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Conrad Meit
Conrad Meit or (usual in German) Conrat Meit (1480s in Worms; 1550/1551 in Antwerp) was a German-born Late Gothic and Renaissance sculptor, who spent most of his career in the Low Countries. The royal tombs that were his largest works still had elaborate Late Gothic architectural frameworks by others, but Meit's figures were Renaissance in conception and style. Meit's work, with its delicately worked plasticity and pronounced corporality, brought an entirely new form of expression to Late Gothic church sculpture. The anatomy of his nude figures draws more from Albrecht Dürer than from classical sculpture. Later many of his works in Brussels, Antwerp, Tongerlo Abbey, and elsewhere were destroyed in the Reformation and French Revolution, leaving the three royal monuments at the then newly built Royal Monastery of Brou, Bourg-en-Bresse, as his outstanding surviving large works. A number of small works, including portrait busts in wood, and small statuettes in various materials ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conrat Meit
Conrad Meit or (usual in German) Conrat Meit (1480s in Worms; 1550/1551 in Antwerp) was a German-born Late Gothic and Renaissance sculptor, who spent most of his career in the Low Countries. The royal tombs that were his largest works still had elaborate Late Gothic architectural frameworks by others, but Meit's figures were Renaissance in conception and style. Meit's work, with its delicately worked plasticity and pronounced corporality, brought an entirely new form of expression to Late Gothic church sculpture. The anatomy of his nude figures draws more from Albrecht Dürer than from classical sculpture. Later many of his works in Brussels, Antwerp, Tongerlo Abbey, and elsewhere were destroyed in the Reformation and French Revolution, leaving the three royal monuments at the then newly built Royal Monastery of Brou, Bourg-en-Bresse, as his outstanding surviving large works. A number of small works, including portrait busts in wood, and small statuettes in various materials ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meit Madonna And Child
{{Disambiguation, geo, surname ...
Meit may refer to: * Maydh, a city in Somalia * Meit (Baradine County parish), in Wales, UK * Conrad Meit, sculptor See also * Meite * Mait (other) * Mate (other) Mate may refer to: Science * Mate, one of a pair of animals involved in: ** Mate choice, intersexual selection ** Mating * Multi-antimicrobial extrusion protein, or MATE, an efflux transporter family of proteins Person or title * Friendshi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carrara Marble
Carrara marble, Luna marble to the Romans, is a type of white or blue-grey marble popular for use in sculpture and building decor. It has been quarried since Roman times in the mountains just outside the city of Carrara in the province of Massa and Carrara in the Lunigiana, the northernmost tip of modern-day Tuscany, Italy. More marble has been extracted from the over 650 quarry sites near Carrara than from any other place. The pure white ''statuario'' grade was used for monumental sculpture, as "it has a high tensile strength, can take a high gloss polish and holds very fine detail".Kings By the late 20th century this had now run out, and the considerable ongoing production is of stone with a greyish tint, or streaks of black or grey on white. This is still attractive as an architectural facing, or for tiles. History Carrara marble has been used since the time of Ancient Rome then called the " Luna marble". In the Middle Ages, most of the quarries were owned by the Marquis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duchy Of Savoy
The Duchy of Savoy ( it, Ducato di Savoia; french: Duché de Savoie) was a country in Western Europe that existed from 1416. It was created when Sigismund, Holy Roman Emperor, raised the County of Savoy into a duchy for Amadeus VIII. The duchy was an Imperial fief, subject of the Holy Roman Empire, until 1792, with a vote in the Imperial Diet. From the 16th century, Savoy belonged to the Upper Rhenish Circle. Its territory included the current French departments of Savoy, Haute-Savoie and the Alpes-Maritimes, the current Italian region of Aosta Valley, a large part of Piedmont and the County of Geneva in Switzerland, which was then lost to the Old Swiss Confederacy. Throughout its history, it was ruled by the House of Savoy and formed a part of the larger Savoyard state, which in 1720 became the Kingdom of Piedmont-Sardinia (also called "Kingdom of Savoy-Sardinia"). The main Vulgar languages that were spoken within the Duchy of Savoy were Piedmontese and Arpitan. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bresse
Bresse () is a former French province. It is located in the regions of Auvergne-Rhône-Alpes and Bourgogne-Franche-Comté of eastern France. The geographical term ''Bresse'' has two meanings: ''Bresse bourguignonne'' (or ''louhannaise''), which is situated in the east of the department of Saône-et-Loire, and ''Bresse'', which is located in the department of Ain. The corresponding adjective is ''bressan'', and the inhabitants are ''Bressans''. Bresse extends from the Dombes on the south to the river Doubs on the north, and from the Saône eastwards to the Jura mountains, measuring some in the former, and in the latter direction. It is a plain varying from feet above the sea, with few eminences and a slight inclination westwards. Heaths and coppice alternate with pastures and arable land; pools and marshes are numerous, especially in the north. Its chief rivers are the Veyle, the Reyssouze and the Seille, all tributaries of the Saône. The soil is a gravelly clay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Of Bourbon (1438-1483)
Margaret of Bourbon or Marguerite de Bourbon may refer to: * Margaret of Bourbon, Queen of Navarre (c. 1217 – 1256), Queen of Navarre from 1232 to 1253 as the third wife of Theobald I of Navarre; regent for three years following his death * Margaret of Bourbon, Lady of Albret (1344–1416), daughter of Peter I, Duke of Bourbon and Isabella of Valois, Duchess of Bourbon; wife of Arnaud Amanieu, Lord of Albret * Margaret of Bourbon (1438–1483) Margaret of Bourbon (5 February 1438 – 24 April 1483) was the daughter of Charles I, Duke of Bourbon (1401–1456) and Agnes of Burgundy (1407–1476). On 6 April 1472, she became the first wife of Philip II, Duke of Savoy (1443–1497). Her c ..., daughter of Charles I, Duke of Bourbon and Agnes of Burgundy, Duchess of Bourbon; wife of Philip II, Duke of Savoy * Margaret of Bourbon (1516–1559), daughter of Charles, Duke of Vendôme and Françoise d'Alençon; wife of Francis I, Duke of Nevers {{hndis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philibert II, Duke Of Savoy
Philibert II (10 April 1480 – 10 September 1504), nicknamed the Handsome or the Good, was the Duke of Savoy from 1497 until his death. Biography Born in Pont-d'Ain, Philibert was the son of Philip (Filippo) the Landless and his first wife Marguerite of Bourbon. In 1496, Philibert's father surprisingly succeeded as Duke, when his underaged grandnephew Duke Charles II of Savoy died, being the male heir of the line of Savoy. The same year, the 16-year-old Philibert married the 9-year-old Yolande Louise of Savoy, his cousin and the only sister of the deceased young duke. She was daughter of Duke Charles I of Savoy, the Warrior, and Blanche of Montferrat, as well as granddaughter of Philibert's late uncle, Duke Amadeus IX of Savoy. She was the heir-general of her brother, father, grandfather, and her grandmother Yolande of France, the eldest surviving daughter of king Charles VII of France. Her birthright, after the death of her brother, was the succession of the kingdoms o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconoclasm
Iconoclasm (from Greek: grc, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, κλάω, lit=to break, translit=kláō, label=none)From grc, εἰκών + κλάω, lit=image-breaking. ''Iconoclasm'' may also be considered as a back-formation from ''iconoclast'' (Greek: εἰκοκλάστης). The corresponding Greek word for iconoclasm is εἰκονοκλασία, ''eikonoklasia''. is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons. People who engage in or support iconoclasm are called iconoclasts, a term that has come to be figuratively applied to any individual who challenges "cherished beliefs or venerated institutions on the grounds that they are erroneous or pernicious." Conversely, one who reveres or venerates religious images is called (by iconoclasts) an '' iconolater''; in a Byzantine context, such a person is called an '' iconodule'' or ''ic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guild Of St Luke
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was identified by John of Damascus as having painted the Virgin's portrait. One of the most famous such organizations was founded in Antwerp. It continued to function until 1795, although by then it had lost its monopoly and therefore most of its power. In most cities, including Antwerp, the local government had given the Guild the power to regulate defined types of trade within the city. Guild membership, as a master, was therefore required for an artist to take on apprentices or to sell paintings to the public. Similar rules existed in Delft, where only members could sell paintings in the city or have a shop. The early guilds in Antwerp and Bruges, setting a model that would be followed in other cities, even had their own showroom or market sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mechelen
Mechelen (; french: Malines ; traditional English name: MechlinMechelen has been known in English as ''Mechlin'', from where the adjective ''Mechlinian'' is derived. This name may still be used, especially in a traditional or historical context. The city's French name ' had also been used in English in the past (in the 19th and 20th century) however this has largely been abandoned. Meanwhile, the Dutch derived ' began to be used in English increasingly from late 20th century onwards, even while ''Mechlin'' remained still in use (for example a ''Mechlinian'' is an inhabitant of this city or someone seen as born-and-raised there; the term is also the name of the city dialect; as an adjective ''Mechlinian'' may refer to the city or to its dialect.) is a city and municipality in the province of Antwerp in the Flemish Region of Belgium. The municipality comprises the city of Mechelen proper, some quarters at its outskirts, the hamlets of (adjacent) and (a few kilometers away), as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Of Austria, Duchess Of Savoy
Archduchess Margaret of Austria (german: Margarete; french: Marguerite; nl, Margaretha; es, Margarita; 10 January 1480 – 1 December 1530) was Governor of the Habsburg Netherlands from 1507 to 1515 and again from 1519 to 1530. She was the first of many female regents in the Netherlands. Childhood and life in France Margaret was born on 10 January 1480 and named after her stepgrandmother, Margaret of York. She was the second child and only daughter of Maximilian of Austria (future Holy Roman Emperor) and Mary of Burgundy, co-sovereigns of the Low Countries. In 1482, her mother died and her three-year-old brother Philip the Handsome succeeded her as sovereign of the Low Countries, with her father as his regent. The same year her mother died, King Louis XI of France signed the Treaty of Arras, whereby her father promised to give her hand in marriage to Louis' son, Dauphin Charles. The engagement took place in 1483. With Franche-Comté and Artois as her dowry, Margaret wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Court Sculptor
A court painter was an artist who painted for the members of a royal or princely family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Painters were the most common, but the court artist might also be a court sculptor. In Western Europe, the role began to emerge in the mid-13th century. By the Renaissance, portraits, mainly of the family, made up an increasingly large part of their commissions, and in the Early Modern period one person might be appointed solely to do portraits, and another for other work, such as decorating new buildings. Especially in the Late Middle Ages, they were often given the office of valet de chambre. Usually they were given a salary and formal title, and often a pension for life, though arrangements were highly variable. But often the artist was paid only a retainer, and paid additionally for works he or, less often, she produced for the monarch. For the artist, a court appointment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
