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Contrabass Trombone
The contrabass trombone (german: Kontrabassposaune, it, trombone contrabbasso) is the lowest instrument in the trombone family of brass instruments. First appearing built in 18′ B♭ an octave below the tenor trombone, since the late 20th century it has largely been supplanted by a less cumbersome bass-contrabass instrument pitched in 12′ F, a perfect fourth below the tenor and bass trombone. Wagner notably specified the contrabass for his ''Der Ring des Nibelungen'' opera cycle in the 1870s, and it has since appeared occasionally in large orchestral works without becoming a permanent member of the modern orchestra. In the 21st century it has enjoyed something of a revival, particularly in film and video game soundtracks. History The contrabass trombone first appeared during the late Renaissance period as the (), a sackbut in 18′ B♭. The bass trombones of the time were pitched in 12′ F (), or 14′ E♭ (). During this period, the contrabass trombone was built w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fromental Halévy
Jacques-François-Fromental-Élie Halévy, usually known as Fromental Halévy (; 27 May 179917 March 1862), was a French composer. He is known today largely for his opera ''La Juive''. Early career Halévy was born in Paris, son of the cantor Élie Halfon Halévy, who was the secretary of the Jewish community of Paris and a writer and teacher of Hebrew, and a French Jewish mother. The name Fromental (meaning 'oat grass'), by which he was generally known, reflects his birth on the day dedicated to that plant: 7 Prairial in the French Revolutionary calendar, which was still operative at that time. He entered the Conservatoire de Paris at the age of nine or ten (accounts differ), in 1809, becoming a pupil and later protégé of Cherubini. After two second-place attempts, he won the Prix de Rome in 1819: his cantata subject was ''Herminie''. As he had to delay his departure to Rome because of the death of his mother, he was able to accept the first commission that brought him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Hilaire Asté
Jean Hilaire Asté (1775–1840), also known as Halary or Halari, was a French professor of music and instrument-maker. Among the other instruments he patented, he is best known for inventing the ophicleide of which, it has been claimed, only five originals remain. Born in Agen, he moved to Paris in 1796, where, in 1804, he founded the ''maison'' Halary or Halari workshop, which made brass and woodwind instruments for most of the 19th century. Although it was invented in 1817, his patent wasn't awarded until 1821. The report of the Académie des Beaux-Arts in 1817 stated: The commission went on to add that it considered Halary had rendered a real service to the art of music and the Academy therefore considered he deserves its mark of approval for his ''trompette à clef''. The commission comprised, among other members of the Académie, Luigi Cherubini, François-Joseph Gossec, Charles Simon Catel, Jean-François Le Sueur Jean-François Le Sueur (more commonly Lesueur; ) (15 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allgemeine Musikalische Zeitung
The ''Allgemeine musikalische Zeitung'' (''General music newspaper'') was a German-language periodical published in the 19th century. Comini (2008) has called it "the foremost German-language musical periodical of its time". It reviewed musical events taking place in many countries, focusing on the German-speaking nations, but also covering France, Italy, Russia, Britain, and even occasionally America. Its impartiality and adherence to basic principles of credibility and discretion regarding the personal position of those reviewed, assured and established itself in a high position as a periodical in the musical German society of the time, exercising great influence on the period. History The periodical appeared in two series: a weekly magazine published between 1798 and 1848, and a revived version which lasted from 1866 to 1882. The publisher was Breitkopf & Härtel in Leipzig for the first period of publication and for the first three years of the second period; for the remaind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Weber
Jacob Gottfried Weber (March 1, 1779 – September 21, 1839) was a prominent German writer on music (especially on music theory), composer, and jurist. Biography Weber was born at Freinsheim. From 1824 to 1839, he was the editor of ''Cäcilia'', a musical periodical published in Mainz, which influenced musical thought in Germany during the early Romantic era Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate .... His most important work is his ''Versuch einer geordneten Theorie der Tonsetzkunst'' ("Theory of Musical Composition") (Mainz: B. Schott, 1817–21), which introduced several concepts that have since become important in the study of music theory. In this work, Weber develops the idea of "Mehrdeutigkeit" (that is, "multiple meaning"), a term initially introduced by Georg Jos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone (deel), NG-NM-10385-147 Whitebalanced
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as non-transposing instruments, reading at concert pitch in bass clef, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weber Trombone Slide Diagram In Allgemeine Musikalische Zeitung, 1816
Weber (, or ; German: ) is a surname of German origin, derived from the noun meaning " weaver". In some cases, following migration to English-speaking countries, it has been anglicised to the English surname 'Webber' or even 'Weaver'. Notable people with the surname include: Disambiguation of common given names with this surname * Arthur Weber (other), several people * Ben Weber (other), several people * Bruce Weber (other), several people * Bruno Weber (other), several people * Carl Weber (other), several people * Charlie Weber (other), several people * Charles Weber (other), several people * Christiane Weber (other), several people * David Weber (other), several people * Ernst Weber (other), several people * Friedrich Weber (other), several people * Georg Weber (other), several people * George Weber (other), several people * Gerard Weber (disambigu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sackbut
The term sackbut refers to the early forms of the trombone commonly used during the Renaissance and Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore, and its less-flared bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one. Records of the term ''trombone'' predate the term ''sackbut'' by two decades, and evidence for the German term ''Posaune'' is even older.Timeline of trombone history (15th century) Will Kimball ''Sackbut'', originally a French term, was used in England until the instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' '' contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Pal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contra Bass Trombone By Georg Nikolaus Öller
Contra may refer to: Places * Contra, Virginia * Contra Costa Canal, an aqueduct in the U.S. state of California * Contra Costa County, California * Tenero-Contra, a municipality in the district of Locarno in the canton of Ticino in Switzerland People * Cosmin Contra (born 1975), Romanian football player * Contra (writer) (real name Margus Konnula; born 1974), Estonian poet and translator * Contra (rapper) (real name Çağdaş Terzi; born 1989), Turkish rapper and songwriter Arts, entertainment, and media Games * Contra (card game), an historical German card game also known as Kontraspiel * Contra (cards), a bid to double the stakes in many card games * ''Contra'' (series), a line of run and gun video games created by Konami ** ''Contra'' (video game), the original game, released in 1987 Music and dance * ''Contra'' (album), the second album by Vampire Weekend * Contra (band), a band from Cleveland * "Contra" (song), a song by Logic * Contra dance, several folk dance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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