in Venice'' and the Third String Quartet. Plomer translated the setting of the original into a Christian parable, set in early medieval times near the fictional Curlew River, in the fenlands of East Anglia. Peter F. Alexander has investigated in detail the librettist's contribution to the work, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Britten
Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera '' Peter Grimes'' (1945), the '' War Requiem'' (1962) and the orchestral showpiece '' The Young Person's Guide to the Orchestra'' (1945). Born in Lowestoft, Suffolk, the son of a dentist, Britten showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the ''a cappella'' choral work '' A Boy was Born'' in 1934. With the premiere of ''Peter Grimes'' in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to large-sca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Opera Group
The English Opera Group was a small company of British musicians formed in 1947 by the composer Benjamin Britten (along with John Piper, Eric Crozier and Anne Wood) for the purpose of presenting his and other, primarily British, composers' operatic works. The group later expanded to present larger-scale works, and was renamed the English Music Theatre Company. The organisation produced its last opera and ceased to run in 1980. English Opera Group Fleeing internal politics at Sadler's Wells Opera at the end of 1945, Britten and singers Joan Cross, Anne Wood, and Peter Pears joined with designer Piper and producer Crozier to found the English Opera Group. The new company's goal was to première Britten's operas, and to present other, mostly British, small-scale operas. Rosenthal, Harold. ''English Opera Group'' in Sadie, vol. 2, p. 52 The company's first project was to première Britten's chamber opera '' Albert Herring'' and give further performances of his opera ''The Rape of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Te Lucis Ante Terminum
''Te lucis ante terminum'' (English: ''To Thee before the close of day'') is an old Latin hymn in long metre. It is the hymn at Compline in the ''Roman Breviary''. Origin S.-G. Pimont argued for the authorship of Ambrose of Milan. The Benedictine editors and Luigi Biraghi disagreed. The hymn is found in a hymnary in Irish script (described by Clemens Blume in his ''Cursus'', etc.) of the eighth or early ninth century; but the classical prosody of its two stanzas (''solita'' in the third line of the original text is the only exception) suggests a much earlier origin. In this hymnary it is assigned, together with the hymn '' Christe qui splendor et dies'' (also known as ''Christe qui lux es et dies''), to Compline. An earlier arrangement (as shown by the Rule of Caesarius of Arles, c. 502) coupled with the ''Christe qui lux'' the hymn '' Christe precamur adnue'', and assigned both to the "twelfth hour" of the day for alternate recitation throughout the year. The later introdu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Processional Hymn
A processional hymn is a chant, hymn or other music sung during the Procession, usually at the start of a Christian service, although occasionally during the service itself. The procession usually contains members of the clergy and the choir walking behind the processional cross. Occasionally, a service will also contain a recessional hymn, although in the Protestant tradition this is usually an organ voluntary. The genre first appears in the early Middle Ages, and is a distinct genre from breviary hymns, often containing a refrain. With its longer cathedrals and churches, England was particularly rich in these and several are to be found in the ''Sarum Processional''. In '' The English Hymnal'' nos. 613 to 640 are described as "Processional" and nos. 641 to 646 are "Suitable for use in procession". The processional hymns include "Of the Father's Heart Begotten" (''Corde natus ex parentis'', by Prudentius), " Ride On, Ride On in Majesty!"(by H. H. Milman), "Hail thee, Festival Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the Medieval music, medieval era to the present, or popular music repertoire. Most choirs are led by a conducting, conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the Choir (architecture), quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a Venetian polychoral style, polychoral compositi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boy Soprano
A boy soprano (British and especially North American English) or boy treble (only British English) is a young male singer with an unchanged voice in the soprano range, a range that is often still called the treble voice range (in North America too) when talking about children. Origins In the Anglican and English Catholic liturgical traditions (in which girls and women did not sing in church choirs), young male choristers were normally referred to as "trebles" rather than as boy sopranos, but today the term "boy trebles" is increasingly common (girls with high voices are trebles too). The term "treble" derives from the Latin ', used in 13th and 14th century motets to indicate the third and highest range, which was sung above the tenor part (which carried the tune) and the alto part. Another term for that range is '. The term "treble" itself was first used in the 15th century. Trebles have an average range of A3 to F5 (220–700 Hz). The term ''boy soprano'' originated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Shirley-Quirk
John Stanton Shirley-Quirk CBE (28 August 19317 April 2014) was an English bass-baritone. A member of the English Opera Group during 1964–76, he gave premiere performances of several operatic and vocal works by Benjamin Britten, recording these and other works under the composer's direction. He also sang and recorded a wide range of works by other composers, ranging from Handel through Tchaikovsky to Henze. Biography Shirley-Quirk was born in Liverpool and sang in the choir at Holt High School (today the Childwall Sports & Science Academy). He played the violin and was awarded a scholarship. While studying chemistry and physics at Liverpool University, he studied voice with Austen Carnegie. Shirley-Quirk was a lecturer in chemistry at Acton Technical College until 1957 and played a part in events leading to the formation of Brunel University. In that period he resumed his vocal studies with Roy Henderson. According to Imogen Holst, it was during this period while "earning hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Velis
Andrea Velis (7 June 1932 – 4 October 1994) was an American operatic tenor who had a lengthy association with the Metropolitan Opera that spanned 33 seasons. Considered a highly skilled character actor, he excelled in supporting roles, often to great comedic effect. His voice is preserved on several recordings made for ''Live from the Metropolitan Opera'' and the Metropolitan Opera radio broadcasts. Early life and career Born on 7 June 1932 in New Kensington, Pennsylvania, A Fulbright Scholarship for three years enabled him to pursue studies in opera at the Accademia Nazionale di Santa Cecilia in Rome, Italy. He made his professional opera debut in 1954 as Goro in Puccini's ''Madama Butterfly'' with the Pittsburgh Opera. In 1957 Velis joined the roster of artists at the Lyric Opera of Chicago, making his debut with the company as the Music Master and the Lamplighter in Puccini's '' Manon Lescaut'' with Renata Tebaldi in the title role. He sang several other roles in Chicago, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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